Age, Biography and Wiki

Wiel Arets was born on 6 May, 1955 in Heerlen, Netherlands, is an Architect. Discover Wiel Arets's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 69 years old?

Popular As N/A
Occupation Architect
Age 69 years old
Zodiac Sign Taurus
Born 6 May 1955
Birthday 6 May
Birthplace Heerlen, Netherlands
Nationality Netherlands

We recommend you to check the complete list of Famous People born on 6 May. He is a member of famous Architect with the age 69 years old group.

Wiel Arets Height, Weight & Measurements

At 69 years old, Wiel Arets height not available right now. We will update Wiel Arets's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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Wiel Arets Net Worth

His net worth has been growing significantly in 2022-2023. So, how much is Wiel Arets worth at the age of 69 years old? Wiel Arets’s income source is mostly from being a successful Architect. He is from Netherlands. We have estimated Wiel Arets's net worth , money, salary, income, and assets.

Net Worth in 2023 $1 Million - $5 Million
Salary in 2023 Under Review
Net Worth in 2022 Pending
Salary in 2022 Under Review
House Not Available
Cars Not Available
Source of Income Architect

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Timeline

2019

'A precedent for this alabaster urbanism is Skidmore Owings and Merrill’s Beinecke Rare Book Library at Yale University that utilizes an alabaster curtain wall that breaks down the boundary between the interior and exterior without transparency. Light is admitted from the outside during the day and the interior emanates a glowing light at night. The polished surface of the blank curtain wall reflects the adjacent buildings while allowing permeability. Likewise, in Arets’ work there is the stealth of a chameleon.'

2013

'The building is fascinating in many ways, but most of all I feel some warm humanism from it. Within its crisp black envelope Wiel Arets has carved out an arsenal of different spaces – some low, some high, some wide, some spacious, some compressed, some bright, some dark. This is a building that would never appear dull. It offers a moment for everyone.'

'That's why, when I became Dean, I changed the name to the Berlage Institute Laboratory for Architecture, I wanted to invite people to come do their research alongside students and to publish their work with the studios. The research, the production of the students, the publication, the seminars, the field trips, the lectures that were happening – all had to be part of one thing. I think laboratory simply means you have a theme, and you collectively do investigations and research. And then, at the end of the year, you have a result, which is presented in the school's publication, HUNCH, which was originally edited by Jennifer Sigler. This was, and still is, not just a publication of only student work; rather, HUNCH was where we also published the work of guest lecturers, the important research of the trips, and everything we thought belonged to the year theme.'

2011

In 2011 Arets' studio won an international competition to design the IJhal at Amsterdam Centraal Station, part of the city's plan to revitalize the waterfront by reconnecting it to the river IJ., and recently finished construction on the Allianz Headquarters in Zürich, Switzerland.

2004

In 2004 Arets completed the library of Utrecht University, situated in the Uithof area of the campus designed by OMA which dictated a strict orthogonal requirement for all buildings. The library's exterior glazing is screen printed with an image of bamboo shoots created by the photographer Kim Zwarts, returning as a tactile imprinted surface pattern on the library's interior prefabricated concrete panel walls, which are painted black. This 'tactility' has since returned to more of Arets' projects in the form of imprinted-concrete or screen printed glass exteriors. Kazuyo Sejima of SANAA remarks of the library:

1995

Arets was Dean of the Berlage Institute from 1995-2002 where he changed the school to a research based institute focusing on 'progressive-research', public lectures, publications, field trips, and intensive debates. Prior to that position he was and is a professor or guest professor at many architecture schools, mostly within Europe and the United States, and was until 2012 the 'Professor of Building Planning and Design' at the Berlin University of the Arts (UdK), Germany. While at the UdK 'Tokyo Utopia/TOUT', was Arets' research theme, and he has previously used other research themes, such 'Double Dutch', to structure output and debate while teaching; they often return to give content and context to publications such as HUNCH. Of the importance of such a 'progressive-research' based theme Arets states:

1991

In 1991 Arets published his first theoretical text, 'An Alabaster Skin', in a monograph of the same title. The text merged Arets' fascinations of his studies and early career, including: cinematography, photography, the 'city', technology of the 20th century, the membrane or skin of a building, biology and the act of cutting and editing (in regards to cinematography), as well as the Postmodern architecture of the 1980s. Greg Lynn interprets the piece as so:

1955

Wiel Arets (Dutch pronunciation: [ˈʋil ˈaːrəts] , born (1955-05-06 ) 6 May 1955) is a Dutch architect, architectural theorist, urbanist, industrial designer and the former Dean of the College of Architecture at the Illinois Institute of Technology in Chicago, in the United States of America. Arets was previously the 'Professor of Building Planning and Design' at the Berlin University of the Arts (UdK), Germany, and studied at the Technical University of Eindhoven, graduating in 1983. The same year later he founded Wiel Arets Architects, a multidisciplinary architecture and design studio, today with studios in Amsterdam, Maastricht, Munich, and Zürich. From 1995-2002 he was the Dean of the Berlage Institute in Rotterdam, where he introduced the idea of 'progressive-research' and co-founded the school's architectural journal named HUNCH.

Wiel Arets was born on 6 May 1955 in Heerlen, Netherlands to Wiel Arets (1929) and Mia Heuts (1931). His father was a book printer and his mother was a fashion designer, both from whom he learned respect for the tradition of craft and a love of books and reading. He briefly studied engineering, and then physics, before ultimately deciding on architecture. He divides his time between Chicago, Maastricht, Berlin, Amsterdam and Zürich, living and working in each city. He is married and has two children. Arets' work is generally characterized by a minimalist, geometric and austere approach that responds to local contingencies in a flexible way, with Arets explaining:

1916

As a student Arets undertook extensive research in the archives of Peutz's office, eventually producing the monograph 'F.P.J Peutz Architekt 1916-1966' (1981) and an accompanying traveling exhibition. After graduating from the TU/e in 1983 Arets travelled extensively throughout Russia, the United States and Japan. While in Japan Arets visited and interviewed several prominent architects including Fumihiko Maki, Kazuo Shinohara, Itsuko Hasegawa and Tadao Ando, later publishing these interviews and articles in the Dutch architecture magazine de Architect. Arets first garnered international architectural attention with the completion of the Maastricht Academy of Art and Architecture in 1993, described by Kenneth Frampton as: