Age, Biography and Wiki

Lucio Fulci was an Italian film director, screenwriter, and actor. He is best known for his horror films, particularly those in the giallo and zombie genres. He is often referred to as the "Godfather of Gore" and the "Spaghetti Splatter King". Fulci was born in Rome, Italy, on 17 June 1927. He began his career as a screenwriter in the 1950s, and directed his first feature film in 1960. He went on to direct over 50 films, including several horror films such as The Beyond (1981), Zombie (1979), and The House by the Cemetery (1981). Fulci was known for his use of graphic violence and gore, and his films often featured explicit scenes of torture and death. He was also known for his use of dream-like sequences and surreal imagery. Fulci died in Rome on 13 March 1996, at the age of 68. He is remembered as one of the most influential horror directors of all time.

Popular As The Godfather Of Gore, The Spaghetti Splatter King, Horror Maestro
Occupation writer,director,actor
Age 69 years old
Zodiac Sign Gemini
Born 17 June 1927
Birthday 17 June
Birthplace Rome, Lazio, Italy
Date of death 13 March, 1996
Died Place Rome, Lazio, Italy
Nationality Italy

We recommend you to check the complete list of Famous People born on 17 June. He is a member of famous Writer with the age 69 years old group.

Lucio Fulci Height, Weight & Measurements

At 69 years old, Lucio Fulci height is 5' 8" (1.73 m) .

Physical Status
Height 5' 8" (1.73 m)
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Who Is Lucio Fulci's Wife?

His wife is Maria Fulci (March 1958 - 1969) ( her death) ( 3 children)

Family
Parents Not Available
Wife Maria Fulci (March 1958 - 1969) ( her death) ( 3 children)
Sibling Not Available
Children Not Available

Lucio Fulci Net Worth

His net worth has been growing significantly in 2022-2023. So, how much is Lucio Fulci worth at the age of 69 years old? Lucio Fulci’s income source is mostly from being a successful Writer. He is from Italy. We have estimated Lucio Fulci's net worth , money, salary, income, and assets.

Net Worth in 2023 $1 Million - $5 Million
Salary in 2023 Under Review
Net Worth in 2022 Pending
Salary in 2022 Under Review
House Not Available
Cars Not Available
Source of Income Writer

Lucio Fulci Social Network

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Timeline

2016

Based on a true story, the film details the trial of a young woman accused of murdering her sexually abusive father amid fear and superstition in 16th Century Italy. A scathing commentary on church and state, the film was the first to give voice to its director's passionate hatred of the Catholic Church. Predictably, the film was misunderstood, and Fulci's career was thrown into jeopardy. Deciding it would be best to leave his political feelings on the back burner, Fulci pressed on with a series of slickly commercial ventures.

1999

A Canadian Indie cannibal movie, Urban Flesh (1999) was made in memory of Lucio Fulci, because Fulci died during filming of Urban Flesh.

1990

A Cat in the Brain (1990), one of Fulci's last works, remains one of his most original. Though strapped by budgetary restraints and marred by mediocre photography, the film is wickedly subversive and comical. With Fulci playing the lead role (as more or less himself, no less -- a harried horror director who fears that his obsession with sex and violence is a sign of mental disease), Fulci also proves to be an endearing and competent actor (he also has cameos in many of his films, frequently as a detective or doctor figure).

By the 1990s, Fulci went on a hiatus with film making for further health and personal reasons as the Italian cinema market went into a further decline.

1982

Frequently derided as sheer sensationalism, these films, as well as the reviled The New York Ripper (1982) are actually intelligently crafted, with sound commentaries on everything from American life to religion.

1980

Over the next three years, Fulci plied his trade with finesse and flair, rivaling even the popularity of his "opponent" Dario Argento, with such sanguine classics as City of the Living Dead (1980) and The Beyond (1981).

High on vivid imagery and pure cinematic style, Fulci's films from this period of the early 1980s represent some of his most popular work in America and abroad, even if they do pale in comparison to his 1972 masterpiece and personal favorite Don't Torture a Duckling (1972) (an impossible act to follow, as it happens).

In the mid-1980s, at the peak of his most prolific period, Fulci became beset with personal problems and worsening health.

Much of his work from the mid-1980s onward is disappointing, to say the least, but flashes of his brilliance can be seen in works like Murder-Rock: Dancing Death (1984) and Il miele del diavolo (1986).

1979

In 1979, Fulci's film making career hit another high point with him breaking into the international market with Zombie (1979), an in-name-only sequel to George A.

1978

Romero's Dawn of the Dead (1978), which had been released in Italy as 'Zombi'. With its flamboyant imagery, graphic gore and moody atmospherics, the film established Fulci as a gore director par excellence. It was a role he accepted, but with some reservations.

1975

(1975) and Silver Saddle (1978), (Silver Saddle) and another 'giallo'; The Psychic (1977), as well as a few sex-comedies which include the political spoof Nonostante le apparenze. . . e purchè la nazione non lo sappia. . .

1973

Blacklisted (albeit briefly) and despised in his homeland, Fulci at least found work in television and with the adventure genre with two financially successful Jack London 'White Fang' adventure movies in 1973 and 1974 which were Zanna Bianca, and Il ritorno di Zanna Bianca.

1972

In particular, Don't Torture a Duckling (1972), despite a huge box-office success, painted too graphic a portrait of perverted Catholicism, and Fulci's career was derailed. . . some would say, permanently.

all'onorevole piacciono le donne (1972) (aka: The Eroticist), and the vampire spoof Dracula in the Provinces (1975) (aka: Young Dracula), and the violent Mafia crime-drama Contraband (1980).

1971

In 1971 and 1972, Fulci re-established himself in the thriller arena, directing two excellent giallos: the haunting A Lizard in a Woman's Skin (1971) and the disturbing Don't Torture a Duckling (1972). The former, with its vivid hallucinations involving murderous hippies and vivisected canines, and the latter, with its psychotic religious zealots and brutal child killings, were -- to say the least -- controversial.

1970

A gifted craftsman with a sharp tongue and a wicked sense of dark humor, Fulci achieved some measure of notoriety for his gore epics of the late 1970s and early 1980s, but respect was long in coming. Abandoning his early career as a med student, Fulci entered the film industry as a screenwriter and assistant director, working alongside such directors as Steno and Riccardo Freda.

Also during the mid and late 1970s, Fulci also directed two 'Spaghetti Westerns'; The Four of the Apocalypse. . .

1968

In 1968, Fulci made his first mystery thriller, Una sull'altra (1969), and its success was sufficient to garner the backing for his pet project The Conspiracy of Torture (1969).

1959

Granted his debut feature in 1959, with a seldom seen comedy called I ladri (1959) (The Thieves), Fulci quickly established himself as a prolific craftsman adept at musicals, comedies and westerns.

1933

Before his untimely death, was to direct a remake of the 1933 classic Mystery of the Wax Museum (1933).

1927

Lucio Fulci, born in Rome in 1927, remains as controversial in death as he was in life.