Yorgos Kypris

The “Fish” series is the artist’s most continuous work as well as the largest in volume. It is an ongoing body of works since 1993. Kypris is interested in showing the cruelty of the human race by illuminating (highlighting) our sovereignty on other forms of life. He mainly presents fish as victims of the feeding and preservation needs of human kind. Consequently he attempts to bring forward issues regarding the ecological impact of man on nature.

Yorgos Kypris’ “Parallel Notions" is a study on solitude and the consequential notions of sleep-death-abandonment. Using mainly steel, x-rays, colored slides and pillows he creates bed installations, dealing with the end (death) in a conceptual way. With austere forms and lines he organizes the presence of solitude and abandonment creating installations like in a mystic ritual.

In January 2016 he launched this series of works named "Iconoclastic Exercises" in a solo exhibition of the same title which was held in The House of Cyprus in Athens. Praise for the show is found in the text for the exhibition written by philosopher Dionyssis Tzarellas and in numerous articles in Greek magazines and newspapers such as LIFO, Ethnos, Kathimerini, To Vima and Proto Thema.

In 2015, Yorgos Kypris began a new series of work that, in a caustic manner, commented on any form of power that has contributed over time to the development of society. Associating religion with politics, he created compositions that raise powerful and relevant questions about the influence that such a relationship impacts in societies. As his work developed, he began to touch issues pertaining to the extraneous characteristics-symbols of a state religion, either referring to Orthodoxy, Protestantism or Islam but he did not strike them down. He simply maintained them to narrate some of his own stories, incidents piecemeal in a world antic and eerie. The rattling iconoclastic element is that of Kypris' disposition to question as much the solemnity of the state and the institutions, as that of social behaviors.

Kypris' work has been published a number of times in magazines, articles and books. Most notably, “Fish”, was published by Mati Publications in Santorini in 2008. Other published books include "About Cages & Flights", "Parallel Notions", "Fish conditions", and more recently "Iconoclastic Excericises"

3rd prize, International Context of Mediterranean Ceramics, Grottaglie, Italy (1997). 1st prize, National Context of Art Ceramics, Athens, Greece (1997). 1st prize, National Context of Art Ceramics, Athens, Greece (1982). 1st prize, International Competition for Sculpture, Human Right Building, Strasburg, France, (Non constructed work, 1996). 1st prize, National Competition, Installation of Sculpture, St. Pauls High School, Pafos, Cyprus (1998). 2nd prize, Courthouse, Nicosia, Cyprus (2006).

Kypris has been part of numerous group exhibitions including "The painting space - theatricity", Benaki Museum, V. Kouloura Palace, P. Faliro (1985), "Cyprus Contemporary Art, An Itinerary", State Gallery, Nicosia (1995), "Fish", Municipal Art Center, Nicosia (1996), “Memories and Contemporary Roads of Cypriot Plastic Arts”, Thessaloniki ’97 Cultural Capital of Europe, Alaja Imaret Monument, Thessaloniki (1997), “Approaching the Greek Identity, Generations of the‘80s and the ‘90s”,Athens Municipal Gallery, Dalarna Museum, Falun, Sweden, Greek Cultural House, Stockholm, Sweden, Chateau De Vianden, Luxemburg (1999), “Greek Artists: Quests 1950-2000”, Rethymnon Center for Contemporary Art, Municipal Gallery, “L. Kanakakis”, Rethymnon (1999), “Ceramic Art, Greek-Italian Symposium”, Rocca Paolina, Perugia, Italy (1999), “Accidental Meetings”, Municipal Arts Centre, Nicosia (2005), “C’era una volta…”, MACRO La Pelanda Museum, Roma (2011), “The Object: Stories and Representations”, Evagoras Lanitis Foundation Centre, Carobmill, Limassol (2011), “Once Upon a time..game and Toy-II edition ”, MACRO TESTACCIO Museum, Rome (2013), “Re-culture 2”, 2nd International Visual Art Festival, Patra (2013).

Kypris' solo exhibitions include: Gloria Gallery, Nicosia, Cyprus (1982), “Fish Conditions”, 7 Gallery, Athens, Greece (1995), Argo Gallery, Nicosia, Cyprus (1996,1998,2004,2010), Cultural Centrum Covalenco, Heldrop, Eindhoven, The Netherlands (2000), Art forum Gallery, Thessaloniki, Greece (2001), Krisal Galerie, Genève, Switzerland (2001), Lovi Visual Art Gallery, Newtown, USA (2003), Scala Art Gallery, Mykonos, Greece (2009,2011,2013), Technochoros Art Gallery, Contemporary Istanbul, Turkey (2012), The House of Cyprus Foundation, Athens, Greece (2016).

Yorgos Kypris is the second of three sons, born of Greek Cypriot parents. Kypris moved from Cyprus to Athens, Greece at the age of thirteen. There he attended the Sarafianos School of Art, where he studied drawing and painting. Between 1975 and 1979 he studied at the Istituto Statale d' Arte per la Ceramica, Faenza, Italy. During his studies in Italy he worked with the Italian sculptor Domenico Matteuci and Greek sculptor Panos Tsolakos. In 1980 he returned to Athens to establish "Studio 71" alongside ceramic artist Antonella Toschi where they produced design objects and sculptures. In 1990, he abandoned ceramics and he expands by experimenting with new art forms and materials such as metals, foam, plastic, castings and installations. In 1985 he married to Antonella Toschi. The couple has two children, a son and a daughter.

Yorgos Kypris (Greek: Γιώργος Κυπρής ), born 1954, is a Cypriot sculptor who lives and works between Athens and Santorini in Greece. He continues to take part in numerous solo and group exhibitions, commissions work, designs jewelry and permanently exhibits his work through MATI, his personal art gallery. His work has been published in a number of books, articles and magazines. His best known works include the "Entrapped Fish" installation, at the Lobby of the World Bank Building, Washington D.C., commissioned in 1997, the "Gate of Knowledge" - a sculptural steel gate, erected in 1998 in the yard of St. Paul High school, Pafos, Cyprus, the body of works "Fish" (1993-), the "Parallel Notions" body of works (2001) and the "Observers", an installation of four sited figures on poles, 4,5m high each, commissioned (2002) at Fabrica Commercial Center, Fira, Santorini, Greece.