Age, Biography and Wiki

Harald Geisler was born on 1980 in Frankfurt, Germany, is an artist known for his typographic projects about the role of writing in society. Discover Harald Geisler's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 40 years old?

Popular As N/A
Occupation N/A
Age 41 years old
Zodiac Sign N/A
Birthplace Frankfurt, Germany
Nationality Germany

We recommend you to check the complete list of Famous People born on . He is a member of famous with the age 41 years old group.

Harald Geisler Height, Weight & Measurements

At 41 years old, Harald Geisler height not available right now. We will update Harald Geisler's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Parents Not Available
Wife Not Available
Sibling Not Available
Children Not Available

Harald Geisler Net Worth

His net worth has been growing significantly in 2020-2021. So, how much is Harald Geisler worth at the age of 41 years old? Harald Geisler’s income source is mostly from being a successful . He is from Germany. We have estimated Harald Geisler's net worth, money, salary, income, and assets.

Net Worth in 2021 $1 Million - $5 Million
Salary in 2020 Under Review
Net Worth in 2019 Pending
Salary in 2019 Under Review
House Not Available
Cars Not Available
Source of Income

Harald Geisler Social Network

Twitter Harald Geisler Twitter
Wikipedia Harald Geisler Wikipedia



In 2009 Geisler started creating typefaces and since then released 28 typefaces. With an emphasis on handwriting he developed a method to design fonts that focuses on movement rather than outlines. In 2013 while drawing a font based on Sigmund Freud's manuscripts he started to store multiple versions of each letter in the font instead of fixed ligatures, and created a technique called polyalphabetic substitution that would alter between multiple versions of each letter based on the surrounding letters. This means that when a typist types, the ligatures in each word change so that they are not overused, giving the writing a more realistic look. The technique was based on the rotating barrels of an Enigma encryption machine.

The Typographic Wall Calendar is a poster series about the notation of time. It is compiled of the number of used keyboard keys that enumerate the year, laid out in a grid and read from left to right. The first print of the series was produced in 2009.


In collaboration with Karl Gerstner, Geisler created in 2007 an updated version of Gerstner's "Designing Programmes" form 1964.


Harald Geisler is an artist known for his typographic projects about the role of writing in society. He was born 1980 in Frankfurt am Main, Germany and graduated in 2009 at the University of Art and Design Offenbach am Main.


The Pen-pals Project was a historic reenactment of the letter exchange between Albert Einstein and Sigmund Freud in 1932, discussing the possibility to "free mankind from the menace of war". In 2017, commemorating the 85th anniversary of the exchange, Geisler reproduced and send the letters from the same location and time of year. Supporters of the project on the crowdfunding platform Kickstarter received copies of the letters or addressed copies to politicians.


The idea of the Sigmund Freud typeface is inspired by imagining a person writing a letter to his or hers shrink in Sigmund Freud's handwriting. It is based on eight handwritten documents from 1883 to 1938 selected from the archive of the Sigmund Freud Museum Vienna. in 2015 the font was used in the Times, replacing Times New Roman font in a headline of an article discussing the value of handwriting.