Jun Maeda

In 2015, Maeda designed and co-wrote the scenario for the Angel Beats! visual novel, as well as composing some of the game's music. Maeda once again collaborated with Na-Ga, Dengeki G's Magazine, P.A. Works, and Aniplex to produce his second anime series Charlotte in 2015, contributing as the planner, writer, and composing the anime's music. In 2016, Maeda revealed that he is suffering from dilated cardiomyopathy. To recover from this condition, he will need a heart transplant. Maeda is credited for the original concept and the composition of the music for Key's visual novel Summer Pockets. Maeda collaborated with Na-Ga, P.A. Works, and Aniplex for a third time to produce the anime series The Day I Became a God in 2020, contributing as the planner and writer.

Maeda wrote and composed the two songs "Doll", performed separately by Lia and Aoi Tada, and "Human", performed by Lia; both versions of "Doll" were used as the main ending theme songs for the second season of the anime series Gunslinger Girl in 2008, while "Human" was used for the final episode. Maeda's first involvement as a main composer was with the 2008 visual novel 5 by Ram where he composed about twenty background music tracks. Maeda also wrote and composed the opening and ending themes used in 5. Maeda formed his own record label named Flaming June in 2011, and the first release on the label is the single "Killer Song" by Nagi Yanagi released in December 2011. Flaming June released an original concept album with Yanagi on April 25, 2012 titled Owari no Hoshi no Love Song. Maeda released the concept album Long Long Love Song featuring Anri Kumaki on July 26, 2017.

Maeda was reported to say in the February 2007 issue of Comptiq that after the completion of Little Busters!, he would not be working on the scenario staff for Key any longer. However, in an interview in the December 2007 issue of Dengeki G's Magazine, Maeda said that he would still be working on the music for Key's next game. In 2007, Maeda also composed the ending theme for the game Himawari no Chapel de Kimi to for the company Marron, and he was on the music staff for Ram's game 5 released in July 2008. Maeda worked in collaboration with Na-Ga and ASCII Media Works' Dengeki G's Magazine to the anime series and mixed media project Angel Beats! as the planner and writer, as well as composing the anime's music. Maeda worked on Key's ninth game Rewrite with the composition of the game's music and as the quality checker.

After forming Key, Maeda worked on the music and scenario for their first title Kanon released in 1999, which proved to be very popular in the adult game market in Japan. Beside Maeda, the majority of Kanon's scenario was written by Naoki Hisaya, but he quit Key shortly after Kanon was produced. Following this, Maeda wrote most of the scenario for Key's next title Air, along with again working as the lyricist and one of the composers for the music featured in the game. After a period of four years in 2004, Key released their third and longest game Clannad where Maeda did a vast amount of the writing for the game; in all, Maeda put in around 75% of the work that went into the creation of Clannad. Also in 2004, Maeda began writing his first manga entitled Hibiki's Magic, which was first conceived as a short story he wrote as a student. In 2005, Maeda worked on the scenario and music for Key's fifth game Tomoyo After: It's a Wonderful Life, followed by Key's sixth title Little Busters! released in July 2007 which he also worked on in regards to the scenario and music.

After leaving Scoop in 1997, Maeda went to work for the newly formed company Tactics under the publisher Nexton. There, he went to work on the scenario and musical composition of Tactics' second game Moon, followed by his work on the scenario for their third game One: Kagayaku Kisetsu e in 1998. After realizing the positive reception received for both titles, Maeda and much of the staff who made both Moon and One, including Itaru Hinoue, Shinji Orito, Naoki Hisaya, and OdiakeS, left Tactics to work under the video game publishing company VisualArt's where they formed the company Key.

Around this time, Jun Maeda was inspired by Hiroyuki Kanno's pioneering 1996 visual novel YU-NO: A Girl Who Chants Love at the Bound of this World. It demonstrated the storytelling potential of the visual novel medium, and influenced Maeda's later works.

While still attending university, Maeda sought to begin working as a musical composer for video games, and desired to work at big-name companies like Nihon Falcom Corporation, Namco, and Capcom, but he was unsuccessful. He eventually was able to be granted an interview with the video game developer TGL, but was unable to supply correct documentation, and did not get the job. As he was unable to get a job working with music, Maeda decided to change his occupational choice to that of a scenario writer for a video game company. At the time in the mid-1990s, scenario writers for consumer video games were inexperienced, so Maeda decided to shoot for adult games instead. During a period of one month, Maeda wrote a long three-hundred page erotic story intending to sell it to an adult game developer. He first tried with AliceSoft, makers of the popular Rance series, but finally ended up working for the company Scoop. At Scoop in 1997, he contributed as the main scenario writer for the company's first game, Chaos Queen Ryōko, however Maeda was not happy with the work environment and promptly filed his resignation with the company shortly after finishing his work on the scenario.

Jun Maeda (麻枝 准 , Maeda Jun, born January 3, 1975) is a Japanese writer and co-founder of the visual novel brand Key under VisualArt's. He is considered a pioneer of nakige visual novels, and has mainly contributed as a scenario writer, lyricist, and musical composer for the games the company produces. His style was originally inspired by James Herbert Brennan, and is influenced by Haruki Murakami's novel Hard-Boiled Wonderland and the End of the World.