Erik van der Luijt

In September 2005 Erik van der Luijt and his trio played at a charity concert at the Concertgebouw to raise funds for New Orleans after the city was hit by Hurricane Katrina. Dutch Jazz for New Orleans also featured performances by Greetje Kauffeld, the Dutch Swing College band, Hans Dulfer, Laura Fygi, Trijntje Oosterhuis, Ramses Shaffy and Louis van Dijk.

In August 2004 he was a finalist at the Deloitte Jazz Award 2004 at the Bimhuis cultural centre in Amsterdam. In the same year he conducted a series of masterclasses in Indonesia, at the invitation of the Conservatory of Rotterdam.

In 2004 he also released the privately produced and critically acclaimed album Express Yourself, consisting exclusively of his own compositions and on which he is accompanied by Branko Teuwen on double bass and Victor de Boo on drums. Van der Luijt quotes the fact that two members of the trio had recently married and all three had recently become a father as the drive behind the album. An increased sense of responsibility made them search more than ever for a distinctive style in order to draw more attention to themselves. Three days before the original recording date he decided that recording standards was not the best way to do this and began writing his own compositions. The album Express Yourself was hailed as "a masterpiece" in the press and compared to landmark albums by Tommy Flanagan and Bill Evans.

His concert performances have taken him to Sweden, France, Belgium, Indonesia, Germany and the United Kingdom. The album The Sweetest Sounds - Ilse Huizinga Sings the Songs of Richard Rodgers (2001), to which he made a major contribution as an arranger, producer and pianist, resulted in his wife Ilse Huizinga's first nomination for Holland's top music award, The Edison Award.

Erik van der Luijt (born August 22, 1970 in The Hague) is a Dutch jazz pianist / keyboard player, arranger and composer.

Critics have praised Erik van der Luijt's talent for melody and the classical influences on his work. His style is likened with the subtle cohesion of legendary Bill Evans with his trio of the late 1950s, also in its fresh chord voicings and harmonic phrasing. Others have called him "the Dutch Oscar Peterson".