Age, Biography and Wiki

Rick Rubin was born on 10 March, 1963 in Lido Beach, New York, United States. Discover Rick Rubin's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 61 years old?

Popular As Frederick Jay Rubin
Occupation Record executive, record producer
Age 61 years old
Zodiac Sign Pisces
Born 10 March 1963
Birthday 10 March
Birthplace Long Beach, New York, U.S.
Nationality United States

We recommend you to check the complete list of Famous People born on 10 March. He is a member of famous with the age 61 years old group.

Rick Rubin Height, Weight & Measurements

At 61 years old, Rick Rubin height is 1.82 m .

Physical Status
Height 1.82 m
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
Parents Not Available
Wife Not Available
Sibling Not Available
Children Not Available

Rick Rubin Net Worth

His net worth has been growing significantly in 2022-2023. So, how much is Rick Rubin worth at the age of 61 years old? Rick Rubin’s income source is mostly from being a successful . He is from United States. We have estimated Rick Rubin's net worth , money, salary, income, and assets.

Net Worth in 2023 $1 Million - $5 Million
Salary in 2023 Under Review
Net Worth in 2022 Pending
Salary in 2022 Under Review
House Not Available
Cars Not Available
Source of Income

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Timeline

2013

It was the idea of Rubin's friend Sue Cummings, an editor at Spin magazine, to have Run–D.M.C. and Aerosmith collaborate on a cover of Aerosmith's "Walk This Way". This 1986 production is often credited with both introducing rap hard rock to mainstream ears and revitalizing Aerosmith's career. In 1986, he worked with Aerosmith again on demos for their forthcoming album, but their collaboration ended early and resulted in only rough studio jams. In the same year, Rubin began his long musical partnership with Slayer, producing Reign in Blood, considered a classic of the heavy metal genre. This was his first work with a metal band.

Rick Rubin produced Black Sabbath's 2013 album 13 and Billy Corgan's comeback solo album Ogilala.

2012

In 2012 Rubin won the Grammy for Album of the Year for his role as a producer on Adele's album 21.

Rubin left Columbia in 2012, and revived the American Recordings imprint through a deal with Republic Records. The first albums released under this new deal are ZZ Top's La Futura and The Avett Brothers' The Carpenter.

Rubin also attempted to record a cover album with Crosby, Stills & Nash in 2012, but the sessions were brief and ultimately unsuccessful. Graham Nash went on to state that the sessions were "irritable" and "not a great experience".

2010

In 2010 at the Music Producers Guild (MPG) awards, Matt Bellamy of Muse criticized Rubin while accepting the award for UK single of the year, stating that the band would "like to thank Rick Rubin for teaching us how not to produce."

2007

In 2007, MTV called him "the most important producer of the last 20 years", and the same year Rubin appeared on Time's 100 Most Influential People in the World.

In May 2007, Rubin was named co-head of Columbia Records. Rubin co-produced Linkin Park's 2007 album, Minutes to Midnight, with Mike Shinoda. Rubin and Shinoda have since co-produced the band's 2010 album, A Thousand Suns, and their June 2012 release, Living Things.

In 2007, Rubin won the Grammy Award for Producer of the Year, Non-Classical for his work with the Dixie Chicks, Michael Kranz, Red Hot Chili Peppers, U2, Green Day, and Johnny Cash released in 2006. Rubin won the award again in 2009, for production work for Metallica, Neil Diamond, Ours, Jakob Dylan and Weezer in 2008.

2000

Rubin's biggest trademark as a producer has been a "stripped-down" sound, which involves eliminating production elements such as string sections, backup vocals, and reverb, and instead having naked vocals and bare instrumentation. However, by the 2000s, Rubin's style had been known to include such elements, as noted in The Washington Post: "As the track reaches a crescendo and [Neil] Diamond's portentous baritone soars over a swelling string arrangement, Rubin leans back, as though floored by the emotional power of the song."

