John Millington Synge

Synge's cottage in the Aran Islands has been restored as a tourist attraction. An annual Synge Summer School has been held every summer since 1991 in the village of Rathdrum, County Wicklow. Synge is the subject of Mac Dara Ó Curraidhín's 1999 documentary film, Synge agus an Domhan Thiar (Synge and the Western World). Joseph O'Connor wrote a novel, Ghost Light (2010), loosely based on Synge's relationship with Molly Allgood.

Yeats said that Synge was "the greatest dramatic genius of Ireland". His plays helped set the dominant style at the Abbey Theatre until the 1940s. The stylised realism of his writing was reflected in the training given at the theatre's school of acting, and plays of peasant life were the main staple of the repertoire until the end of the 1950s. Sean O'Casey, the next major dramatist to write for the Abbey, knew Synge's work well and attempted to do for the Dublin working classes what Synge had done for the rural poor. Brendan Behan, Brinsley MacNamara, and Lennox Robinson were all indebted to Synge.

Synge died from Hodgkin's disease at the Elpis Nursing Home in Dublin on 24 March 1909, aged 37, and was buried in Mount Jerome Cemetery, Harold's Cross, Dublin. A collected volume, Poems and Translations, with a preface by Yeats, was published by the Cuala Press on 8 April 1909. Yeats and actress and one-time fiancée Molly Allgood (Maire O'Neill) completed Synge's unfinished final play, Deirdre of the Sorrows, and it was presented by the Abbey players on Thursday 13 January 1910 with Allgood as Deirdre.

Synge's widely regarded masterpiece, The Playboy of the Western World, was first performed on 26 January 1907, at the Abbey Theatre. A comedy about apparent patricide, it attracted a hostile reaction from sections of the Irish public. The Freeman's Journal described it as "an unmitigated, protracted libel upon Irish peasant men, and worse still upon Irish girlhood". Arthur Griffith, who believed that the Abbey Theatre was insufficiently politically committed, described the play as "a vile and inhuman story told in the foulest language we have ever listened to from a public platform", and perceived a slight on the virtue of Irish womanhood in the line "... a drift of chosen females, standing in their shifts ..." At the time, a shift was known as a symbol representing Kitty O'Shea and her adulterous relationship with Charles Stuart Parnell.

The Shadow of the Glen is based on a story about an unfaithful wife, and was criticised by the Irish nationalist leader Arthur Griffith as "a slur on Irish womanhood". Years later Synge wrote: "When I was writing The Shadow of the Glen some years ago I got more aid than any learning could have given me from a chink in the floor of the old Wicklow house where I was staying, that let me hear what was being said by the servant girls in the kitchen." Griffith's criticism encouraged more attacks alleging that Synge described Irish women in an unfair manner. Riders to the Sea was also attacked by nationalists, this time including Patrick Pearse, who decried it because of the author's attitude to God and religion. Pearse, Arthur Griffith and other conservative-minded Catholics claimed Synge had done a disservice to Irish nationalism by not idealising his characters, but later critics have stated he idealised the Irish peasantry too much. A third one-act play, The Tinker's Wedding, was drafted around this time, but Synge initially made no attempt to have it performed, largely because of a scene in which a priest is tied up in a sack, which, as he wrote to the publisher Elkin Mathews in 1905, would probably upset "a good many of our Dublin friends".

Synge left Paris for London in 1903. He had written two one-act plays, Riders to the Sea and The Shadow of the Glen, the previous year. These met with Lady Gregory's approval and The Shadow of the Glen was performed at the Molesworth Hall in October 1903. Riders to the Sea was staged at the same venue in February the following year. The Shadow of the Glen, under the title In the Shadow of the Glen, formed part of the bill for the opening run of the Abbey Theatre from 27 December 1904 to 3 January 1905. Both plays were based on stories that Synge had collected in the Arans, and Synge relied on props from the Arana to help set the stage for each of them. He also relied on Hiberno-English, the English dialect of Ireland, to reinforce its usefulness as a literary language, partly because he believed that the Irish language could not survive.

