Paul de Man

The question of de Man's personal history has continued to fascinate scholars, as evidenced by Evelyn Barish's 2014 biography The Double Life of Paul de Man. In an advance review published in Harper's Magazine, Christine Smallwood concludes that de Man, as portrayed by Barish, was: "a slippery Mr. Ripley, a confidence man, and a hustler who embezzled, lied, forged, and arreared his way to intellectual acclaim." In response to these claims, Peter Brooks, who succeeded to de Man's post as Sterling professor at Yale, stated that some of Barish's accusations were overblown, identifying several errors in her footnotes: "One could do a review of Barish's footnotes that would cast many doubts on her scholarship". For example, he cites the footnote Barish provides to support her claim that in 1942 de Man planned to launch a Nazi literary magazine: "I shared this information, and it has since been previously published in Belgian sources not now available to me", noting that this sort of thing "does not pass any sort of muster." Harvard professor Louis Menand, on the other hand, in his review in The New Yorker, finds Barish's biography important and credible, notwithstanding the presence of occasional errors and exaggerations. Menand writes "[h]er book is a brief for the prosecution. But it is not a hatchet job, and she has an amazing tale to tell. In her account, all guns are smoking. There are enough to stock a miniseries."

Much of de Man's work was collected or published posthumously. His book Resistance to Theory was virtually complete at the time of his death. A collection of essays, edited by his former Yale colleague Andrzej Warminski, was published by the University of Minnesota Press in 1996 under the title Aesthetic Ideology.

Fredric Jameson lengthily defended de Man in Postmodernism, or, the Cultural Logic of Late Capitalism (1991), observing about de Man's critics that "it does not seem to me that North American intellectuals have generally had the kind of experience of history that would qualify them to judge the actions and choices of people under military occupation." According to Jameson, the efforts to implicate de Man in the Holocaust hinged on a fundamental misunderstanding of Nazi anti-Semitism:

De Man's colleagues, students, and contemporaries tried to respond to his early writings and his subsequent silence about them in the volume Responses: On Paul de Man's Wartime Journalism (edited by Werner Hamacher, Neil Hertz, and Thomas Keenan; Nebraska, 1989). His longtime friend, Jacques Derrida, who was Jewish, published a long piece responding to De Man's critics, declaring:

In August 1987, Ortwin de Graef, a Belgian graduate student at the University of Leuven, discovered some two hundred articles which de Man had written during World War II for Le Soir. In 1988, a conference on Paul de Man took place at the University of Antwerp. "On the last day, Jean Stengers, a historian at the Free University of Brussels, addressed a topic pointedly titled: "Paul de Man, a Collaborator?" Then Georges Goriely, professor emeritus of sociology at the Free University of Brussels, rose to deliver what he called "A Personal Testimony":

Since the late 1980s, some of de Man's followers, many of them Jewish, have pointed out that de Man at no time in his life displayed personal animus against Jews. Shoshana Felman, recounted that

Following an appointment to a professorship in Zurich, de Man returned to the United States in the 1970s to teach at Yale University, where he served for the rest of his career. At the time of his death of cancer at age 64, he was a Sterling Professor and chairman of the department of comparative literature at Yale.

In 1966, de Man attended a conference on structuralism held at Johns Hopkins University, where Jacques Derrida delivered his celebrated essay, "Structure, Sign, and Play in the Discourse of the Human Sciences"; de Man and Derrida soon became fast friends. Both were to become identified with Deconstruction. De Man came to reflect the influence primarily of Heidegger and used deconstruction to study Romanticism, both English and German, as well as French literature, specifically the works of William Wordsworth, John Keats, Maurice Blanchot, Marcel Proust, Jean-Jacques Rousseau, Friedrich Nietzsche, Immanuel Kant, G .W. F. Hegel, Walter Benjamin, William Butler Yeats, Friedrich Hoelderlin and Rainer Maria Rilke.

A heavily fictionalized account of this period of de Man's life is the basis of Henri Thomas's 1964 novel Le Parjure (The Perjurer). His life also provides the basis for Bernhard Schlink's 2006 novel, translated as "Homecoming". De Man married Kelley a first time in June 1950, but did not tell her that he had not actually gotten a divorce and that the marriage was bigamous. They underwent a second marriage ceremony in August 1960, when his divorce from Baraghian was finalized, and later had a third ceremony in Ithaca. In addition to their son, Michael, born while the couple was at Bard College, they had a daughter, Patsy. The couple remained together until de Man's death, aged 64, in New Haven, Connecticut.

