George Azar

In December 2012, Al Jazeera English flagship documentary series "Witness" aired "Beirut Photographer" Directed by George Azar and Mariam Shahin. The film is about Azar's return to Beirut 30 years after his first visit and documents his journey to the past and how he finds and reconnects to many of the people he photographed in 1982. .

In addition to his work as a photojournalist and filmmaker, Azar is a historian and curator. His writing, photography and photo curation is on permanent display on the first three floors of San Francisco's historic U.S. Customhouse, and New York's International Center of Photography hosted Azar's 2002 curation of Bill Biggart's "Twin Towers", which marked the one-year anniversary of the tragedy. Azar commands unique insight into both the Arab world and the western perceptions and misperceptions of it, and has lectured on the subject at major universities including the University of California, Berkeley, the University of Chicago, Stanford, Vanderbilt, Pepperdine and Harvard. Azar is currently a Photojournalist in Residence and a full-time instructor in Journalism and Digital Media at the American University of Beirut since Fall 2018–19.

When the First Intifada erupted in Palestine in the winter of 1987, Azar was living in the United States, working as a photographer for The Philadelphia Inquirer. He had left the horror of Beirut, Damour and Tripoli behind almost two years before and resisted the thought of ever going back. But as he watched images on the news of the people of the villages, refugee camps and towns of Palestine taking to the streets, protected by nothing save the cloth of their keffiyehs, and armed with stones, he finally decided to return to Palestine. The photos he took during that stay in Palestine would become his first book, the critically acclaimed Palestine: A Photographic Journey, published in 1991.

During the early days of the Israeli invasion of Lebanon in June 1982, Azar was trapped under an intense bombardment, abandoned by his driver in a small town on the Lebanese coast, called Jieh. He was covering the war for Newsweek. When the Israelis overran the town there was a brief, but intense fight. Jieh was left in ruins.

Then in July 1981, the Israeli Air Force bombed a neighborhood in Beirut called Fakhani, sending stacks of 700 pound bombs slamming into densely packed apartment buildings. Some 400 civilians were killed by the explosions or crushed by the weight of the fallen buildings. Azar read about it in a newspaper, clipped the short article, and taped it onto the refrigerator door so his friends could see it. Throughout the summer he would look at this article and become overwhelmed. This Israeli bombing campaign in West Beirut was part of the early stages of what would eventually transform into the 1982 Lebanon War. Azar writes, "I could imagine the press coverage that would have followed if 400 Jewish civilians been killed in a Palestinian attack. Yet, in 1981, the killing of 400 Arab civilians by Israel hardly caused a ripple in the American public mind."

By the end of the summer, shocked and troubled, Azar decided to see, first-hand, the conflict he had read about in newspapers. So, in September 1981, he departed for Beirut with his friend and college roommate, Michael Nelson. They hitchhiked across Europe to Lebanon, with the goal of pursuing careers in photojournalism. They finally arrived in Beirut in November 1981. And it was there and then that Azar's career began.

Once in Beirut, Azar became a news photographer, covering the Lebanese War as a stringer for the Associated Press (AP), United Press International (UPI) and later for the French photo agency, Gamma. From 1981 to 1989 Azar chronicled the Israeli invasion of Lebanon, the destruction of the U.S. Marine compound, the civil insurrection in West Beirut, the vicious inter-factional war among the Palestinians in North Lebanon, The Druze-Maronite war in the Chouf mountains and the Syrian siege of Mount Lebanon.

Between 1977–1981, Azar attended the University of California, Santa Barbara and the University of California, Berkeley, where he received a Bachelor of Arts in Political Science, History. He graduated Magna Cum Laude.

George Azar (born February 3, 1959 in Philadelphia) is a Lebanese American photojournalist and documentary filmmaker. His photographs have appeared on the front pages of The New York Times, the International Herald Tribune, The Economist, Saudi Aramco World and other leading publications. Since 2006 he and Mariam Shahin, have produced over 50 films for the international satellite news network, Al Jazeera. Azar has also produced several documentaries for the internet news channel Vice News, including "Crime and Punishment in Gaza", "Renegade Jewish Settlers" and 'The Islamic State vs Lebanon". Azar has covered the Middle East and Arab/Islamic culture since 1981 and is the subject of the CBS Emmy Award-winning news feature, Beirut Photographer. He was also profiled in the BBC's Firing Line. He was nominated for the 2007 Rory Peck Award for his film Gaza Fixer. His and fellow filmmaker Tom Evans' film Two Schools in Nablus also received great acclaim, winning the Japan Prize in Education in 2008, and the British Royal Television Society Education Award in 2009. In addition, Azar is the author and photographer of the critically acclaimed book Palestine: A Photographic Journey, and the photographer of Palestine: A Guide, written by Mariam Shahin.

Azar was born in Philadelphia on February 3, 1959, the middle child of George Azar, Jr. and Gladys Saddic, both the children of Lebanese immigrants. He has three siblings, an older sister, Madelynn, and two younger brothers, Michael and Habib. When he was eight years old, the family relocated to San Diego, California, where he spent the remainder of his childhood.