Clare Woods

Woods completed an MA in Fine Art at Goldsmith’s College, London in 1999, following a BA in Fine Art at Bath College of Art in 1994.

Woods’ paintings are held in many major national and international collections including the Arts Council Collection, London, British Council Collection, London, Government Art Collection, London, Southampton City Art Gallery, National Museum Wales Collection, Glynn Vivian Collection, Wales, Arken Museum of Modern Art, Denmark, British Airways Collection, London, Albright-Knox Museum, Buffalo, USA.

Woods’ work has been the subject of major solo exhibitions both nationally and internationally including,

She was shortlisted for Cymru yn Fenis Wales in Venice 2017 La Biennale di Venezia 57th International Art Exhibition.

Woods also works in print and has had print commissions from Habitat, Counter Editions, Sidney Nolan Trust / The Hepworth Wakefield, Edition Copenhagen, Harewood House and Alan Cristea Gallery, London. In 2014 Woods produced a poster design, Cranky, part of a series commissioned by Art on the Underground for London River Services.

Woods received a major commission from Contemporary Art Society/ Olympic Delivery Authority to create two permanent pieces of work, Carpenter's Curve and Brick Field, for the Olympic Park, London in 2012.

Other major commissions include, Future City/Make Architects commission for a building, London (2005–07), Transport for London, Permanent Commission for Hampstead Heath Train Station London (2010–11), Worcester University/ Worcester County Council, Large Scale painting for the new Hive building (2012) Art on the Underground, River Services commission two new paintings for a poster commission (2014), Large Scale Painting Commission, VIA University College, Denmark (2015).

Clare Woods (born 1972) is a British artist who lives and works in London and the Welsh borders. Some of her works are on a very large scale; one commissioned for the Olympic Delivery Authority in London is 83 metres long.