He began his teaching career in the United States at Bard College where he taught French literature. He completed his Ph.D. at Harvard University in 1960, then taught at Cornell University, Johns Hopkins University, and the University of Zurich. He joined the faculty in French and Comparative Literature at Yale University, where he was considered part of the Yale School of Deconstruction. At the time of his death from cancer, he was Sterling Professor of the Humanities and chairman of the Department of Comparative Literature at Yale. De Man oversaw the dissertations of Gayatri Spivak (at Cornell), Barbara Johnson (at Yale), Samuel Weber (at Cornell), and many other noted scholars.

Although de Man's work in the 1960s differs from his later deconstructive endeavors, considerable continuity can also be discerned. In his 1967 essay "Criticism and Crisis," he argues that because literary works are understood to be fictions rather than factual accounts, they exemplify the break between a sign and its meaning: literature "means" nothing, but critics resist this insight:

Among the central threads running through de Man's work is his attempt to tease out the tension between rhetoric (which de Man uses as a term to mean figural language and trope) and meaning, seeking moments in the text where linguistic forces "tie themselves into a knot which arrests the process of understanding." De Man's earlier essays from the 1960s, collected in Blindness and Insight, represent an attempt to seek these paradoxes in the texts of New Criticism and move beyond formalism. One of De Man's central topoi is of the blindness on which these critical readings are predicated, that the "insight seems instead to have been gained from a negative movement that animates the critic's thought, an unstated principle that leads his language away from its asserted stand. . . as if the very possibility of assertion had been put into question." Here de Man tries to undercut the notion of the poetic work as a unified, atemporal icon, a self-possessed repository of meaning freed from the intentionalist and affective fallacies. In de Man's argument, formalist and New Critical valorization of the "organic" nature of poetry is ultimately self-defeating: the notion of the verbal icon is undermined by the irony and ambiguity inherent within it. Form ultimately acts as "both a creator and undoer of organic totalities," and "the final insight...annihilated the premises which led up to it."

The de Mans moved to Boston, where Paul earned money teaching conversational French at Berlitz and did translations assisted by Patricia de Man; he also gave private French lessons to Harvard student Henry Kissinger, then running a small center and publication of his own. There, de Man met Harry Levin, the Harvard Professor of Comparative Literature, and "was invited to join an informal literary seminar that met at Levin's house (alongside, e.g., George Steiner and John Simon). By the fall of 1952, he was officially admitted to graduate study in comparative literature." In 1954 someone sent Harvard an anonymous letter denouncing de Man as a wartime collaborator and questioning his immigration status (a letter not surviving, and known only on the basis of de Man's response to it). According to Harvard faculty members, de Man offered a thorough and more than satisfactory account of his immigration status and the nature of his political activities. While he was writing his dissertation, de Man was awarded a prestigious appointment at the Harvard Society of Fellows. In 1960, because his thesis was unsatisfactory to his mentors on several counts, and especially its philosophical approach, they were prepared to dismiss him, but he moved immediately to an advanced position at Cornell University, where he was highly valued.

In 1948, de Man left Belgium and emigrated to New York City. He had fled as an exile to avoid what became two trials for criminal and financial misdeeds (thefts of money from investors in a publishing company he ran) for which he was convicted in absentia to five years of imprisonment and heavy fines. Baraghian sailed with their three young sons to Argentina, where her parents had recently immigrated. De Man found work stocking books at the Doubleday Bookstore at New York City's Grand Central Station. From there he wrote to his friend Georges Bataille, a French philosopher, and through him, he met Dwight Macdonald, a key figure on the New York intellectual and literary scene. At Macdonald's apartment, de Man met the celebrated novelist Mary McCarthy. McCarthy recommended de Man to her friend Artine Artinian, a professor of French at Bard College, as a temporary replacement while Artinian spent the academic year of 1949–50 in France as a Fulbright fellow.

