Margo Tamez

Tamez's 2007 work, Raven Eye, is considered the first Apache-authored literary work which 'indigenized' the American poetry form known as the 'long poem', a form developed by Norman Dubie. In Raven Eye, Tamez drew from Athabaskan and Nahua creation stories, oral tradition, and Lipan Apache genocide narratives in combination with autobiography. Raven Eye connected the Lipan Apache oral narrative structure from the Lower Rio Grande valley and southern Texas to a literary aesthetic form that included pictorial writing and history of resistance. Her poetry is best known for stark, detailed examinations of gender violence, identity, non-recognition, genocide and spaces of abjection (walls, the camp, death march, exile). Her prose reflects the critical views of processes and on-going effects of fragmentation, historical erasure, and dispossession on Indigenous peoples, making crucial links between history and present forces (colonization, militarization) impacting Indigenous self-determination in regions bifurcated by settler nation borders where those who remained in traditional places were largely ignored by the state.

Margo Tamez (born 28 January 1962 in Austin, Texas, United States) is a Lipan Apache author of the Hada'didla Nde' ("Lightning Storm People"), Konitsaii Nde' ("Big Water People") and an enrolled citizen of the Lipan Apache Band of Texas.