Age, Biography and Wiki

Irwin Chusid was born on 22 April, 1951 in Newark, New Jersey, United States. Discover Irwin Chusid's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 73 years old?

Popular As N/A
Occupation N/A
Age 73 years old
Zodiac Sign Taurus
Born 22 April 1951
Birthday 22 April
Birthplace Newark, New Jersey, United States
Nationality United States

We recommend you to check the complete list of Famous People born on 22 April. He is a member of famous with the age 73 years old group.

Irwin Chusid Height, Weight & Measurements

At 73 years old, Irwin Chusid height not available right now. We will update Irwin Chusid's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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Irwin Chusid Net Worth

His net worth has been growing significantly in 2022-2023. So, how much is Irwin Chusid worth at the age of 73 years old? Irwin Chusid’s income source is mostly from being a successful . He is from United States. We have estimated Irwin Chusid's net worth , money, salary, income, and assets.

Net Worth in 2023 $1 Million - $5 Million
Salary in 2023 Under Review
Net Worth in 2022 Pending
Salary in 2022 Under Review
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Cars Not Available
Source of Income

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Timeline

2014

In 2014 Chusid became administrator of Sun Ra LLC, the heirs who control the catalog of the late, eccentric "Afro-Futurist" bandleader/composer. That same year, he and Michael D. Anderson of the Sun Ra Music Archive co-produced a digital-only series of classic Sun Ra albums remastered for iTunes from original Sun Ra session tapes. Since then Chusid has produced, co-produced, or consulted on a series of remastered Sun Ra recordings, including previously unissued material, released on the Cosmic Myth, Modern Harmonic, and Strut record labels. He has also provided historical annotation for many of these releases. In 2019 he co-produced (with Brother Cleve) The Barrence Whitfield Soul Savage Arkestra: Songs from the Sun Ra Cosmos (Modern Harmonic), a collection of Sun Ra covers by rock vocalist Barrence Whitfield; Chusid also played drums on several tracks.

2013

In 2013, Chusid created the first website devoted to the late record producer Tom Wilson, including a comprehensive discography of Wilson productions.

Volumes one and two of the digital audio releases of Songs in the Key of Z were reissued in expanded (25 tracks each) and remastered format in September 2013, along with all-new volumes three and four.

2010

In 2010 Chusid compiled for WFMU Don't Mess With the Power Child, the first collection of late 1980s recordings by an uninhibited, hyperactive 10-year-old Alabama girl named Amanda (Whitt). These recordings aired frequently on WFMU and subsequently achieved widespread notoriety via the web. A follow-up, Let's Get Plastered and Raid Circus World, was compiled for WFMU in 2011.

2009

In May 2009, Chusid and Economon teamed up with artist Drew Friedman to produce an exclusive line of limited edition fine art prints of the noted illustrator's works.

2002

In 2002, Chusid produced the sole album by the New York-based septet The Raymond Scott Orchestrette (a band he formed in 1999). That same year he produced the first solo sessions of former Suddenly, Tammy! singer/songwriter Beth Sorrentino, released in 2006 as Nine Songs, One Story. In 2011, he co-conceived and coordinated Sorrentino's album Would You Like To Go: A Curt Boettcher Songbook, a collection of reinterpretations of songs written by and/or associated with sunshine pop progenitor Curt Boettcher. (The album, produced by Sean Slade, was released in April 2013 on the Basta label. Chusid was credited as "Solicitor and Overseer.") In 2013, he undertook administration of Boettcher's publishing on behalf of the late songwriter's son, Varek Boettcher.

2000

In 2000, Chusid discovered two LPs of privately pressed western Canadian schoolchildren recordings made in 1976–77 by music teacher Hans Fenger. After much legwork and ten label rejections, Chusid licensed the project to Netherlands-based Basta Audio-Visuals and (for North America) Hoboken-based Bar/None Records, who in October 2001 released the recordings on a CD entitled The Langley Schools Music Project. Within one week of its release, the album went to #1 on Amazon.com. The popularity of that CD led to a VH1 documentary in 2002, which sent the CD back to #2 on Amazon.com. Jack Black's 2003 hit film School of Rock was admittedly inspired by the Langley CD. In 2005, the story rights to the project were acquired by an undisclosed Hollywood film writer/director, who hopes to bring the story to the big screen. In a dismissive review of the album, former Village Voice music critic Robert Christgau referred to Chusid as "a tedious ideologue with a hustle."

