Kathe Burkhart

5 Minute Performance Olympics, High Performance, Los Angeles, 1984; Anti-Club, Lhasa Club, Los Angeles, 1985; Beyond Baroque, Venice, California, 1985; TV Generations Reading, LACE, Los Angeles, 1986; ABC NO RIO, New York, 1986; Feature, Chicago, and Greathouse, New York, 1988; 6 Women: The Word and the Will, The Knitting Factory, New York, 1989; Brand Name Damages, Brooklyn and elsewhere, 1991; Newyorican Poets Cafe, 1992; The Banquet, Thread Waxing Space, New York, 1992; Jail of Gender; A Theatrical Adaptation of the Poetry, Prose, and Visual Art of Kathe Burkhart, Cafe Voltaire and Transient Theatre, Chicago, 1994; Bob Flanagan Memorial Reading, Poetry Project, New York, 1996.

Burkhart's The Liz Taylor Series (1982-ongoing) is a self-portrait project in which the artist uses the image of Liz Taylor to explore fantasies and evoke the artists genderqueer identity. Stills of Taylor taken from her films are painted in a cartoonish style with profane text imposed on top. Jane Ursula Harris says Burkhart's work embodies: "ribald humor and [a] feminist-punk attitude." Artist Keith Mayerson has said of Burkhart's series, "Reproduced chronologically, the portraits take on new life as a visual diary, a pictorial narrative in which we witness how women's freedom and spirit have been repressed by male-dominated capitalist culture, with Liz Taylor as our courageous avatar".

Kathe Burkhart (born 1958, Martinsburg, West Virginia) is an American interdisciplinary artist, painter, writer and art critic. Described as both a conceptual artist and an installation artist, she uses various media in her work, combining collage, digital media, drawing, fiction, installation, nonfiction, painting, photography video, poetry, and sculpture. The content is feminist; the radical female is the subject. The Liz Taylor painting series, which she began painting in 1982, have been exhibited at the MoMA PS1, the Stedelijk Museum, and the Venice Biennale. Burkhart is also the author of literary fiction and poetry.