1999

Since at least 1999, Rubin has been criticized by listeners for contributing to a phenomenon in music known as the loudness war, in which the dynamic range of recorded music is compressed and sometimes clipped in order to increase the general loudness. Albums produced by Rubin that have been criticized for such treatment include:

1994

The first major project on the renamed label was Johnny Cash's American Recordings (1994), a record including six cover songs and new material written by others for Cash at Rubin's request. The album was a critical and commercial success, and helped revive Cash's career following a fallow period. The formula was repeated for five more Cash albums: Unchained, Solitary Man, The Man Comes Around (the last album released before Cash's death), A Hundred Highways, and Ain't No Grave. The Man Comes Around earned a 2003 Grammy for Best Male Country Vocal Performance ("Give My Love to Rose") and a nomination for Best Country Collaboration with Vocals ("Bridge over Troubled Water" with Fiona Apple). Rubin introduced Cash to Nine Inch Nails' "Hurt", and the resulting cover version of it on The Man Comes Around would become a defining song of Cash's later years. Rubin also produced two of Joe Strummer's final songs, "Long Shadow", a song Strummer wrote for Cash to record although he never did, and a cover of Bob Marley's "Redemption Song". Both songs were released on Strummer's final album, Streetcore, which was released after his death. Rubin also produced a version of "Redemption Song" with Strummer and Cash together, which was featured in Cash's posthumous box set, Unearthed.

1993

Rubin had originally given his new label the name "Def American Recordings". In 1993 Rubin found that the word "def" had been accepted into the standardized dictionary and held an actual funeral for the word, complete with a casket, a grave, celebrity mourners and a eulogy from The Reverend Al Sharpton. Def American became American Recordings. In regard to this he stated: "When advertisers and the fashion world co-opted the image of hippies, a group of the original hippies in San Francisco literally buried the image of the hippie. When 'def' went from street lingo to mainstream, it defeated its purpose."

He also produced Mick Jagger's 1993 Wandering Spirit album, Lords of Acid's 1994 Voodoo-U album, Tom Petty's 1994 Wildflowers, AC/DC's 1995 Ballbreaker, Donovan's 1996 Sutras, and Metallica's 2008 Death Magnetic. In 2005, Rubin executive-produced Shakira's two-album project Fijacion Oral Vol. 1 and Oral Fixation Vol. 2. He was to appear on the Talib Kweli's album Eardrum, Clipse's album Til the Casket Drops and Lil Jon's album Crunk Rock. Rubin also produced the Jay-Z track "99 Problems", and was featured in the song's music video. He also worked with Eminem on the song and music video "Berzerk".

1991

Rubin has also produced a number of records with other artists, which were released on labels other than American. Arguably his biggest success as producer came from working with the Red Hot Chili Peppers with whom Rubin produced six studio albums from 1991–2011, starting with the band's fifth release, Blood Sugar Sex Magik, which launched the band to mainstream success thanks to the hit singles "Give it Away" and "Under the Bridge". The six albums with the Chili Peppers also spawned twelve number one singles on the Billboard Alternative Songs chart, a record the band as of 2015 still holds, and various awards including sixteen Grammy Nominations (with six wins) with a Producer of the Year Grammy award for 2006's Stadium Arcadium, which was also nominated for Album of the Year. The band has sold over 80 million albums worldwide, most of which have been through sales of the Rubin produced albums. Various members of the Chili Peppers have also been used on other projects by Rubin. After 24 years of working with Rubin, the band announced in late 2014 that they would be working with another producer on their eleventh studio album.

1990

On the subject of his production methods, Dan Charnas, a music journalist who worked as vice president of A&R and marketing at Rubin's American Recordings label in the 1990s, said, "He's fantastic with sound and arrangements, and he's tremendous with artists. They love him. He shows them how to make it better, and he gets more honest and exciting performances out of people than anyone." Natalie Maines of the Dixie Chicks has praised his production methods, saying, "He has the ability and the patience to let music be discovered, not manufactured. Come to think of it, maybe he is a guru." Producer Dr. Dre has stated that Rubin is, "hands down, the dopest producer ever that anyone would ever want to be, ever."

1988

In 1988, Rubin and Simmons went their separate ways after Rubin had a falling out with the then Def Jam president Lyor Cohen. Rubin left for Los Angeles to start Def American Records, while Simmons remained at Def Jam in New York. In Los Angeles, Rubin signed a number of rock and heavy metal acts, including Danzig, Masters of Reality, The Four Horsemen, and Wolfsbane, as well as alternative rock group The Jesus and Mary Chain and stand up comedian Andrew Dice Clay. Though Rubin's work at this time focused mainly on rock and metal, he still retained a close association with rap, signing the Geto Boys and continuing to work with Public Enemy, LL Cool J, and Run–D.M.C., among others.

