Age, Biography and Wiki

Peter Brown was born on 11 July, 1953 in Blue Island, Illinois, United States. Discover Peter Brown's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 70 years old?

Popular As N/A
Occupation Singer, songwriter, record producer
Age 70 years old
Zodiac Sign Cancer
Born 11 July, 1953
Birthday 11 July
Birthplace Blue Island, Illinois, United States
Nationality United States

We recommend you to check the complete list of Famous People born on 11 July. He is a member of famous with the age 70 years old group.

Peter Brown Height, Weight & Measurements

At 70 years old, Peter Brown height not available right now. We will update Peter Brown's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
Parents Not Available
Wife Not Available
Sibling Not Available
Children Not Available

Peter Brown Net Worth

His net worth has been growing significantly in 2022-2023. So, how much is Peter Brown worth at the age of 70 years old? Peter Brown’s income source is mostly from being a successful . He is from United States. We have estimated Peter Brown's net worth , money, salary, income, and assets.

Net Worth in 2023 $1 Million - $5 Million
Salary in 2023 Under Review
Net Worth in 2022 Pending
Salary in 2022 Under Review
House Not Available
Cars Not Available
Source of Income

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Timeline

2018

In late June 2018, Brown released his fifth album, Boom, his first album release in over 30 years. It features 11 tracks of his signature dance/R&B sound. Singles include "Boom", the a cappella title track, "Dancing All Alone", and "Drama Queen". Boom was written, performed, arranged, recorded, and mixed entirely by Brown on an iMac computer using only Auratone speakers and a Sennheiser MD 441U microphone.

1984

In 1984, Brown co-wrote "Material Girl", which became one of Madonna's biggest hits and signature song. It also made Brown's music publishing company, Minong Publishing one of the year's top music publishers.

Brown also wrote a song for Agnetha Fältskog, "Maybe It Was Magic". Peter Cetera from the group Chicago was producing her solo album I Stand Alone and liked the song. Brown also wrote "East Meets West" for the Japanese group Sandii & the Sunsetz. Brown's final hit was "They Only Come Out at Night" which hit the number one slot on Billboard magazine's Dance Chart in April 1984. Brown's fourth and final album Snap was recorded at Pumpkin Recording Studios in Oak Lawn, Illinois, owned by Gary Loizzo, who was a former member of The American Breed and sang their hit "Bend Me Shape Me" in 1968. This album contained the song "Zie Zie Won't Dance" which spawned Brown's music video by the same name. The video, filmed in London, was nominated for best video (special effects, art direction and editing) along with videos by Madonna and Bruce Springsteen at the second MTV Music Video Awards in 1985.

1980

In 1980, Brown released another charting dance song (#6 on Billboard's Disco Chart) called "Can't Be Love – Do It To Me Anyway", which was only released as a 12" single and never appeared on an album. The initial success of his career was soon overshadowed by legal disputes and the eventual bankruptcy of TK Records. After the dust cleared he was able to sign a new record contract with Warner Brothers with the help of a new management team, Wiesner/DeMann Entertainment. The 1983 album was called Back to the Front and was produced by Brown with executive producer Bob Gaudio (The Four Seasons) and recorded at Gaudio/Valli Recording Studios in Hollywood, California. Featured are musical guests Michael Brecker (saxophone) and Michael Boddicker (synthesizers). From this album, the song "Baby Gets High" reached #104 U.S. Billboard and #6 on Billboard's Disco Chart. Brown remained with Freddy DeMann after he started a solo management company whose clients included Madonna and Michael Jackson.

In the late 1980s, a severe case of tinnitus prompted Brown to quit the music business in an attempt to preserve his damaged hearing. He began a design company which headed the award-winning redesign of the Chicago Board Options Exchange Internet site, among other wide-ranging design and architectural projects.

1978

Henry Stone and everyone at TK Records really liked the augmented version, so Brown and Stone made the album deal and settled on a six-month deadline to write new material and record the album. Brown also photographed the album's somewhat controversial cover and revealed, in a 1978 interview in Rolling Stone, that he had created the cover's nude model out of cardboard, sheer fabric and ribbons.

Billboard Magazine's Year End #1 Awards for 1978 named Brown the #1 new male album artist, #3 new album artist and #10 pop male artist. Also #11 pop male album artist, #16 soul artists and #11 soul albums. Cash Box Magazine's Year End Awards issue for 1978 named Brown #1Top Male Single Vocalist, #1 Top New Male Single Vocalist and #2 Top Male Album Vocalist along with #3 Crossover R&B Male.

The 1978 Record World Magazine Disco Awards named Brown Outstanding New Performer, Top New Male Vocalist and Top Male Vocalist. He was also nominated by NARAS (The National Academy of Recording Arts and Sciences) in 1978 for a Grammy Award for best R&B Vocal Performance for the song "Dance With Me". "Dance With Me" also included a guest vocal performance by Betty Wright. Also in 1978, Brown's single "Crank It Up" peaked in the Billboard Disco Chart at #4.

His first professional performance came on the American Bandstand television show, hosted by Dick Clark. That year, Brown also took part in the filming of a television special to promote the upcoming movie Foul Play with Goldie Hawn and Chevy Chase. He also filmed a segment for the television show 60 Minutes showing the process of how a song is actually recorded in the recording studio. Later years saw him performing on the Mike Douglas Show, American Bandstand and as a presenter on the American Music Awards. On tour in 1978, Brown and his band (now with additional members Keith Anderson, drums, Joe Guzzo, guitar, Mike Hillinger, keyboards and Wildflower, background vocals) played venues as diverse as New York's The Bottom Line and Madison Square Garden.

1977

Late in 1977, TK Records announced that sales of the 12" version of "Do Ya Wanna Get Funky With Me" had reached the million dollar mark making it the first gold 12" single in history. Before too long the album went gold as well.

1970

Brown became serious about music in his teens and chose to learn the drums. His greatest inspirations in music at the time were Santana, Earth Wind and Fire and Chicago. He later became proficient playing timbales, conga drums, and a large number of other percussion instruments. Later, Brown was one of the pioneer users of the musical synthesizer, and for a time he was spokesman for the ARP Synthesizer company, since he used their products almost exclusively in performances and recordings. He has also been credited as being one of the founders of house music in the 1970s.

1953

Peter Brown (born July 11, 1953) is an American singer-songwriter and record producer. Brown was a popular performer in the late 1970s and early 1980s. His biggest success was the release of the LP in 1977 called A Fantasy Love Affair which produced the disco hits "Do Ya Wanna Get Funky with Me" and "Dance With Me". He wrote, with Robert Rans, Madonna's hit "Material Girl".