Age, Biography and Wiki

Paul Dukas (Paul-Abraham Dukas) was born on 1 October, 1865 in Paris, France, is a Soundtrack, Music Department. Discover Paul Dukas's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of Paul Dukas networth?

Popular As Paul-Abraham Dukas
Occupation soundtrack,music_department
Age 70 years old
Zodiac Sign Libra
Born 1 October 1865
Birthday 1 October
Birthplace Paris, France
Date of death 17 May, 1935
Died Place Paris, France
Nationality France

We recommend you to check the complete list of Famous People born on 1 October. He is a member of famous Soundtrack with the age 70 years old group.

Paul Dukas Height, Weight & Measurements

At 70 years old, Paul Dukas height not available right now. We will update Paul Dukas's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Who Is Paul Dukas's Wife?

His wife is Suzanne Pereyra (1916 - 17 May 1935) ( his death) ( 1 child)

Family
Parents Not Available
Wife Suzanne Pereyra (1916 - 17 May 1935) ( his death) ( 1 child)
Sibling Not Available
Children Not Available

Paul Dukas Net Worth

His net worth has been growing significantly in 2022-2023. So, how much is Paul Dukas worth at the age of 70 years old? Paul Dukas’s income source is mostly from being a successful Soundtrack. He is from France. We have estimated Paul Dukas's net worth , money, salary, income, and assets.

Net Worth in 2023 $1 Million - $5 Million
Salary in 2023 Under Review
Net Worth in 2022 Pending
Salary in 2022 Under Review
House Not Available
Cars Not Available
Source of Income Soundtrack

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Timeline

2001

It was also used for a certain movie named The Sorcerer's Apprentice (2001) released in 2001. At the peak of his musical career Dukas was inspired by the impresario Sergei Diaghilev and his "Ballet Russes".

1940

The lush score of "The Sorcerer's Apprentice" was used by Fantasia (1940) and in the newer Fantasia 2000 (1999).

1912

He composed ballet "La Peri" (1912) for Diaghilev.

1901

His other works include the technically challenging "Sonata" (1901), "Variations on the theme of Rameau" (1902), and the opera "Ariane et Barbe-bleue" (Ariane and the Bliebeard), based on libretto by Maeterlinck. A distinguished professor of composition, Dukas had such apprentices as Olivier Messiaen, Maurice Durufle, 'Joaquin Rodrigo', Jehan Alain, and many others. A large number of his compositions were unpublished, and most of these he chose to destroy prior to his death.

1897

Inspired by his readings of "Der Zauberlehrling", a poem by Johann Wolfgang von Goethe, Dukas took on composing "L'apprenti sorcerer" (The Sorcerer's Apprentice) (1897). Truly a masterpiece, this symphonic work evolved with a lush score displaying intricate rhythmic patterns and his most illustrious orchestration. In it's soundscapes, alluding to both the preceding Classicism and Romanticism, and to his contemporary impressionism, Dukas had a premonition of the future styles of the coming 20th century.

1896

His "Symphony" (1896) was written in the grand tradition of Ludwig van Beethoven and César Franck. Building on the experience of his Beethovenian symphony, Dukas experimented with a variety of orchestral instruments in order to achieve his own distinctive orchestration.

1865

Paul Abraham Dukas was born on October 1, 1865 into a Jewish family in Paris, France. He studied music at the Paris Conservatoire, where his teachers were Theodore Dubois, César Franck, and 'Ernest Guiraud'. He met Claude Debussy while both were students at the Paris Conservatoire and they remained life-long friends. After graduation from Conservatoire Dukas worked as an orchestrator and critic. Ducas was also a serious critic of his own works. While he wrote a fair amount of music pieces in various genres, he was satisfied with only a few, that he let to remain.