Age, Biography and Wiki

Laurie Mitchell (Barbara Miriam Koren) was born on 14 July, 1928 in New York City, New York, USA, is an Actress. Discover Laurie Mitchell's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is She in this year and how She spends money? Also learn how She earned most of Laurie Mitchell networth?

Popular As Barbara Miriam Koren
Occupation actress
Age 90 years old
Zodiac Sign Cancer
Born 14 July, 1928
Birthday 14 July
Birthplace New York City, New York, USA
Date of death 20 September, 2018
Died Place Perris, California, USA
Nationality United States

We recommend you to check the complete list of Famous People born on 14 July. She is a member of famous Actress with the age 90 years old group.

Laurie Mitchell Height, Weight & Measurements

At 90 years old, Laurie Mitchell height not available right now. We will update Laurie Mitchell's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Who Is Laurie Mitchell's Husband?

Her husband is Ronald Raymond White (26 February 1978 - 20 September 2018) ( her death), Lawrence Segal (Larry White) (24 December 1949 - 1976) ( divorced) ( 2 children)

Family
Parents Not Available
Husband Ronald Raymond White (26 February 1978 - 20 September 2018) ( her death), Lawrence Segal (Larry White) (24 December 1949 - 1976) ( divorced) ( 2 children)
Sibling Not Available
Children Not Available

Laurie Mitchell Net Worth

Her net worth has been growing significantly in 2022-2023. So, how much is Laurie Mitchell worth at the age of 90 years old? Laurie Mitchell’s income source is mostly from being a successful Actress. She is from United States. We have estimated Laurie Mitchell's net worth , money, salary, income, and assets.

Net Worth in 2023 $1 Million - $5 Million
Salary in 2023 Under Review
Net Worth in 2022 Pending
Salary in 2022 Under Review
House Not Available
Cars Not Available
Source of Income Actress

Laurie Mitchell Social Network

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Timeline

2008

Interviewed in Tom Weaver's book "I Talked with a Zombie" (McFarland & Co., 2008).

1971

Laurie retired from the screen in 1971.

1959

On a brighter note, there also were small parts in the Billy Wilder classic Some Like It Hot (1959) (as one of Sweet Sue's band members) and as a showgirl in the Cary Grant-Doris Day rom-com That Touch of Mink (1962).

1958

Thus transformed, she went on to join the circle of cult favorites, commencing her foray into mini-budget schlock sci-fi with Attack of the Puppet People (1958).

This was followed with two back-to-back roles in the same genre: first, as a man-hating Venusian despot in the (frankly dreadful) Queen of Outer Space (1958) (in which she goes toe-to-toe with a heavily accented Zsa Zsa Gabor); her second, as a 'moon girl' fated to be munched up by a lunar cave spider in (the equally vapid) Missile to the Moon (1958), an inferior re-make of the earlier Cat-Women of the Moon (1953).

1957

" A co-starring role in a minor musical comedy aimed at the youth market (Calypso Joe (1957)) began to raise her profile. Taking her sister's advice, Laurie then changed her hair colour to blond and adopted her new moniker.

1954

A prime pin up attraction ("Miss Body Beautiful", "Miss Bronx"), auburn-haired Mickey Koren was raised in the East Bronx and began her career as a juvenile model. She moved with her family to California while still in her teens. After attending classes at the Ben Bard Drama academy in Hollywood, Laurie appeared in stage productions in southern California (then using the name Barbara White, following a marriage to trumpet player and magician Larry White). Having segued into motion pictures -- beginning with a bit part as a good time girl in 20,000 Leagues Under the Sea (1954)] -- she languished for several years near the bottom of the bill in second features, alternating with marginally better guest spots on TV in anthology dramas and westerns. Though usually typecast as 'saloon girls' in often stilted fare, she later recalled ". . . they were crappy pictures, but I loved it. It was a great, great experience.