Age, Biography and Wiki

Ian Munro was born on 1963. Discover Ian Munro's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 60 years old?

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Age 60 years old
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Born , 1963
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Ian Munro Height, Weight & Measurements

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He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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Ian Munro Net Worth

His net worth has been growing significantly in 2022-2023. So, how much is Ian Munro worth at the age of 60 years old? Ian Munro’s income source is mostly from being a successful . He is from . We have estimated Ian Munro's net worth , money, salary, income, and assets.

Net Worth in 2023 $1 Million - $5 Million
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Net Worth in 2022 Pending
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Timeline

2013

His solo repertoire includes both rare and unusual works of the 19th and 20th centuries (such as those by his compatriots Katharine Parker, Ernest Hutcheson and Arthur Benjamin) and he also has a special interest in new music. He has premiered or commissioned works by Peter Sculthorpe, Elena Kats-Chernin (her second piano concerto), Roger Smalley, John Woolrich, Andrew Ford (The Waltz Book, a series of 60 waltzes lasting one minute each), Gordon Kerry, Ann Ghandar, Raffaele Marcellino, Ross Edwards and Dmitri Yanov-Yanovsky, from whom he commissioned the piano cycle Silhouettes. These pieces were dedicated to significant 20th-century composers such as Debussy, Gershwin, Ives, Ravel, Schnittke, Stravinsky – and John Cage, which in true Cage style consisted of 33 seconds of silence.

2011

In 2011 he was Musica Viva's Composer-in-Residence.

2003

He has been a juror on various competitions, including the 2003 Clara Haskil International Piano Competition, the 2003 Melbourne International Chamber Music Competition, the 2004 Symphony Australia Young Performer of the Year Awards, the 2008 New Zealand Kerikeri National Piano Competition, and the 2008 Sydney International Piano Competition.

Ian Munro is the first and only Australian to win the Grand Prix at the Queen Elisabeth Music Competition for composers in Belgium (2003), with his piano concerto Dreams, which then became a set piece for the twelve finalists in the piano section of that year's competition. The work was broadcast across Europe on radio and television, and was performed in Russia, although it has yet to receive a performance in Australia.

1999

During his time in Hobart he created and played a series of four recitals 'One Hundred Nineteens' in 1999, comprising one work from each year of the 20th century. In 2003, he performed a piano recital to an audience representing a wide range of Sydney's music community, commemorating the 150th anniversary of the Bechstein presence in Australia. He has over 40 piano concerti in his repertoire, which includes the standard repertoire as well as such pieces as Hans Werner Henze's epic concerto Requiem. He has performed with all the major orchestras in Australia, as well as orchestras in New Zealand, the Czech Republic, Poland, Italy, Portugal, Russia, the USA, and China, and in the UK (the Royal Philharmonic Orchestra, Philharmonia, English Chamber Orchestra, London Mozart Players, BBC Concert Orchestra, BBC Scottish Symphony Orchestra). He has broadcast widely for the BBC.

Being a parent himself, Ian Munro has an interest in music for children, as reflected in the Children's Concerto (1999) and Lucy's Book (1993–2006). Other works include Drought and Night Rain (2005), O Traurigkeit (2006), and Blue Rags (2005), which was nominated for the APRA Orchestral Work of the Year 2006 and has been recorded for ABC Classics. There is also a piano quintet called Divertissement sur le nom d'Erik Satie (2006), telling the story of a day in the life of Satie. A piano trio, Tales from Old Russia was written in 2008. He is currently writing a song cycle for Elizabeth Campbell, a chamber symphony for the Australia Ensemble and a piece for Richard Tognetti and the Australian Chamber Orchestra. He has also been commissioned to write two string quartets and a second piano quintet.

1997

As festival director, he presided over the 'Pian' e Forte' piano festival in Hobart in 1997, during which seven recitals comprising the complete works for piano duet by Franz Schubert were presented. In 2002 he directed the Domaine Chandon Yarra Valley Festival for Musica Viva.

1995

Ian Munro headed the piano department at the Tasmanian Conservatorium of Music between 1995 and 1999, then joined the staff at the University of New South Wales and at the Australian National Academy of Music. He has taught masterclasses in Australia, Japan, Hong Kong, Vietnam, Thailand and for eleven consecutive years at the Dartington International Summer Festival in the UK.

1990

Munro has a special interest in the music of Arthur Benjamin as a result of meeting Benjamin's pupil Joan Trimble in 1990, and has recorded many of his little-known piano pieces. For his Benjamin recordings, he has also written a short biography of the composer, filling a serious gap in the literature. His other writings include a biography of Katharine Parker.

1982

While studying at the Victorian College of the Arts, he won the ABC Instrumental and Vocal Competition (now the ABC Symphony Australia Young Performers Awards) in 1982. He won major prizes at the 1985 Maria Canals International Music Competition, the 1987 Leeds International Piano Competition, the 1987 Vianna da Motta International Music Competition and the 1987 Ferruccio Busoni International Piano Competition in Italy.

1963

Ian Munro (born 1963) is an Australian pianist, composer, writer and music educator. His career has taken him to over 30 countries in Europe, Asia, North America and Australasia.

Ian Munro was born in Melbourne in 1963, and attended Scotch College (1975–80) and the Victorian College of the Arts (1981–83). His early piano training was in Melbourne with Rodney Hurst, Marta Rostas (a pupil of Béla Bartók), Deirdre Vadas and Roy Shepherd (a pupil of Alfred Cortot) and he had further study in Vienna, London and Italy with Franz Zettl, Noretta Conci, Guido Agosti and Michele Campanella.