Age, Biography and Wiki

Sally Whitwell was born on 1974 in Canberra, Australia. Discover Sally Whitwell's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is She in this year and how She spends money? Also learn how She earned most of networth at the age of 49 years old?

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Occupation Musician, composer, conductor, arranger, teacher
Age 49 years old
Zodiac Sign N/A
Born
Birthday
Birthplace Canberra, Australian Capital Territory, Australia
Nationality Australia

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Sally Whitwell Height, Weight & Measurements

At 49 years old, Sally Whitwell height not available right now. We will update Sally Whitwell's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
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Dating & Relationship status

She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.

Family
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Sally Whitwell Net Worth

Her net worth has been growing significantly in 2022-2023. So, how much is Sally Whitwell worth at the age of 49 years old? Sally Whitwell’s income source is mostly from being a successful . She is from Australia. We have estimated Sally Whitwell's net worth , money, salary, income, and assets.

Net Worth in 2023 $1 Million - $5 Million
Salary in 2023 Under Review
Net Worth in 2022 Pending
Salary in 2022 Under Review
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Cars Not Available
Source of Income

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Timeline

2013

Whitwell has worked with Nadia Piave on vocals (soprano) as the duo une fois seule! and they performed on the Musica Viva series of concerts. In February 2013 Glass performed the world premiere of his Complete Piano Etudes at the Perth Concert Hall. Whitwell joined Glass and Japanese pianist, Maki Namekawa, on stage to present the 20 etudes. Whitwell played seven of the etudes and according to Elizabeth Howard at theMusic.com.au "[she] surprised classical dilettantes with her serene style and humble manner. Her interpretation exhibited a softness that suggested an introspective exploration of Glass’s compositions" . Coughlan described her style "[p]erforming from memory, she brought a fluid, organic approach to the musical structures, crafting the repetitive note patterns into elegant phrases that subverted the music's mechanical drive. With excellent control of tone colour, she played with warmth, brilliance and delicacy".

On 6 September 2013 Whitwell issued her third solo album, All Imperfect Things: The Piano Music of Michael Nyman, which was engineered and produced by Virginia Read. At the ARIA Music Awards of 2013 she won another Best Classical Music category; Read won Engineer of the Year and was also nominated for Producer of the Year.

2012

On her second album, The Good, the Bad and the Awkward (18 May 2012), Whitwell played piano, toy piano, harpsichord, recorder, and melodica. Its theme was cinema-based music from various feature films including The Hunger (1983), The Portrait of a Lady (1996), Amélie (2001), The Hours (2002), and Twilight (2008). The Canberra Times' Ron Cerabona summarised her selection "[s]ome are pieces of classical music; others are from original film scores and she associates each of them with a particular character". At the ARIA Music Awards of 2012 she was nominated for The Good, the Bad and the Awkward as Best Classical Album.

2011

Sally Whitwell (born 1974) is an Australian classical music pianist, composer, arranger, conductor and teacher. She has released four solo albums, Mad Rush: Piano Music of Philip Glass (3 June 2011), The Good, the Bad and the Awkward (18 May 2012), All Imperfect Things: The Piano Music of Michael Nyman (6 September 2013) and "I Was Flying" (5 June 2015) all on the ABC Classics record label. All three albums have peaked in the top 5 on the ARIA Charts' Classical Albums.

At the ARIA Music Awards of 2011 Whitwell won the Best Classical Album award for Mad Rush: Piano Music of Philip Glass. In 2012 she was nominated in the same category for The Good, the Bad and the Awkward. She won the same category in 2013 for All Imperfect Things: Solo Piano Music of Michael Nyman. Virginia Read won Engineer of the Year for that album and was also nominated for Producer of the Year.

For three days in November 2010, Whitwell worked at the ABC's studios to record her debut solo album, Mad Rush: Piano Music of Philip Glass, which was issued on 3 June 2011 by ABC Classics. For the album she utilised a 102-note piano crafted by Australian company, Stuart & Sons. Melissa Lesnie of Limelight noted in August that the album of works written by minimalist composer, Philip Glass, had become a "surprise hit, not least thanks to Glass's broad appeal across genre and age divides". Whitwell told Lesnie that the Stuart & Sons piano "allows so many colours, such subtle gradations of dynamics, that you can't get on another instrument in my experience. A Stuart sound is like crystal, yet it's very flexible".

At the ARIA Music Awards of 2011 Whitwell won the Best Classical Album award for her debut album. In December The Australian' s Mark Coughlan described her interpretation as "excellent throughout this disc, going beyond mere notational accuracy to breathe life and shape into the music". Stephen Eddins writing for Allmusic declared "[her] disregard for conventionality bubbles through just about every aspect of her recording ... surprising rhythmic emphases may make anyone familiar with the piece sit up and do a double-take, and her tempo is about 25% faster than Glass' version ... [s]he brings acute intelligence and sensitive musicality to each of the pieces, most of which have a delicately melancholy tone".

2009

In 2009 she contributed Spiegel im Spiegel, with Sally Maer on cello, for the soundtrack to ABC-TV documentary special, Bombora – The Story of Australian Surfing, which describes a history of the sport and the 1963 instrumental single "Bombora", by The Atlantics. In 2010 Whitwell released "Roadtrip", a self-composed score for flute and piano. She was inspired by "the train commute I make weekly from Sydney to a university teaching job in Newcastle".

2008

As of October 2008 Sally Whitwell lived with her domestic and business partner, United Kingdom-born Glennda Blyth, a visual artist. They ran a multi-art space in Sydney, The Sal-On, for lesbian artists. In August 2011 Whitwell described Blyth as her "[g]irlfriend, or if you want to get technical about it, 'Fiancée'" and indicated they were due to seek a civil union. Whitwell described her tattoos, which "have very personal meanings for me, but I also love them purely for aesthetic reasons".

2000

During the 2000s Whitwell provided session work for the Australian Broadcasting Corporation (ABC), whenever they wanted "something slightly left-field, or crossover, or contemporary". By 2004 Whitwell provided piano for The Elizabethan Sydney Orchestra and their performance was included on an album by Various Artists for ABC Classics, Felix and Me: Musical Highlights from ABC Classic FM Breakfast. In the following year she was one of the contributors to The Classic 100 Piano, a set of eight CDs, with piano-based tracks selected by listeners to ABC Classic FM. She has also been involved closely with Gondwana Choirs as an accompanist for over ten years.

1997

Whitwell attended Canberra Girls' Grammar School, then the Australian National University's School of Music and completed a Bachelor of Music with Honours in 1997. She completed further studies at Sydney Conservatorium of Music for a graduate diploma in accompaniment. During her time at university she also worked part-time, both as a solo performer on the cabaret circuit and as part of ensembles.

1974

Whitwell was born in 1974 and grew up in Canberra. She learned to play the piano on her grandmother's "imposing beast of an instrument", including "Cockles and Mussels" and "Wedding of the Painted Doll". In the 1980s she had piano lessons where "a classical tuition is what you would receive". She also studied bassoon but from the age of 16, she concentrated on the piano.