Synge's first account of life on the Aran Islands was published in the New Ireland Review in 1898 and his book, The Aran Islands, completed in 1901 and published in 1907 with illustrations by Jack Butler Yeats. Synge considered the book "my first serious piece of work". Lady Gregory read the manuscript and advised Synge to remove any direct naming of places and to add more folk stories, but he declined to do either because he wanted to create something more realistic. The book conveys Synge's belief that beneath the Catholicism of the islanders it was possible to detect a substratum of the pagan beliefs of their ancestors. His experiences in the Arans formed the basis for the plays about Irish rural life that Synge went on to write.

In 1897, Synge suffered his first attack of Hodgkin's, after which an enlarged gland was removed from his neck. He visited Lady Gregory's home, at Coole Park near Gort, County Galway, where he met Yeats again and also Edward Martyn. He spent the following five summers there, collecting stories and folklore, perfecting his Irish, but living in Paris for most of the rest of each year. He also visited Brittany regularly. During this period he wrote his first play, When the Moon Has Set which he sent to Lady Gregory for the Irish Literary Theatre in 1900, but she rejected it. The play was not published until it appeared in his Collected Works.

In 1896, he visited Italy to study the language before returning to Paris. He planned on making a career in writing about French authors for the English press. That same year he met W. B. Yeats, who encouraged him to live for a while in the Aran Islands, and then return to Dublin and devote himself to creative work. In 1899 he joined with Yeats, Augusta, Lady Gregory, and George William Russell to form the Irish National Theatre Society, which later established the Abbey Theatre. He wrote some pieces of literary criticism for Gonne's Irlande Libre and other journals, as well as unpublished poems and prose in a decadent fin de siècle style. (These writings were eventually gathered in the 1960s for his Collected Works.) He also attended lectures at the Sorbonne by the noted Celtic scholar Henri d'Arbois de Jubainville.

He met Cherrie Matheson during summer breaks with his family in Dublin. He proposed to her in 1895 and again the next year, but she turned him down on both occasions because of their differing views on religion. This rejection affected Synge greatly and reinforced his determination to spend as much time as possible outside Ireland.

Although he came from a wealthy Anglo-Irish background, his writings mainly concern working class Catholics in rural Ireland, and with what he saw as the essential paganism of their world view. Owing to ill health, Synge was home schooled. His early interest was in music, leading to a scholarship and degree at Trinity College Dublin, and he went to Germany in 1893 to study music. He abandoned this career path in 1894 with a move to Paris where he took up poetry and literary criticism, where he met Yeats and then returned to Ireland.

Synge was educated at home and at times at schools in Dublin and Bray, and later studied piano, flute, violin, music theory and counterpoint at the Royal Irish Academy of Music. He travelled to the continent to study music, but changed his mind and decided to focus on literature. He was a talented student and won a scholarship in counterpoint in 1891. The family moved to the suburb of Kingstown (now Dún Laoghaire) in 1888, and Synge entered Trinity College, Dublin the following year. He graduated with a bachelor's degree in 1892, having studied Irish and Hebrew, as well as continuing his music studies and playing with the Academy Orchestra in the Antient Concert Rooms. Between November 1889 and 1894 he took private music lessons with Robert Prescott Stewart.

Synge's father contracted smallpox and died in 1872 at the age of 49. He was buried on his son's first birthday. His mother moved the family to the house next door to her own mother's house in Rathgar, County Dublin. Although often ill, Synge had a happy childhood there. He developed an interest in bird-watching along the banks of the River Dodder, and during family holidays at the seaside resort of Greystones, County Wicklow, and the family estate at Glanmore.

Edmund John Millington Synge (/s ɪ ŋ / ; 16 April 1871 – 24 March 1909) was an Irish playwright, poet, writer, collector of folklore, and a key figure in the Irish Literary Revival. His best known play The Playboy of the Western World was disapproved due to its bleak ending, depiction of Irish peasants, and idealisation of parricide, leading to hostile audience reactions and riots in Dublin during its opening run at Abbey Theatre, Dublin, which he had co-founded with W. B. Yeats and Lady Gregory. His other major works include "In the Shadow of the Glen" (1903), "Riders to the Sea" (1904), "The Well of the Saints" (1905), and "The Tinker's Wedding" (1909).