De Man spent the rest of the war in seclusion reading American and French literature and philosophy and organizing a translation into Dutch of Moby Dick by Herman Melville, which he published in 1945. He would be interrogated by prosecutor Roger Vinçotte, but not charged after the war. Henri de Man was tried and convicted in absentia for treason; he died in Switzerland in 1953, after crashing his car into an oncoming train, an accident that was almost certainly a suicide.

That fall Paul enrolled in the Free University of Brussels. He wrote for student magazines and continued to take courses in science and engineering. For stability he turned to his uncle Henri as a patron and surrogate emotional father, later on several occasions telling people Henri was his real father and his real father was his uncle. He fathered a son with Romanian-born Anaïde Baraghian, the wife of his good friend, Gilbert Jaeger. They lived in a menage à trois until August 1942, when Baraghian left her husband. Paul married her in 1944, and the couple had two more sons together.

Holding three different jobs, de Man became very highly paid, but he lost all three between November 1942 and April 1943, failures that resulted from a combination of losing a coup he had launched against one employer and his own incompetence as a businessman at another. After this, de Man went into hiding; the Belgian Resistance had now begun assassinating prominent Belgian pro-Nazis. He had lost his protection in late 1942, when Henri, mistrusted by his collaborators on the right and himself marked for death as a traitor by the Belgian Resistance, went into exile.

De Man, Baraghian and Jaeger fled to the south of France near the Spanish border when the Nazis occupied Belgium in 1940. Henri, who by then was a self-avowed fascist, welcomed the Nazi invaders, whom he saw as essential for instituting his brand of socialism. For a year, Henri de Man was appointed as de facto puppet Prime Minister of Belgium under the Nazis. Some believed that he used his influence to secure his nephew a position as an occasional cultural critic for Le Soir, the influential Belgian French-language newspaper. After contributing an essay, “The Jews in Present-Day Literature,” to Le Soir volé's notorious anti-Semitic attack of March 4, 1941, de Man became its official book reviewer and a cultural critic. Later he contributed to the Flemish daily Het Vlaamsche Land; both publications were vehemently anti-Semitic when under Nazi control. As a cultural critic, de Man would contribute hundreds of articles and reviews to these publications. His writings supported the Germanic ideology and the triumph of Germany in the war, while never referring directly to Hitler himself. In spite of that he maintained friendships with individual Jews.

In the most controversial and explicitly anti-semitic essay from this wartime journalism, titled "Jews in Contemporary Literature" (1941), de Man described how "[v]ulgar anti-semitism willingly takes pleasure in considering post-war cultural phenomenon (after the war of 14–18) as degenerate and decadent because they are [enjewished]." He notes that

Paul de Man (December 6, 1919 – December 21, 1983), born Paul Adolph Michel Deman, was a Belgian-born literary critic and literary theorist. At the time of his death, de Man was one of the most prominent literary critics in the United States—known particularly for his importation of German and French philosophical approaches into Anglo-American literary studies and critical theory. Along with Jacques Derrida, he was part of an influential critical movement that went beyond traditional interpretation of literary texts to reflect on the epistemological difficulties inherent in any textual, literary, or critical activity. This approach aroused considerable opposition, which de Man attributed to "resistance" inherent in the difficult enterprise of literary interpretation itself.

De Man's early life was difficult and shadowed by tragedy. His mother Madeleine's first pregnancy with her oldest son Hendrik ("Rik," b. 1915) coincided with the intense German bombings of World War I and strained her physical and mental health. The stillbirth of a daughter two years later pushed her into intermittent but lifelong suicidal depression. She was psychologically fragile and had to be watched. The family walked on eggshells and "Bob" de Man found solace with other women. In contrast to Rik, who was backward and a failure in school, Paul dealt with his difficult home life by becoming a brilliant student and accomplished athlete. He was enrolled in the Dutch-speaking cohort of boys admitted to the prestigious and highly competitive Royal Athenaeum of Antwerp. There, he followed his father's career path in choosing to study science and engineering, consistently receiving top marks in all subjects and graduating at the top of his class. He took no courses in literature or philosophy but developed a strong extracurricular interest in both as well as in religious mysticism. In 1936, his brother Rik de Man was killed at the age of 21 when his bicycle was struck by a train at a railroad crossing. The following year, it was Paul, then seventeen, who discovered the body of their mother, who had hanged herself a month before the anniversary of Rik's death.