Jose Luis Gonzalez

The third story was of townspeople–professionals, managers and bureaucrats brought upon from the American Invasion in Puerto Rico. González catalogs a society so split racially, socially and economically that we should rather talk about two nations. The Puerto Rican culture at the time of the invasion was a divided culture of the dominant and the dominated. The Spanish–American War did not allow an opportunity for the divided culture to merge, or to mature their mutual relations. The Invasion held a different meaning for each social class. The Puerto Rican working class welcomed the invaders with the hope of annexation and with it the establishment of a new social order, full of freedom, democracy and a progressive economy.

José Luis González published the original Spanish essay "El País De Cuatro Pisos" within a collection of seven essays in 1980 under the Edition stamp Hurricane, Inc. in San Juan, Puerto Rico. The English translation, Puerto Rico: The Four-Storeyed Country was published on April 1, 1990 by Waterfront Press.The book consists of seven essays, all varying in length and focus. José Luis González wrote The Four-Storeyed Country in response to a conversation of Puerto Ricans and their relationship with independence. Additionally, The Four Storeyed Country was also written to answer the question posed by one of his students in 1979 during one of his Latin American Studies seminars, "How do you think the Puerto Rican culture has been affected by the North American colonial intervention and how do you see it?" José Luis González begins by arguing that every society has two cultures, the oppressors and those who are oppressed, which he refers to as elite culture and popular culture. Traditionally, the national culture is going to be the dominant one. In Puerto Rican history, even the elite culture has been dominated by another culture. To illustrate this approach, the author compares the layered and complex history of Puerto Rico to that of four floors in a building.

Jose Luis Gonzalez was born on January 8, 1985 in Miami, Florida, USA.

José Luis González was awarded the Xavier Villaurrutia award in 1978 for his novel Ballad of Another Time, and also received two national awards in Puerto Rico.

The fourth story, from 1950s to 1980s discusses the modernization of Puerto Rico through American involvement. Though industrialization created a lot of jobs it was not enough to employ the majority of the island. Thousands of agricultural jobs were lost after Puerto Rico industrialized and traditional companies that export sugar, tobacco, and coffee were collapsing. Puerto Ricans were forced to migrate to the United States, mostly in New York where they were discriminated. The Puerto Rican migration to New York City manifested with the rising unemployment rates and rapid marginalization of Puerto Ricans. The standard of living grew, as a result pushing Puerto Ricans out of the island in search for jobs. For the first time Puerto Ricans were granted the right to vote for their representatives. Additionally, they were given the right to their own constitution. These situations greatly enhanced Puerto Rico's dependency to its colonizers. González suggests that democratic socialism is the only way to rebuild Puerto Rican society and embrace the English language as a step into a new and united national culture.

José Luis González was born in the Dominican Republic, the son of a Puerto Rican father and Dominican mother. His family left the country and moved to Puerto Rico after the dictator Rafael Leónidas Trujillo assumed power in 1930. González was raised in Puerto Rico and went on to obtain a Bachelor's degree in political science at the University of Puerto Rico, Rio Piedras Campus. He also studied in the United States, and received a master's degree and Doctorate in Philosophy and Letters at the National Autonomous University of Mexico. A renown Marxist, González always considered himself to be a Puerto Rican, but lived in Mexico from 1953 until his death in 1996 and obtained Mexican citizenship in 1955, renouncing his American citizenship to do so. He lectured at the UNAM on Latin American literature and on the sociology of literature. He also worked as a newspaper correspondent in Prague, Berlin, Paris and Warsaw during his lifetime.

José Luis González (March 8, 1926 – December 8, 1996) was a Puerto Rican essayist, novelist, short story writer, university professor, and journalist who lived most of his life in exile in Mexico due to his pro-independence political views. He is considered to be one of the most important Puerto Rican authors of the 20th century, particularly for his book Puerto Rico: The Four-Storeyed Country and Other Essays, which was first published in Spanish in 1980.

The second story is characterized by two great waves of migration. The coffee plantation owners of the nineteenth century. These plantation owners arrived under the special concessions afforded by the Royal Decree of Graces of 1815. The Royal Decree of Graces of 1815 otherwise known as the Cédula de Gracia de 1815 was a legal order approved by the Spanish Crown in the early half of the 19th century to encourage Spaniards and, later, Europeans of non-Spanish origin, to settle in and populate the colony of Puerto Rico. The first stage developed from 1810–1820 and consisted of refugees from the Spanish-American wars of independence. The second stage (1840–1860) consisted of several migratory waves in which came Corsicans, Catalans, Canaries, among others, attracted by the promises of land and economic benefits.

The first story developed from 1520 to 1820 and focuses on the impact of the African slaves imported to Puerto Rico. González contends that the first true people to identify themselves as Puerto Ricans, omitting from consideration the aboriginal Taíno, were the enslaved Africans and their children, sold to Spanish colonists early in the island's Post-Columbian history. This is when the first dialectical relationship is born. Interrelations between the dominated islanders—enslaved blacks, freed blacks, descendants of slaves and Indians, and the white peasantry, and the dominant islanders—white descendants of born Spaniards on the island,. had relations which led to what González refers to as popular and mixed culture, primarily Afro-Antillean. In this relationship, by the eighteenth century, the advances of the majority dominated sector stood out. The author points out that the Puerto Rican society, or popular culture, had evolved from then on forward and the national culture at the time would be that popular culture.