Age, Biography and Wiki

Sheila McLaughlin was born on 1950. Discover Sheila McLaughlin's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is She in this year and how She spends money? Also learn how She earned most of networth at the age of 73 years old?

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Age 73 years old
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Born , 1950
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We recommend you to check the complete list of Famous People born on . She is a member of famous with the age 73 years old group.

Sheila McLaughlin Height, Weight & Measurements

At 73 years old, Sheila McLaughlin height not available right now. We will update Sheila McLaughlin's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
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Body Measurements Not Available
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Dating & Relationship status

She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.

Family
Parents Not Available
Husband Not Available
Sibling Not Available
Children Not Available

Sheila McLaughlin Net Worth

Her net worth has been growing significantly in 2022-2023. So, how much is Sheila McLaughlin worth at the age of 73 years old? Sheila McLaughlin’s income source is mostly from being a successful . She is from . We have estimated Sheila McLaughlin's net worth , money, salary, income, and assets.

Net Worth in 2023 $1 Million - $5 Million
Salary in 2023 Under Review
Net Worth in 2022 Pending
Salary in 2022 Under Review
House Not Available
Cars Not Available
Source of Income

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Timeline

1950

Sheila McLaughlin (born 1950) is an American lesbian feminist director, producer, screenwriter, actor, and photographer. She wrote and directed the controversial film, She Must Be Seeing Things (1987). Her debut feature film, Committed (1984), which she co-directed with writer Lynne Tillman, is an experimental narrative of the life of Frances Farmer, shot on a very low budget of $45,000. McLaughlin's films have been described as presenting "a grasp of a developing new feminist language of cinema."