1987

In 1987, The Cult released their pivotal third album, Electric. Produced by Rubin, the album remains one of The Cult's trademark and classic works. Rubin would later work with The Cult again for the single "The Witch", in 1992. Rubin is credited as music supervisor in the movie Less Than Zero and is the producer of its soundtrack. Rubin portrayed a character based on himself in the 1985 hip-hop motion picture Krush Groove, which was inspired by the early days of Russell Simmons' career as an artist management and music producer. He then directed and co-wrote (with Ric Menello) a second Run–D.M.C. film, Tougher Than Leather in 1988.

1983

Having befriended Zulu Nation's DJ Jazzy Jay, Rubin began to learn about hip hop production. By 1983, the two had produced "It's Yours" for rapper T La Rock, and released it on their independent label, Def Jam Records. Producer Arthur Baker helped to distribute the record worldwide on Baker's Streetwise Records in 1984. Jazzy Jay introduced Rubin to concert promoter/artist manager Russell Simmons in the Negril club, and Rubin explained he needed help getting Def Jam off the ground. Simmons and Rubin edged out Jazzy Jay and the official Def Jam record label was founded while Rubin was attending New York University in 1984. Their first record released was LL Cool J's "I Need a Beat". Rubin went on to find more hip-hop acts outside The Bronx, Brooklyn, and Harlem including rappers from Queens, Staten Island, and Long Island, which eventually led to Def Jam's signing of Public Enemy. Rubin was instrumental in pointing the members of the Beastie Boys away from their punk roots and into rap, resulting in the exit of Kate Schellenbach from the group. 1985's "Rock Hard"/"Party's Gettin' Rough"/"Beastie Groove" EP by the Beastie Boys came out on the success of Rubin's production work with breakthrough act Run-DMC, of which previous recordings were produced by Russell Simmons and Orange Krush's musician Larry Smith. His productions were characterized by occasionally fusing rap with heavy rock. Rubin tapped Adam Dubin and Ric Menello to co-direct the music videos for the Beastie Boys' "(You Gotta) Fight for Your Right (To Party!)" and "No Sleep till Brooklyn", effectively launching the band's mainstream hip hop careers.

1982

During his senior year, Rubin founded Def Jam Records using the school's four-track recorder. He moved on to form Hose, influenced by San Francisco's Flipper. In 1982, a Hose track became Def Jam's first release, a 45 rpm 7" vinyl single in a brown paper bag, and no label. The band played in and around the NYC punk scene, toured the Midwest and California, and played with seminal hardcore bands like Meat Puppets, Hüsker Dü, Circle Jerks, Butthole Surfers, and Minor Threat, becoming friends with frontman and Dischord Records owner Ian MacKaye. The band broke up in 1984 as Rubin's passion moved towards the NYC hip hop scene.

1970

Rubin is a fan of professional wrestling and had lifetime subscription tickets to the World Wrestling Federation's monthly events at Madison Square Garden throughout the 1970s and 80s. Rubin has cited Roddy Piper and Ric Flair as influences in his work and promotion. Rubin has said that professional wrestling heels were hugely influential in the development of The Beastie Boys. "The idea of being bad-guy rappers, saying really outlandish things in interviews, that all came from a love of pro wrestling," said Rubin. Rubin financially backed Jim Cornette's Smoky Mountain Wrestling for most of its run from 1991–95.

1963

Frederick Jay "Rick" Rubin (/ˈ r uː b ɪ n / ; born March 10, 1963) is an American record producer and former co-president of Columbia Records. Along with Russell Simmons, he is the co-founder of Def Jam Recordings and also established American Recordings. With the Beastie Boys, LL Cool J, Public Enemy, Geto Boys, and Run-DMC, Rubin helped popularize hip hop music. Rubin has also worked with other artists such as Adele, Audioslave, Linkin Park, AC/DC, Kanye West, Johnny Cash, The Avett Brothers, Tom Petty, Justin Timberlake, Metallica, Slayer, System of A Down, Rage Against The Machine, Red Hot Chili Peppers, The Strokes, Limp Bizkit, Kendrick Lamar and Slipknot amongst others.