María Freire

In 2007, the 52nd Premio Nacional de Artes Visuales de Uruguay was named after Maria Freire in honor of her work and influence on younger generations.

As of 2000 she made a number of large-scale public sculptures.

The lifelong partnership with Costigliolo was such that their work tends to be considered almost as a unit. Costigliolo's death in 1985 was a great loss to her.

From 1962 to 1973, Freire was the art critic for the newspaper "Acción" and taught drawing and cultural history at the Architecture School in Colonia del Sacramento, where she met the artists Rhod Rothfuss and Gyula Kosice, key artists of the Madí Movement.

From 1958 to 1960, Freire developed the series “Sudamérica” (South America), in which she used polygons in a reductive palette. In following years she experimented with a more expressive palette and symbols, which resulted in the series "Capricorn" and "Córdoba". In the series "Vibrante" (Vibrant), developed from 1975 to 1985, the emphasis was on light and color. In the early 1990s she started on a series "El oro de los tigres" (The Gold of Tigers) in which dark structures were placed on yellow backgrounds. By the late 1990s, the geometry of her work was characterized by the sensuality of color.

In 1957, Freire and Costigliolo were awarded the "Gallinal" prize which allowed them to travel to Europe where they studied at the Stedelijk Museum and at the Louvre Museum with Bernard Dorival and André Varagnac. In 1966 she returned to Europe to continue her studies.

From 1954 to 1992, Freire had 17 solo exhibitions in Montevideo, Buenos Aires, São Paulo, Río de Janeiro, Barcelona, Bruselas and Washington. She took part in many group exhibition and international biennales. In 1966 she represented Uruguay in the 33rd Venice Biennale.

In 1953, she visited the 2nd São Paulo Art Biennial, where she came into contact with other contemporary artists of the time. She learned of the work of European painters Piet Mondrian, Theo van Doesburg, and Friedrich Vordemberge-Gildewart among others, which led to the consolidation of her abstract language.

Freire was married to fellow artist, José Pedro Costigliolo, who she met in 1952. She died in 2015.

She began to explore modern artistic languages by studying African masks and precolumbian art. In 1946, she began exploring abstraction, using flat forms and also making mobile sculptures in unconventional materials. When she met José Pedro Costigliolo in 1952, they were both exploring similar artistic styles. The couple married, shared studio space and traveled together. They were cofounders of the Grupo de Arte No Figurativo.

From 1938 to 1943, Freire studied painting and sculpture at the Círculo de Bellas Artes, Universidad del Trabajo del Uruguay in Montevideo under José Cuneo Perinetti, Guillermo Laborde, and Severino Pose, and then at the Consejo de Educación Técnico Profesional under Antonio Pose.

María Freire (7 November 1917 – 19 June 2015) was a Uruguayan painter, sculptor, and art critic. She was one of the leading figures in the development of concrete art and non-figurative art in Uruguay. She was a co-founder the Grupo de Arte No Figurativo.