Age, Biography and Wiki
Andrei Sârbu was born on 6 December, 1950 in Chișinău, Moldavian SSR. Discover Andrei Sârbu's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 50 years old?
| Popular As |
N/A |
| Occupation |
N/A |
| Age |
50 years old |
| Zodiac Sign |
Sagittarius |
| Born |
6 December, 1950 |
| Birthday |
6 December |
| Birthplace |
Chișinău, Moldavian SSR |
| Date of death |
(2000-04-14) Chișinău, Moldova |
| Died Place |
Chișinău, Moldova |
| Nationality |
Moldova |
We recommend you to check the complete list of Famous People born on 6 December.
He is a member of famous with the age 50 years old group.
Andrei Sârbu Height, Weight & Measurements
At 50 years old, Andrei Sârbu height not available right now. We will update Andrei Sârbu's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
| Physical Status |
| Height |
Not Available |
| Weight |
Not Available |
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Not Available |
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Not Available |
| Hair Color |
Not Available |
Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
| Family |
| Parents |
Not Available |
| Wife |
Not Available |
| Sibling |
Not Available |
| Children |
Not Available |
Andrei Sârbu Net Worth
His net worth has been growing significantly in 2022-2023. So, how much is Andrei Sârbu worth at the age of 50 years old? Andrei Sârbu’s income source is mostly from being a successful . He is from Moldova. We have estimated
Andrei Sârbu's net worth
, money, salary, income, and assets.
| Net Worth in 2023 |
$1 Million - $5 Million |
| Salary in 2023 |
Under Review |
| Net Worth in 2022 |
Pending |
| Salary in 2022 |
Under Review |
| House |
Not Available |
| Cars |
Not Available |
| Source of Income |
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Andrei Sârbu Social Network
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Timeline
The artist's deteriorating health prevented him from organising exhibition titled "Anno-Timpuri", which was presented to the public by wife, Antonina Sârbu. Andrei Sârbu died on April 14, 2000 in Chișinău.
In the 1990s Andrei Sârbu devoted his attention to his native land's history through the series of paintings "Archeology" and the project "Archeo" sponsored by the Soros Foundation Moldova. Traditional themes found a modern pictorial expression in these series. In 1999 Andrei Sârbu was awarded a scholarship for excellence by the same institution.
The "Reflexes" series (1987–89) are highly representative of Andrei Sârbu's artistic maturity. The artist's later use of the pictorial language of Op-Art, shows the influence of the French painter Victor Vasarely.
In the 1970s, Sârbu embraced the technique of collage, which can be seen in works such as "Clock-1" and "Clock-2". The work "Projection" (1976–77) is a vivid example of the artist's use of the pictorial language of Pop Art. Elements such as cinema tape, sunflowers and quinces became his trademarks and were closely associated with his still lives.
In 1968 Andrei Sârbu exhibited " Geranium from parents' home" at the National Museum of Art in Chișinău and started to work as a designer and painter of theatrical scenery at the "Luceafarul" theater in Chișinău.
Between 1963 and 1966 Andrei Sârbu studied at the A.V. Sciusev Art School followed by three years of study at 'Valentin Serov' College in Leningrad. Due to material hardships he was constrained to abandon his studies. Nevertheless, the artist's stay in Leningrad gave him the opportunity to familiarize himself with a wider context of modern art. Sârbu pursued his studies in Tallinn from 1966 to 1968, followed by his activity in the workshop of the renowned painter Mihai Grecu.
Andrei Sârbu (born 6 December 1950 in Chișinău – died 14 April 2000 in Chișinău) – Moldovan painter who contributed to the introduction of a modern approach to painting in Moldova. Known for his non-figurative works, Pop Art series and Photorealism.
