Jérôme Bel

Since 2019, for ecological reasons, Jérôme Bel and his company no longer travel by plane for creations and tours. Thus, Dances for Wu-Kang Chen (2020), a portrait of this Taiwanese dancer, Xiao Ke (2020), a performance created with this Shanghai-based choreographer, and Laura Pante (2020), which presents the career of this dancer living in Italy, were all rehearsed by videoconference, performed in the language of the dancers and toured in the country of their performers.

His work has been shown at Tate Modern, London; the Centre Pompidou, Paris; and MoMA, new York. His work has been included in Performa, New York, Kunsten Festival des Arts, Brussels, and Festival d’Avignon as well as dOCUMENTA 13 (2012) in Kassel. Films of his shows have been presented at biennials of contemporary art in Lyon, Porto Alegre, Tirana and at the Centre Georges-Pompidou in Paris and in Metz, at the Hayward Gallery and the Tate Modern in London, and at the Museum of Modern Art in New York).

In 2004, the Paris Opera commissioned from Bel a theatrical documentary about Véronique Doisneau, a dancer in their corps de ballet. In 2005, a residency in Thailand resulted in the piece Pichet Klunchun & Myself, a choreographic dialogue between Bel and traditional Thai dancer Pichet Klunchun. This will be followed by the solo Cédric Andrieux (2009) for Merce Cunningham's eponymous dancer, Isadora Duncan (2019), a piece that portrays this choreographer, Laura Pante (2020) for the eponymous Italian dancer and choreographer, or Xiao Ke (2020) for the eponymous Chinese performer, choreographer and dancer. In 2010, he collaborated with Anne Teresa De Keersmaeker to create 3Abschied. based on Gustav Mahler's Song of the Earth. Disabled Theater (2012) was created for mentally handicapped professional actors from Theater Hora. Dancing as if nobody is watching (2018) and the reading of John Cage's Lecture on Nothing call for a contemplative aesthetic attitude.

He worked twelve years with Frédéric Seguette. He began choreographing creating provocative and entertaining pieces influenced by performance art and challenging some of the conventions of performance.His first performance name given by the author (1994) is a choreography of objects. His second one, Jérôme Bel (1995) is based on the total nudity of the performers. Shirtology (1997) presents an actor wearing many T-shirts. The show must go on (2001) brings together twenty performers, nineteen pop songs and one DJ.

Bel discovered contemporary dance at the 1983 Festival d'Avignon, where he saw two important pieces, Nelken by Pina Bausch and Rosas danst Rosas by Anne Teresa De Keersmaeker, which inspired him to study dance. He studied 1984–1985 at the Centre chorégraphique national in Angers. From 1985 to 1991, he danced for a variety of choreographers in France and Italy, including Angelin Preljocaj, Régis Obadia, Daniel Larrieu, and Caterina Sagna. In 1992, he became the assistant to Philippe Decouflé for the ceremonies of the 1992 Winter Olympics in Albertville.

Jérôme Bel (born 1965) is a French dancer and choreographer.