Keith Baxter (actor)

Baxter's television work includes appearances in Gideon's Way, The Avengers, Hawaii Five-O, Thriller(1976) and the 1998 mini-series Merlin.

In 1971, he recorded an LP of several of the short stories of Saki for Caedmon Records under the title Reginald on House-Parties, and Other Stories.

Baxter was signed for the role of Octavian "Augustus" Caesar opposite Elizabeth Taylor's Cleopatra in the 1963 film of Cleopatra. Taylor's bout of pneumonia, soon after filming began, temporarily shut down filming. By the time she recovered, Baxter had other commitments and Roddy McDowall assumed the role. Baxter co-starred with Taylor in the film Ash Wednesday (1973). He also later played Mark Antony opposite Maggie Smith's Cleopatra in Antony and Cleopatra at the Stratford Festival in Canada in 1976.

In 1961, Baxter made his Broadway debut as King Henry VIII in A Man for All Seasons. Other New York City stage credits include The Affair (1962), Avanti! (1968), Sleuth (1970), Romantic Comedy (1980) and The Woman in Black (2001).

In 1960, Orson Welles selected Baxter to portray Prince Hal in his stage production Chimes at Midnight, which combined portions of the Shakespearean plays Henry IV, Part I, Henry IV, Part II, Henry V, Richard II, and The Merry Wives of Windsor and brought the comic figure of Falstaff to the forefront of a primarily tragic tale. Baxter repeated his performance in the 1965 film version. Additional film credits include Ash Wednesday (1973; with Elizabeth Taylor), Golden Rendezvous (1977), and Killing Time (1998).

Keith Baxter (born 29 April 1933) is a Welsh theatre, film and television actor.

Born in Newport, Monmouthshire, in 1933, the son of a Merchant Navy sea captain, he was christened Keith Stanley Baxter-Wright and lived for a time in Romilly Road, Barry, Glamorgan. He was educated at Newport High School and Barry Grammar School. His early introduction to the stage was from his interest in making model theatres and stage scenery. He studied at London's Royal Academy of Dramatic Arts, during which period he shared a flat with a classmate, Alan Bates. He made his film debut in the 1957 remake of The Barretts of Wimpole Street and appeared uncredited as a detective in the British horror classic Peeping Tom (1960).