Dolores Dorn

Later became a noted acting teacher for the American Film Institute, 1977 and with the Lee Strasberg Institute, 1983. She also was an acting coach for the "Star Search" talent program for Metromedia TV in 1983.

There were also a few TV guest appearances to follow between 1973 and 1985, but that was pretty much it.

Her last noteworthy fling at the big screen was in 13 West Street (1962), a fashionable melodrama about teenage delinquency, in which she co-starred with Alan Ladd.

(1961) for which she was cast as gangster's moll "Cuddles", romantic interest to Cliff Robertson's revenge-seeking ex-convict. She was billed, unlike on Broadway, as simply Dolores Dorn.

In the late 1960s, Dorn focused on stage endeavors around New York and Los Angeles.

Dolores made her New York stage debut in 1956 in Chekhov's 'Uncle Vanya' at the Fourth Street Theatre. A year later she also played the part of Yelena Andreyevna in the subsequent film version (opposite future husband Franchot Tone, who was 29 years her senior). Having attracted the attention of studio execs with an off-Broadway performance in "Between two Thieves", she was signed by director Samuel Fuller to a Columbia contract. Her first notable starring role for the studio was in Underworld U. S. A.

In 1954, she joined the Schaffner Players repertory comedy troupe as 'lead ingénue' on tour through Illinois, Missouri, and Iowa. At some point she was spotted by a Warner Brothers talent scout while sipping soda at a drug store.

This led to her first (minor) film role in Phantom of the Rue Morgue (1954) as one of the beast's murder victims, to be followed by a second-billed part in the Randolph Scott western The Bounty Hunter (1954).

A blonde beauty with a sunny smile, she was also voted 'Miss Photoflash' of 1951 by the Chicago Press Photographers Association. Born Dolores Heft, she was the daughter of a well-to-do automobile dealer and first headlined before the footlights at the Chez Paris nightclub.

Some actresses have entered films via the stage while others walked the path of a successful modelling career. Dolores Dorn possessed the double-barreled endowment of being both a graduate of Chicago's Goodman Art Theatre as well as having been a place-getter (second and third, respectively, in 1950 and 1951) at the annual Miss Chicago contest.