Age, Biography and Wiki
Lamberto Bava was born on 3 April, 1944 in Rome, Lazio, Italy, is a Director, Assistant Director, Producer. Discover Lamberto Bava's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 77 years old?
|Age||77 years old|
|Born||3 April 1944|
|Birthplace||Rome, Lazio, Italy|
We recommend you to check the complete list of Famous People born on 3 April. He is a member of famous Director with the age 77 years old group.
Lamberto Bava Height, Weight & Measurements
At 77 years old, Lamberto Bava height is 5' 9" (1.75 m) .
|Height||5' 9" (1.75 m)|
|Body Measurements||Not Available|
|Eye Color||Not Available|
|Hair Color||Not Available|
Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
Lamberto Bava Net Worth
His net worth has been growing significantly in 2020-2021. So, how much is Lamberto Bava worth at the age of 77 years old? Lamberto Bava’s income source is mostly from being a successful Director. He is from Italy. We have estimated Lamberto Bava's net worth, money, salary, income, and assets.
|Net Worth in 2021||$1 Million - $5 Million|
|Salary in 2020||Under Review|
|Net Worth in 2019||Pending|
|Salary in 2019||Under Review|
|Source of Income||Director|
Lamberto Bava Social Network
Lamberto returned to "giallo" thrillers with Le foto di Gioia (1987).
This films international success allowed him to co-write, produce and direct a sequel, Demons 2 (1986).
Next he directed the action-flick Blastfighter (1984), which was filmed in the state of Georgia, and immediately afterwards directed the Jaws (1975)-like thriller Devil Fish (1984), which was shot in Florida. On both films Lamberto was purely a director for hire and had nothing to do with the script or production end. He used the pseudonym of "John Old Jr. " for this film, which was a tribute to his father Mario, who often used the pseudonym "John M. Old".
In 1983 Lamberto was offered to direct another film, titled A Blade In The Dark (1983), which was a violent mystery thriller shot in only three weeks on a tight budget and filmed almost entirely in a producer friend's house.
Both worked on the Dario Argento horror flick Inferno (1980), for which Mario designed some of the color set pieces, including the underwater ballroom, and created all the visual special effects, while Lamberto worked as Argento's assistant director.
"Macabro" was released in Italy in February 1980 to mixed reviews, but won him recognition by his father Mario. Just two months later Mario Bava died, and an era in Italian film making came to a close. 'Macabro" was not the box-office hit and, as a result, Lamberto went back to assistant directing.
In the late 1980s the Italian cinema turned moribund. Lamberto, like most of his colleagues, turned to making films for Italian television.
Both Lamberto and Mario directed the made-for-TV drama I giochi del diavolo: La Venere d'Ille (1979).
Late in 1979 Lamberto made his solo directorial debut with Macabre (1980), a tense drama-horror flick loosely based on a 1977 incident in New Orleans about a woman who keeps her lover's severed head in her freezer. According to Lamberto, the project started by chance when producer Pupi Avati approached him to direct as well as write the screenplay, which took just six weeks to write and direct.
He even co-wrote the screenplay for Shock (1977) ("Shock"), Mario's last theatrical film where. In poor health during the shoot, Mario often feigned illness so Lamberto could direct a few scenes, uncredited, to gain further experience.
Lamberto entered the cinema as his father's personal assistant, starting with Planet of the Vampires (1965). Bit by bit he gained experience from his father, who made him the assistant director for most of the rest of his films.
Lamberto Bava was born in Rome, Italy, and was the first of a third generation of Italian filmmakers. His grandfather, Eugenio Bava (1886-1966), was a cameraman and optics effects artist during the early days of Italian silent cinema.