Age, Biography and Wiki

Frida Baranek was born on 1961 in Rio de Janeiro, State of Rio de Janeiro, Brazil, is a Brazilian sculptor. Discover Frida Baranek's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is She in this year and how She spends money? Also learn how She earned most of networth at the age of 62 years old?

Popular As N/A
Occupation N/A
Age 62 years old
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Born , 1961
Birthday
Birthplace Rio de Janeiro, Brazil
Nationality Brazil

We recommend you to check the complete list of Famous People born on . She is a member of famous Sculptor with the age 62 years old group.

Frida Baranek Height, Weight & Measurements

At 62 years old, Frida Baranek height not available right now. We will update Frida Baranek's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
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Who Is Frida Baranek's Husband?

Her husband is Roger Cohen (m. ?–2015)

Family
Parents Not Available
Husband Roger Cohen (m. ?–2015)
Sibling Not Available
Children Not Available

Frida Baranek Net Worth

Her net worth has been growing significantly in 2022-2023. So, how much is Frida Baranek worth at the age of 62 years old? Frida Baranek’s income source is mostly from being a successful Sculptor. She is from Brazil. We have estimated Frida Baranek's net worth , money, salary, income, and assets.

Net Worth in 2023 $1 Million - $5 Million
Salary in 2023 Under Review
Net Worth in 2022 Pending
Salary in 2022 Under Review
House Not Available
Cars Not Available
Source of Income Sculptor

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Timeline

2015

She was married to journalist Roger Cohen and has four children. They divorced in 2015.

1988

Others take the form of fences and screens to evoke mass and space e.g. Untitled, (1988) iron flexible, plates and stones and Untitled, (1991) steel rods and wire. Latent references to women's work are also incorporated in her sculptures. The artist also knits and weaves thin thread into womb and bag-like forms like in her sculpture "Swirls Bege," (2008). Baranek's overwhelming tangles and whiskered sacs refer to the sexual symbol of women's hair; this is not only a symbol of inclination, but of danger as well. Other materials used in her sculptures are stones, springs, bars, glass, air chambers, tires, rubber balls, water, sand, etc.

1985

She creates organic forms and subjects using inorganic materials e.g., "Untitled," (1985) stone, wood boxes, bulbs and electric wire, and "Como vai você, Geração 80? [How are you, Generation 80?]," (1984), Steel. "Como vai você, Geração 80?" is incorporated into and organic material (water) and it flows throughout the water seamlessly. Sculptures such as "Dormindo em Veneza [Sleeping in Venice]", (1990), "Bolo [Cake]", (1990), and Não classificado [Unclassified], (1992) incorporate puffs of steel wool and sheets of steel that shimmer like constellations.

1984

In 1984, in a selected group exhibition called "Como vai você, Geração 80?" at the Escola de Artes Visuais in Rio de Janeiro, Brazil, Baranek created a stained plastic buoy floating in Rodrigo de Freitas Lake. The buoy is similar to the shape of the Dois Irmãos Mountain, that is close to the exhibition and is 0.9 meters wide and 30. meters long. The buoy is surrounded by water. The sculpture's satin surface that is silver reflects light bouncing off the water. Baranek's sculptures reflect a skewed reality, strangeness, and unexpected poetical relationships.

1983

Frida Baranek was born in Rio de Janeiro. She graduated from Universidade Santa Úrsula, with a bachelor's degree in architecture in 1983, and from Parsons School of Design with a master's degree in sculpture in 1985. She has lived and worked in São Paulo, Paris, Berlin, and New York City. Frida currently live in Miami. She owns one studio in Rio de Janeiro and one in Miami.

1961

Frida Baranek (born 1961) is a Brazilian sculptor known for creating large sculptural works that incorporate fibers and industrial materials such as plates, rods, and iron or steel wires as commentary on industrialization and the environment in Brazil.