Claudio Fragasso

In the mid-1990s, critics suggested there was a resurgence of crime films in Italy going on after the release of The Escort. This new wave included Fragasso's Palermo - Milan One Way, the box office success of which led to others such as Coppia omicida and the television film Operazione Odissea. Fragasso continued to make several films for both theatrical and television release, culminating in his 2007 sequel to Palermo - Milan One Way which was called Milano Palermo - il ritorno.

Fragasso would later make Troll 2 for Massaccesi who wanted to make a horror film without any blood in it. The film was shot in mid-1989 in Morgan, Utah. Rosella met the producer Sarlui and he had a mask from the film Troll which Fragasso had not seen. Fragasso stated their film was originally to be titled Goblins and was written with Drudi as a more family-oriented horror film with humor about goblins who hated carnivorous humans as the goblins were vegetarians. Fragasso is credited as Drako Floyd, a pen name created by Drudi from the Dragon sign in the Chinese zodiac and for the band Pink Floyd.

In 1986, Fragasso made a film on his own without Mattei titled Monster Dog for producer Eduard Sarlui, starring musician Alice Cooper. Fragasso and Drudi also co-wrote the sequel to Lucio Fulci's Zombi 2, called Zombi 3. Director Fulci had to leave the Philippines set before completing the film, leading to Drudi and Fragasso having to re-write and expand the script in one day, the film's directing chores being completed by Bruno Mattei who was working in the Philippines at the time. Fragasso flew there the next day to assist Mattei with the filming.

Fragasso met director Bruno Mattei when Mattei was still an assistant editor and they immediately got along well with one another as they both enjoyed genre films. In 1980, Mattei began a close collaboration with screenwriter Fragasso, beginning with The True Story of the Nun of Monza (1980) and ending with a comedy called Three For One (1990). The two worked closely together for that ten-year period (collaborating on 15 films) with Fragasso occasionally assuming the role of second unit, or assistant, director. Fragasso has stated he is a fan of splatter films, noting that they were "very important to me. The Italian spirit compels us to exaggerate."

Following Hell of the Living Dead, producers suggested another two-film deal which led to Women's Prison Massacre and Violence in a Women's Prison, both starring Laura Gemser. Violence in a Women's Prison was written by Fragasso and Drudi. Fragasso spoke positively on working with Gemser, stating that "compared to the starlets of today, she was virtually a nun, the absolute opposite of a porn star". Gemser would years later work for producer Aristide Massaccesi's Filmirage team, as a costume designer on Fragasso's film Troll 2. Producer Roberto Di Girolamo requested a post-apocalyptic film from Fragasso and Mattei, called Rats: Night of Terror. Fragasso would also collaborate on the two Westerns Mattei directed in the 1980s: Scalps and White Apache. Fragasso also appeared in small roles in some of his films, such as Robowar and Cop Game.

Claudio Fragasso (born 2 October 1951) is a film director and screenwriter. Fragasso first attempted to make art films in the early 1970s, then became a screenwriter in the Italian film industry in the mid-1970s. Fragasso met director Bruno Mattei which led to a ten-year partnership from 1980 to 1990 during which the two worked together closely on films, with Fragasso's contributions often going uncredited. Fragasso's wife Rossella Drudi was also a screenwriter and collaborated with him on a number of projects. Fragasso would later go on to write and direct his own films in the 1980s, including Monster Dog with rock musician Alice Cooper and After Death. Fragasso made Troll 2 in 1989 which was later the topic of the documentary film Best Worst Movie which discussed the film's fandom.

Claudio Fragasso was born on 2 October 1951. Prior to directing, Claudio Fragasso worked as a screenwriter beginning in the mid-1970s. Fragasso had originally planned to make art films, and initially shot his films on Super8 such as Passaggi (1977) and its follow-up Difendimi dalla Notte, with Fragasso noting "In Italy, to be considered important, you must shoot something like that.". According to Fragasso, the screenplay for Il Medium was done specifically for director Silvio Amadio in 1975. The film however did not start production until 1979. Fragasso worked on the screenplays on several Italian crime thrillers in the 1970s.