Age, Biography and Wiki

Zoe Leonard was born on 1961 in Liberty, New York, United States. Discover Zoe Leonard's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is She in this year and how She spends money? Also learn how She earned most of networth at the age of 62 years old?

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Age 62 years old
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Born
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Birthplace Liberty, New York, US
Nationality United States

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Zoe Leonard Height, Weight & Measurements

At 62 years old, Zoe Leonard height not available right now. We will update Zoe Leonard's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

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Dating & Relationship status

She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.

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Zoe Leonard Net Worth

Her net worth has been growing significantly in 2022-2023. So, how much is Zoe Leonard worth at the age of 62 years old? Zoe Leonard’s income source is mostly from being a successful . She is from United States. We have estimated Zoe Leonard's net worth , money, salary, income, and assets.

Net Worth in 2023 $1 Million - $5 Million
Salary in 2023 Under Review
Net Worth in 2022 Pending
Salary in 2022 Under Review
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Timeline

2018

In addition to working on her art, Leonard has been serving on the advisory board of the Hauser & Wirth Institute since 2018.

2014

From her earliest aerial photographs to her images of museum displays, anatomical models, and fashion shows, much of Leonard's work reflects on the framing, classifying, and ordering of vision. She explained in an interview: "Rather than any one subject or genre (landscape, portrait, still life, etc), I was, and remain, interested in engaging a simultaneous questioning of both subject and vantage point, the relation between viewer and world — in short, subjectivity and how it informs our experience of the world."

"In her straight-ahead photographs of storefronts, an arrangement of shoes or shrink-wrapped furniture becomes a vanitas still life. A hand-painted shop sign becomes a relic. Over several photographs, we sense that an unnamed neighborhood — Ms. Leonard expanded her field work to include East Harlem, Bedford-Stuyvesant and Crown Heights — is packing up to leave. A city's material culture is doing a vanishing act. And where is the material going? Back to a version of the world it came from. Many of the cut-rate goods sold in the Lower East Side shops originated in urban sweatshops in China and Pakistan and are eventually passed on as surplus to other poor cities in Africa and Central America. In the wraparound grid of pictures in Analogue we follow recycled clothes from Brooklyn to the city of Kampala in Uganda, where they are sold as new in stores like the Money Is Life House of Garments."

2009

More recent exhibitions have included Serialities at Hauser & Wirth, You See I Am Here After All at Dia: Beacon (2009), Observation Point, Camden Arts Centre, London (2012), an installation at the Chinati Foundation, Marfa, Texas (2013-2014) and the 2014 Whitney Biennial, for which Leonard won the Bucksbaum Award with her work "945 Madison Avenue". In 2018, the Whitney Museum of American Art mounted Leonard's first career retrospective in the United States, an exhibition organized by the Museum of Contemporary Art, Los Angeles, where the show traveled in late 2018.

2007

Analogue was first exhibited in 2007 at the Wexner Center for the Arts in Columbus, Ohio, and at Documenta XII in Kassel, Germany, followed by presentations at Villa Arson in Nice, and Dia at the Hispanic Society and the Museum of Modern Art in New York and was included in a touring retrospective of Leonard's work which originated in 2007 at the Fotomuseum Winterthur, and later traveled to the Museo Nacional Centro de Arte Reina Sofia, Madrid; MuMOK — Museum Moderner Kunst Stifting Ludwig, Vienna; and Pinakothek der Moderne, Munich. Analogue is in the collection of The Museum of Modern Art, New York and the Reina Sofia, Madrid.

1998

Between 1998 and 2009, Leonard worked on Analogue, a monumental project consisting of an installation of 412 C-prints and gelatin silver prints (in the collection of The Museum of Modern Art, New York and the Reina Sofia, Madrid), and a portfolio of 40 dye-transfer prints. Influenced by Eugène Atget and Walker Evans but born out of a 21st-century reconsideration of the role of photography, Analogue explores transformations in global labor, trade, and social relationships in parallel with the shift from analogue to digital image-making. Holland Cotter described an experience of the work in The New York Times in 2009:

1995

In 1995 she staged an exhibition at her studio on the Lower East Side of Manhattan which featured the work Strange Fruit, an installation of various fruit skins (oranges, bananas, grapefruits, lemons) that Leonard saved and then sewed together by hand with wire and thread. Strange Fruit grew out of a deeply personal response to the losses of the AIDS epidemic and as a meditation on mourning, it became a seminal work of the 1990s. Strange Fruit was exhibited in 1998 at the Philadelphia Museum of Art, where it currently resides.

1993

Leonard began working on the Fae Richards Photo Archive in 1993 after being approached by director Cheryl Dunye to create a fictive archive of photographs for Dunye's 1996 fictional documentary The Watermelon Woman, in which protagonist Cheryl, played by Dunye, searches for the history of black lesbian entertainer Fae Richards. The photographs, which Leonard treated by hand to appear aged, are used as props in the film and were included in the 1997 Whitney Biennial.

1990

During the mid-1990s Leonard spent two years living in a remote part of Alaska, an experience that influenced much of her later artwork, which often foregrounds relationships between humans and the natural world. Trees are a motif in Leonard's work: examples include a "reconstructed" tree that she installed in Vienna's Secession in 1997 as well as numerous photographs of urban trees mangled in chain-link and razor wire fences.

1980

Leonard was active in AIDS advocacy and queer politics in New York in the 1980s and 1990s. In 1992 she wrote "I want a president", a poem inspired by Eileen Myles's run for president.

1961

Zoe Leonard (born 1961) is an American artist who works primarily with photography and sculpture. She has exhibited widely since the late 1980s and her work has been included in a number of seminal exhibitions including Documenta IX and Documenta XII, and the 1993, 1997 and 2014 Whitney biennials.

Leonard was born in 1961 in Liberty, New York. Aged 16, she dropped out of school and started taking photographs. She has spent most of her adult life living in New York City, whose built environment has been the subject matter of much of her work (e.g. sidewalks, storefronts, apartment buildings, chain-link fencing, graffiti, and boarded-up windows.) Leonard became well-known internationally following her installation at Documenta IX in 1992.