Age, Biography and Wiki

Jess Stacy (Alexandria Stacy) was born on 11 August, 1904 in Bird's Point, Missouri, USA, is a Soundtrack, Actor. Discover Jess Stacy's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of Jess Stacy networth?

Popular As Alexandria Stacy
Occupation soundtrack,actor
Age 91 years old
Zodiac Sign Leo
Born 11 August 1904
Birthday 11 August
Birthplace Bird's Point, Missouri, USA
Date of death 1 January, 1995
Died Place Los Angeles, California, USA
Nationality USA

We recommend you to check the complete list of Famous People born on 11 August. He is a member of famous Soundtrack with the age 91 years old group.

Jess Stacy Height, Weight & Measurements

At 91 years old, Jess Stacy height not available right now. We will update Jess Stacy's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
Parents Not Available
Wife Not Available
Sibling Not Available
Children Not Available

Jess Stacy Net Worth

His net worth has been growing significantly in 2021-2022. So, how much is Jess Stacy worth at the age of 91 years old? Jess Stacy’s income source is mostly from being a successful Soundtrack. He is from USA. We have estimated Jess Stacy's net worth , money, salary, income, and assets.

Net Worth in 2022 $1 Million - $5 Million
Salary in 2022 Under Review
Net Worth in 2021 Pending
Salary in 2021 Under Review
House Not Available
Cars Not Available
Source of Income Soundtrack

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Timeline

1996

Inducted into the Big Band and Jazz Hall of Fame in 1996.

1963

After 1963, somewhat disillusioned, he gave up full-time music altogether, instead selling cosmetics and delivering mail for the Max Factor company.

1945

In 1945, Stacy formed his own big band as a backing group for his then-wife, the jazz singer Lee Wiley, recording several sides for RCA and Commodore. Both marriage and band turned out to be short-lived. As the big band era came to an end, Stacy drifted towards the edges of the music scene.

1944

Nevertheless, after three years with Crosby, Stacy returned to Goodman, until the latter temporarily disbanded his orchestra in March 1944. This was followed by brief stints with Horace Heidt and Tommy Dorsey.

1940

By the late 1940's, he was performing as a soloist in such West Coast bars and clubs as the Brown Derby, the Hangover and the Ile de France.

1939

Stacy was reputed to be mild-mannered, of sensitive disposition, so it came to no surprise when, in 1939, he left the volatile Goodman for Bob Crosby's Bobcats, declaring "I never want to play with Benny Goodman's band again" and ". . . it was too much of a strain. You just never knew where you were with Benny and I feel terribly relieved that it's all over" (p. 218, George Simon "The Big Bands").

1926

By 1926, he had made his way to Chicago, first joining Joe Kayser's band at the Arcadia Ballroom. Over the next nine years, Stacy was steadily employed with various orchestras, performing at night clubs and speakeasies, at least some of which were operated by gangsters like Al Capone. Noteworthy engagements included bands led by trumpet player Paul Mares (at Harry's Bar), Maurie Stein (at the Paramount Club) and Earl 'Fatha' Hines , for whom he often worked as a relief pianist and who strongly influenced his own style of playing. He also made a number of recordings with guitarist Eddie Condon and of compositions for piano by the legendary Bix Beiderbecke.

1920

Swinging, mostly self-taught stride pianist of the big band era, initially trained on drums. The son of a railroad engineer and well-grounded in jazz from early childhood, Stacy began his professional career in the early 1920's. He first played on Mississippi and Missouri riverboats with local bands (often playing the cumbersome steam calliope), such as Peg Meyer's Original Melody Kings and groups led by Harvey Berry (S. S. Majestic) and Tony Catalano (S. S. Capitol).

1910

Stacy's big break came about, when the producer John Hammond Jr (1910-1987) put his name forward to Benny Goodman. Signed on, he remained with Goodman for four years and took part in the seminal concert at Carnegie Hall, playing an improvised piano solo - subtly prompted by Goodman himself -- in the middle of the show-stopping number "Sing, Sing, Sing". His reputation was thus made.