Age, Biography and Wiki

Zena Walker (Zena Cecilia Walker) was born on 7 March, 1934 in Birmingham, England, UK, is an Actress. Discover Zena Walker's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is She in this year and how She spends money? Also learn how She earned most of Zena Walker networth?

Popular As Zena Cecilia Walker
Occupation actress
Age 69 years old
Zodiac Sign Pisces
Born 7 March 1934
Birthday 7 March
Birthplace Birmingham, England, UK
Date of death 24 August, 2003
Died Place Brockenhurst, Hampshire, England, UK
Nationality UK

We recommend you to check the complete list of Famous People born on 7 March. She is a member of famous Actress with the age 69 years old group.

Zena Walker Height, Weight & Measurements

At 69 years old, Zena Walker height not available right now. We will update Zena Walker's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Who Is Zena Walker's Husband?

Her husband is Julian Holloway (30 July 1971 - ?) ( divorced), John French (? - 24 August 2003) ( her death), Robert Urquhart (? - ?) ( divorced) ( 2 children)

Parents Not Available
Husband Julian Holloway (30 July 1971 - ?) ( divorced), John French (? - 24 August 2003) ( her death), Robert Urquhart (? - ?) ( divorced) ( 2 children)
Sibling Not Available
Children Not Available

Zena Walker Net Worth

Her net worth has been growing significantly in 2022-2023. So, how much is Zena Walker worth at the age of 69 years old? Zena Walker’s income source is mostly from being a successful Actress. She is from UK. We have estimated Zena Walker's net worth , money, salary, income, and assets.

Net Worth in 2023 $1 Million - $5 Million
Salary in 2023 Under Review
Net Worth in 2022 Pending
Salary in 2022 Under Review
House Not Available
Cars Not Available
Source of Income Actress

Zena Walker Social Network




Neglected for the most part in films, she found more prolific work on TV, notably the series Man at the Top (1970).


Won Broadway's 1968 Tony Award as Best Supporting or Featured Actress (Dramatic) for Peter Nichols's "A Day in the Death of Joe Egg."


In 1967, she was critically lauded for her role as "Sheila", the mother of a handicapped child, in the black comedy "A Day in the Death of Joe Egg", which she took to Broadway and earned the Tony award for "featured actress" opposite Albert Finney. Noted earlier for her ethereal beauty, she later earned respect for the vulnerability, maturity and emotional depth of her matronly roles.


She had a tendency to be a prime emoter in quickie little "B" crimers and while her film work in Snowball (1960), The Hellions (1961), Emergency (1962) and The Model Murder Case (1963) and Daylight Robbery (1964) was commendable, it certainly did not advance her career. She returned to the theater after some time to raise a child and impressed in a number of classical roles including "Man and Superman", "The Cherry Orchard", "The Fighting Cock" and as "Lady MacDuff" in "Macbeth".


From there, she played a number of lovely Shakespearean femmes in repertory at the Stratford and the Old Vic, including "Miranda" in "The Tempest" (1952), "Juliet" in "Romeo and Juliet" (1954), "Katharine" in "Henry V" (1955) and "Perdita" in "The Winter's Tale" (1955).


She made her debut in Birmingham in 1950 in a walk-on part in "Smooth-Faced Gentleman".

Following occasional TV work in the late 1950s, she entered 1960s films with little fanfare although she did meet and subsequently marry her first husband, actor Robert Urquhart, while making Danger Tomorrow (1960).


British actress Zena Walker would become better known for her output of theatre work than film. Born on March 7, 1934, in Birmingham, she was the daughter of George Walker, a grocer, and wife Elizabeth Louise (Hammond). A sensuous, graceful, dusky-voiced presence, she was educated at St. Martin's School and trained at the Royal Academy of Dramatic Art. She turned down a film contract by Alexander Korda at this time in favor of additional training.