Age, Biography and Wiki

Keith Fowler was born on 23 February, 1939 in San Francisco, CA, is an American director. Discover Keith Fowler's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 82 years old?

Popular As N/A
Occupation actor
Age 84 years old
Zodiac Sign Pisces
Born 23 February 1939
Birthday 23 February
Birthplace San Francisco, CA
Nationality United States

We recommend you to check the complete list of Famous People born on 23 February. He is a member of famous Actor with the age 84 years old group.

Keith Fowler Height, Weight & Measurements

At 84 years old, Keith Fowler height not available right now. We will update Keith Fowler's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
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Who Is Keith Fowler's Wife?

His wife is Janice Elizabeth Byrd (14 January 1996 - present), Janice Byrd (1996 - present), Janet Bell (1961 - 1986) ( 2 children)

Family
Parents Not Available
Wife Janice Elizabeth Byrd (14 January 1996 - present), Janice Byrd (1996 - present), Janet Bell (1961 - 1986) ( 2 children)
Sibling Not Available
Children Not Available

Keith Fowler Net Worth

His net worth has been growing significantly in 2022-2023. So, how much is Keith Fowler worth at the age of 84 years old? Keith Fowler’s income source is mostly from being a successful Actor. He is from United States. We have estimated Keith Fowler's net worth , money, salary, income, and assets.

Net Worth in 2023 $1 Million - $5 Million
Salary in 2023 Under Review
Net Worth in 2022 Pending
Salary in 2022 Under Review
House Not Available
Cars Not Available
Source of Income Actor

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Timeline

2014

Following a summer of advance promotion, American Revels' first season started with strong audiences, including full houses for A Christmas Carol and The Club in the thousand-seat theater. Such peaks in attendance could not be sustained, however, when later play titles, including Othello and I Have a Dream, leaned toward those least likely to afford tickets—the African-American community. Fowler countered by offering free performances to neighboring residents. The plan drew hundreds of African-American theater-goers and began to build a new sector of audience. In the summer of 1979, Richmond's City Council awarded the company a challenge grant, and a patron stepped forward to raise matching funds by sponsoring a performance by entertainer Ray Charles to benefit Revels. The success of the fund drive propelled the company into a second season in which Revels dealt with racial issues head-on by presenting a satire entitled The Black and White Minstrel Show, a parody of the racially split City Council. The season continued with works aimed at all of Richmond. Still the costs of production were higher than the purses and wallets of many in the core audience could support. American Revels closed after two seasons.

1996

From 1996 to 2004, Fowler was the original director of ArtsBridge America, later expanded nationwide, a program created by then dean Jill Beck at UCI in 1996 for granting scholarships to university dance, drama, music, and studio art majors to reintroduce arts education into the depleted curricula of K-12 pupils in local schools.

1984

In 1984, he joined Jerzy Grotowski's "Objective Drama" project in the barn and fields south of the UCI campus, working with Grotowski day and night to explore the essential organons and yantras of performance.

1978

He returned to Richmond in 1978 with his associate director M. Elizabeth Osborn to lease the Empire Theater (since renamed the November Theater), on the border between historically black Jackson Ward and the city's business district, where they founded the American Revels Company. Revels attracted progressive support for appealing to both black and white communities in Richmond. Without intending to enter into Richmond's post-segregation politics, Fowler nevertheless found Revels becoming a rallying point in the late 1970s for re-balancing the two symbiotic communities through art. Funding through the box office and City Council support was affected directly by public favor in a city with a growing black majority.

1977

In 1977, refusing the museum administration's pressure to censor his premiere of Romulus Linney's play Childe Byron, Fowler resigned to serve his Yale alma mater as chief of directing for a year. His departure provoked a public outcry over an alleged pattern of censorship by the museum, with some arts patrons supporting the administration and many standing by Fowler, asserting, for instance, that "no one else can jump in and claim credit for what Dr. Fowler has done ... he stood up for what he knew was right."

1973

Dubbing the professional company "VMT Rep", he drew national attention when in 1973 his second staging of Macbeth, a rather more realistic Stonehenge/historical version starring E.G. Marshall, led Clive Barnes of The New York Times to hail it as the "Fowler 'Macbeth.'" Barnes described the production as "splendidly vigorous, forcefully immediate... probably the goriest Shakespearean production I have seen since Peter Brook's 'Titus Andronicus'." Of Fowler, he wrote, "Virginia is lucky to have him." Alfred Drake also joined the company in 1973 to direct the premiere of Richard Stockton's The Royal Rape of Ruari Macasmunde with Fowler in the title role. International attention arrived in 1975 when Soviet Cultural Consul Viktor Sakovich provided coverage on Moscow Television for Fowler's English-language premiere of Maxim Gorky's Our Father (originally Poslednje). Fowler subsequently produced the New York premiere of the Gorky drama at the Manhattan Theater Club.

1969

In 1969, he was appointed head of the Theater Arts Division of the Virginia Museum of Fine Arts and artistic director of the Virginia Museum Theater (VMT, now the Leslie Cheek Theater), and he undertook to guide VMT in becoming Richmond's first resident Actors Equity company and a home for classics and new plays. His productions, beginning with Marat/Sade (the first racially integrated company on the Virginia Museum's stage), brought controversy into the heart of Richmond's museum district but also drew increased attendance, more than doubling audiences between 1969 and the late 1970s.

1961

In England, he directed the Midlands premiere of Brecht's Mother Courage. The production at the Stratford Hippodrome in spring 1961 led the town's veteran drama critic to compliment the local troupe for daring a type of theater that Sir Peter Hall hesitated to bring to Stratford's just-founded Royal Shakespeare Company.

1939

Keith Franklin Fowler (born February 23, 1939) is an American actor, director, producer, and educator. He is a professor emeritus of drama and former head of directing in the Drama Department of the Claire Trevor School of the Arts of the University of California, Irvine (UCI), and he is the former artistic director of two LORT/Equity theaters.