Age, Biography and Wiki

Ludmilla Tchérina (Monique Tchemerzine) was born on 10 October, 1924 in Paris, France, is an Actress, Miscellaneous, Producer. Discover Ludmilla Tchérina's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is She in this year and how She spends money? Also learn how She earned most of Ludmilla Tchérina networth?

Popular As Monique Tchemerzine
Occupation actress,miscellaneous,producer
Age 80 years old
Zodiac Sign Libra
Born 10 October 1924
Birthday 10 October
Birthplace Paris, France
Date of death 21 March, 2004
Died Place Paris, France
Nationality France

We recommend you to check the complete list of Famous People born on 10 October. She is a member of famous Actress with the age 80 years old group.

Ludmilla Tchérina Height, Weight & Measurements

At 80 years old, Ludmilla Tchérina height is 5' 3½" (1.61 m) .

Physical Status
Height 5' 3½" (1.61 m)
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Who Is Ludmilla Tchérina's Husband?

Her husband is Raymond Roi (28 May 1953 - 21 March 2004) ( her death), Edmond Audran (1946 - 19 July 1951) ( his death)

Family
Parents Not Available
Husband Raymond Roi (28 May 1953 - 21 March 2004) ( her death), Edmond Audran (1946 - 19 July 1951) ( his death)
Sibling Not Available
Children Not Available

Ludmilla Tchérina Net Worth

Her net worth has been growing significantly in 2022-2023. So, how much is Ludmilla Tchérina worth at the age of 80 years old? Ludmilla Tchérina’s income source is mostly from being a successful Actress. She is from France. We have estimated Ludmilla Tchérina's net worth , money, salary, income, and assets.

Net Worth in 2023 $1 Million - $5 Million
Salary in 2023 Under Review
Net Worth in 2022 Pending
Salary in 2022 Under Review
House Not Available
Cars Not Available
Source of Income Actress

Ludmilla Tchérina Social Network

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Timeline

1980

"Decorated with the Officier, Légion d'honneur in 1980, Ludmilla also penned two novels: "L'amour au miroir" (1983) and "La femme a l'envers (1986).

1970

In 1970, she found she could still enthrall audiences, as she did with her dance performance in "Joan of Arc at the Stake.

1969

After a decade of near absence, having devoted herself to writing, as well as painting and sculpting (she exhibited many pieces at various prestigious galleries), Ludmilla filmed and starred in several classical French TV movies -- Salomé (1969), La dame aux camélias (1972), La reine de Saba (1975) and La passion d'Anna Karénine (1975).

1962

A few years after that she starred in Les amants de Teruel (1962) (The Lovers of Tereul), another highly surreal art piece.

1959

Afforded the luxury and freedom to form her own experimental dance company in 1959, she went on to dance at the Bolshoi Theater in Moscow the following year.

A few years later she co-starred with darkly handsome Anthony Steel in the dancing travelogue Honeymoon (1959), and English/Spanish co-production directed and co-written by Michael Powell without Pressburger. Highlighted is her duet dance with the famed Spanish flamenco dancer [link-nm0031364].

1957

One of her great triumphs was her performance in 1957 in Claude Debussy's ''Martyrdom of St. Sebastian,'' a piece combining music, dance and drama.

1955

Rosalinda!! (1955) as the title object of attention. With major appearances by Mel Ferrer, Michael Redgrave Anthony Quayle, Dennis Price and Anton Walbrook (as The Bat), Ludmilla displayed a comic flair in the title role. The film, an updated version of the Johann Strauss operetta "Die Fledermaus," (The Bat) was met with lackluster indifference as well. Ludmilla would appear less and less in films at this juncture.

1953

They married on May 28, 1953.

1952

Following leads in Grand gala (1952) with Odile Versois, the Italian peplum film Sins of Rome (1953) and as a dancing Mata Hari's Daughter (1954), international interest unfolded.

1951

" A noted highlight among her films during this time was her glorious performance as Giulietta in composer Jacques Offenbach's filmed operetta The Tales of Hoffmann (1951) also starring Moira Shearer and directed by the celebrated team of Michael Powell and Emeric Pressburger. Several of the above films mentioned above featured Ludmilla's husband and frequent partner, actor/dancer/choreographer Edmond Audran.

On July 19, 1951, shortly after the filming of Hoffman, her husband was tragically killed in a road accident. The grief-stricken ballerina-star went into deep seclusion, but was persuaded to return to her art form by her second husband, Raymond Roi, a wealthy financier and industrialist.

In particular, Ludmilla's superb work in The Tales of Hoffmann (1951) perked up the eyes and ears of Hollywood and she made her American movie debut as a beautiful princess opposite handsome centurion Jeff Chandler in Sign of the Pagan (1954), the biographical tale of Attila the Hun. In the film, Ludmilla performed a straight dramatic role and highlighted the film with an interpretative dance. This marked her first departure from classical ballet. Directed by Douglas Sirk and also starring Jack Palance as the barbarous Hun ruler, the movie was met with lackluster reviews and received little attention. Ludmilla's Hollywood career ended before it began. She next filmed in England for Michael Powell/Emeric Pressburger starring in the charming Viennese musical Oh. . .

1948

In 1948, she made her British film bow as Irina in the stylized fairy tale classic The Red Shoes (1948) starring lovely redhead Moira Shearer.

She returned to French filming, however, with the comedy Fandango (1948); the melodrama La belle que voilà (1950) starring Michèle Morgan and Henri Vidal; the lead role of a woman torn between two men, a doctor Victor Francen and her husband Gérard Landry, in the dramatic La nuit s'achève (1950) (The Night Ends); the title role in the romantic drama Clara de Montargis (1951); and the romantic fantasy The Evil Forest (1952) based on the Wagnerian opera "Parsifal.

1946

Ludmilla was 21 when she was offered her very first film role as the coldly unsympathetic ballerina Karin in the French drama Un revenant (1946) (A Lover's Return) showcasing French star Louis Jouvet.

1945

In 1945 she became the principal dancer with the Ballet des Champs-Élysées and performed in various Paris concerts.

1942

Chief among her performances was her Juliet in "Romeo and Juliet" (1942), which earned her the distinction as the youngest prima ballerina in the history of dance (under the pseudonym of "Tchérzina").

1940

In 1940 she joined Serge Lifar's Ballet Russe de Monte Carlo.

An exquisitely talented, if temperamental, performer, the exotic-eyed Ludmilla built up an international reputation throughout the 1940s and 1950s, dancing in New York, Milan, Buenos Aires, Monte Carlo and Paris.

1939

Legendary prima ballerina who began her career at the Ballet in Monte Carlo in 1939.

1924

Best remembered on film for her dance and art films, petite (5'3"), porcelain-skinned, raven-haired Ludmilla Tchérina, a grande dame of the international dance world as both dancer and choreographer, was born in Paris to Russian aristocracy on October 10, 1924. The daughter of exiled Georgian Prince Avenir Tchemerzine (a general) and Frenchwoman Stéphane Finette, little Monique Tchemerzine began dancing at the age of three. Showing early signs of brilliance, Ludmilla made her professional debut at age 11 and later trained at the school of the Paris Opera.