Erik Jacobsen

In 1981, he teamed up with Chris Isaak as Isaak's producer, publisher, and manager. They worked and toured together through 1998, making seven albums, including the double platinum album Heart Shaped World. The breakthrough single, "Wicked Game", was made into a music video, which has been voted one of MTV’s sexiest videos of all time. Isaak’s music has also been featured in numerous movies, TV shows, and advertisements.

In 1980-1984, he produced two albums with the San Francisco ska- and reggae-oriented band Tazmanian Devils on Warner Brothers Records.

In 1975, Jacobsen began working with singer/songwriter Brian Elliot. One album was released by Warner Brothers Records. In 1986 the Elliot/Jacobsen Publishing Company had Elliot's song "Papa Don't Preach" covered by Madonna. Her record went on to become an international number one hit, selling over one hundred million copies. Elliot and Jacobsen have continued to work together, releasing the album Full Mental Nudity in 2014.

In 1969, Jacobsen produced and published the song "Mill Valley", a number one Adult Contemporary hit for Rita Abrams, a kindergarten school teacher, singing with the Strawberry Point School Third Grade Class. They were featured on the cover of Life magazine and were guests on The Smothers Brothers TV show. A young Francis Ford Coppola made a video for the song.

In 1968, he began working with Norman Greenbaum. They made three albums together, and Jacobsen produced Greenbaum's "Spirit in the Sky", which became a number one worldwide hit and went on to be one of the most licensed recordings of all time, appearing in over 40 films and many TV shows and commercials.

In 1966, Jacobsen recorded the group Sopwith Camel. Their song "Hello Hello" was the first pop hit to come out of San Francisco's psychedelic era. He went on to produce their 1973 cult classic, The Miraculous Hump Returns from the Moon.

Starting in 1965, Jacobsen produced the albums Do You Believe in Magic, Daydream, and Hums of the Lovin' Spoonful, which yielded seven straight top-10 singles, including "Do You Believe in Magic", "You Didn't Have to Be So Nice", "Daydream", and the number one hit, "Summer in the City", which was subsequently voted the number one summertime single of the 20th century by Billboard Magazine. The Lovin’ Spoonful also recorded soundtracks for Woody Allen's first movie What’s Up Tiger Lily as well as Francis Ford Coppola’s You're a Big Boy Now. Jacobsen published the band's original songs through his Faithful Virtue Publishing Company and was a major factor in their development. Sebastian has said, "I felt like Erik, just as a collaborator, was a fifth member of the Spoonful."

In 1964, after hearing the Beatles, Jacobsen quit the Knob Lick Upper 10,000, intending to produce records that combined folk music with electric instruments and drums. Returning to New York, he soon met John Sebastian, who had similar ideas, and they began working with other musicians, including Jerry Yester, Zal Yanovsky, Jesse Colin Young, Cass Elliot, and Denny Doherty. Jacobsen produced various demos for different combinations of these musicians, prototypes of the folk rock style, some of which were issued on the 1966 Elektra album What's Shakin', and others on a 1999 compilation The Magic Circle. Jacobsen was also introduced to singer-songwriter Tim Hardin, began working as his manager, and produced his demos for Columbia Records.

Jacobsen discovered singer-songwriter Tim Hardin in 1964, managed him, and produced his first album, Tim Hardin 1. The album includes modern classics like "Reason to Believe", "Misty Roses", "Don't Make Promises", and "How Can We Hang on to a Dream". To encourage Hardin to write original songs, Jacobsen bought him a tape recorder and paid him $50 for every song Hardin recorded that had at least two verses and a chorus. Songs that Hardin later recorded as demos for Jacobsen also include "If I Were a Carpenter" and others that appeared on Tim Hardin 2. Hardin's songs were published through Faithful Virtue Music Company. In 1965, Jacobsen also produced the original blues-style recordings that were eventually released as Tim Hardin 4 on Verve Records.

In high school he played the tuba and sousaphone. Later, at Oberlin College he began playing bluegrass style banjo and by his senior year, took over leadership of the Oberlin bluegrass band, the Plumb Creek Boys. After graduation in 1962, he formed the Knob Lick Upper 10,000, with Dwain Story and Pete Childs, also Oberlin graduates. They performed at The Bitter End coffee house in New York City, where they were signed by manager Albert Grossman. They recorded two albums for Mercury Records, Introducing The Knob Lick Upper 10,000 (1962), and Work Out!!! (1963), and were among the first folk and bluegrass artists to play Carnegie Hall.

Erik Jacobsen (born May 19, 1940) is an American record producer, song publisher and artist manager. He is best known for his work in the 1960s with Tim Hardin, the Lovin' Spoonful, the Charlatans, and Sopwith Camel, and later with Norman Greenbaum, Tazmanian Devils and Chris Isaak. Though semi-retired, Jacobsen continues to manage many of his published songs and masters for various uses.