Age, Biography and Wiki

Mark Sloan was born on 1957 in Durham, NC. Discover Mark Sloan's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 66 years old?

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Age 66 years old
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Born
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Birthplace Durham, NC
Nationality United States

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Mark Sloan Height, Weight & Measurements

At 66 years old, Mark Sloan height not available right now. We will update Mark Sloan's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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Mark Sloan Net Worth

His net worth has been growing significantly in 2022-2023. So, how much is Mark Sloan worth at the age of 66 years old? Mark Sloan’s income source is mostly from being a successful . He is from United States. We have estimated Mark Sloan's net worth , money, salary, income, and assets.

Net Worth in 2023 $1 Million - $5 Million
Salary in 2023 Under Review
Net Worth in 2022 Pending
Salary in 2022 Under Review
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Timeline

2019

Sloan's most recent work - co-edited with Mark Long - documents the traveling exhibit by the same name, Southbound: Photographs of and about the New South, was recognized by the J.M. Kaplan fund with the 2019 Alice Award for a "richly illustrated book that makes a valuable contribution to its field and demonstrates high standards of production."

2010

Sloan's photographs and books have inspired artists in other media. Author Sara Gruen credits Sloan's book Wild, Weird, and Wonderful as inspiration for her New York Times bestselling novel Water for Elephants. Costumes and backgrounds for the 2010 film of the same name emanated from the book as well. Choreographer Twyla Tharp used Wild, Weird, and Wonderful as inspiration for the sets and costumes of her Broadway production “The Times They Are A-Changin'”, a musical featuring the music of Bob Dylan.

2009

An active grant-writer who secures funding from major foundations, government agencies, and private donors, Sloan's efforts bring international artists to the United States for residencies and exhibitions. Sloan's curatorial efforts extend beyond the boundaries of his institutional affiliation. Sloan has curated international exhibits that collaboratively engage Clemson University's architecture students. Traveling exhibitions have appeared at the High Museum in Atlanta, GA.; Yerba Buena Center for the Arts in San Francisco, CA; Presentation House Gallery, in Vancouver, British Columbia; the Musee Art Brut, Lausanne, Switzerland; Kyoto University of Art and Design; and the American Visionary Art Museum in Baltimore, MD. In 2009, Sloan curated the "largest collection of original, contemporary South Carolina art on permanent display" at Ashley River Tower, a state-of-the-art hospital at the Medical University of South Carolina. The hospital's permanent installation features 873 original works by 54 contemporary South Carolina artists; funding for the project came from private donations.

2004

Sloan's assemblage photographs illustrate the Rarest of the Rare: Stories Behind the Treasures at the Harvard Museum of Natural History, with writer Nancy Pick and a foreword by E.O. Wilson. "Rarest" was reviewed by NPR and selected as one of the top science books of 2004 by Discover magazine. Wired (magazine) featured Sloan's work in conjunction with an exhibit at National Academy of Sciences in Washington, D.C. Sloan has written for DoubleTake magazine, Mexico’s Luna Cornea, and has been a regional field editor for the College Art Association. He has written numerous catalog essays on contemporary art.

1997

Sloan and frequent collaborator Roger Manley have produced a number of exhibitions and book projects, including Self-Made Worlds: Visionary Folk Art Environments in 1997. The resulting book and traveling exhibition were produced by Aperture.

1980

Mark Sloan was born in Durham, NC and grew up in Chapel Hill, NC. Sloan holds a B.A. in Interdisciplinary Studies from the University of Richmond (1980) and a Master of Fine Arts degree from Virginia Commonwealth University (1984).

Sloan has been an arts administrator since the mid-1980s, directing two national, non-profit artists' organizations and two university art galleries. Sloan was Executive Director of The Light Factory in Charlotte, NC (1985–86); and Associate Director of San Francisco Camerawork in California (1986–89). Sloan was Director of the Roland Gibson Gallery at the State University of New York at Potsdam from 1992 until 1994. Since 1994 Sloan has been the Director and Chief Curator of the Halsey Institute of Contemporary Art at the College of Charleston School of the Arts in Charleston, South Carolina. The Halsey Institute was named for local abstract artist William Melton Halsey upon his retirement from teaching at the College of Charleston. Mark Sloan was Consulting Curator for the art collection at the Medical University of South Carolina from 2005 until 2013. In 2012 the Halsey Institute of Contemporary Art, with special recognition to Mark Sloan, received the Elizabeth O'Neill Verner Governor’s Award for the Arts, the highest award given in the state of South Carolina for the arts.

1957

Mark Sloan (born 1957) is an American artist, curator, author, and museum director.

1901

Sloan has authored or co-authored twenty books on subjects as various as Russian conceptual art, early 20th Century circus life, and the Harvard Museum of Natural History. Several of Sloan's books document circus and sideshow history through photography and anecdote. Tome-length book titles reflect the hyperbole of the circus: Hoaxes, Humbugs, and Spectacles: Astonishing Photographs of Smelt Wrestlers, Human Projectiles, Giant Hailstones, Contortionists, Elephant Impersonators, and Much, Much, More!; Dear Mr. Ripley: A Compendium of Curioddities from the Believe It or Not Archives; and Wild, Weird, and Wonderful: The American Circus 1901–1927, as Seen by F.W. Glasier, Photographer are illustrative examples. With Dear Mr. Ripley, Sloan and his co-authors Roger Manley and Michelle Van Parys were given "privileged access" to all of the correspondence sent to Robert Ripley during his worklife (1918–1948). This book appeared in US, UK, and Japanese editions.