His book Songs in the Key of Z: The Curious Universe of Outsider Music (2000), published by A Cappella Books, covered musical oddballs and obscure visionaries. Reviewing this testament to twisted tunesmiths, Publishers Weekly commented:

1997

Between 1997 and 2002 Chusid was the co-host (with Michelle Boulé) of the Incorrect Music Hour on WFMU. From 2005 to 2007 he programmed vintage Calypso, Soca and Mento on a one-hour weekly program entitled Muriel's Treasure.

In 1997 Chusid co-produced (with Edie Adams and Josh Mills) the Ernie Kovacs Record Collection (Varese-Sarabande), a compilation of songs and themes used by the legendary TV comedian in his programs during the 1950s and early 1960s. The package was designed by noted illustrator Chris Ware. In 2004 he curated Interesting Results: Music by a Committee of One for UK's Sonic Arts Network, a CD-publication of DIY music with cut-out figures of the featured artists.

1996

In a July 1996 Pulse magazine article entitled "You Want Alternative?", Chusid coined the term "outsider music", which he defines as "crackpot and visionary music, where all trails lead essentially one place: over the edge". Chusid has drawn a distinction between the terms "incorrect music" (as used on his WFMU radio program) and "outsider music", which he insists are not synonymous and overlap only slightly. Chusid has explained that Incorrect Music was a radio concept, which included all manner of musical "wrongness", often by people who should have known better, or whose sincerity was questionable. Outsider musicians, on the other hand, he defines as "artists who are often termed 'bad' or 'inept' by listeners who judge them by the standards of mainstream popular music. Yet despite dodgy rhythms and a lack of conventional tunefulness, these often self-taught artists radiate an abundance of earnestness and passion. Most importantly, they betray an absence of pretense. And they're worth listening to, often outmatching all contenders for inventiveness and originality."

1992

His journalism has appeared in Mojo, The New York Times, Film Comment, Mix magazine, New York Press, Pulse! and other publications. He has lived in Hoboken, New Jersey, since 1992. He describes his political views as "leaning libertarian".

1990

Chusid is credited with the rediscovery and popularization of the "Space Age Bachelor Pad" music of Juan García Esquivel, which helped spark the 1990s resurgence of vintage exotica and lounge music. He compiled the first CD reissues of Esquivel and Raymond Scott, and manages the musical estates of both deceased composers/bandleaders. He has produced landmark reissues by The Shaggs, Sun Ra, Wendy and Bonnie, Judson Fountain, Lucia Pamela, and Alabama folk-art ensemble The Clouds, while penning liner notes for dozens of CD and LP releases on a multitude of labels. He produced Raymond Scott Rewired, an album of Scott remixes by The Bran Flakes, The Evolution Control Committee, and Go Home Productions, which was released in February 2014 on the Basta label.

1975

Since 1975 Chusid has been a DJ on free-form radio station WFMU, where he continues to host an unpredictable and idiosyncratic weekly program whose content he calls "genre-surfing tokenism". Prior to that, he worked briefly at WPKN radio from 1969-1971 while an undergrad at the University of Bridgeport (which he left after two years); in 1977, while living in New Orleans, he hosted a weekly program on WTUL. In 1988, he served as a comedy writer for author/humorist Tom Bodett's syndicated radio series, The End of the Road.

1970

In the late 1970s, Chusid was one of the first DJs to regularly air recordings of Jandek, The Shaggs, Lucia Pamela, and R. Stevie Moore on the radio. In the early 1980s he programmed a weekly segment entitled The Atrocious Music Hour, which featured recordings from such non-musical celebrities as William Shatner and Leonard Nimoy. This subgenre was eventually chronicled by Rhino Records on their Golden Throats series of albums, for which Chusid authored liner notes. These compilations contributed to Shatner's revived celebrity, albeit with overtones of self-parody.

1951

Irwin Chusid (born April 22, 1951 in Newark, New Jersey) is a journalist, music historian, radio personality, record producer, and self-described "landmark preservationist". His stated mission has been to "find things on the scrapheap of history that I know don't belong there and salvage them." Those "things" have included such previously overlooked but now-celebrated icons as composer/bandleader/electronic music pioneer Raymond Scott, Space Age Pop avatar Esquivel, illustrator/fine artist Jim Flora, various outsider musicians (including William "Shooby" Taylor, a.k.a. "The Human Horn"), and The Langley Schools Music Project. Chusid calls himself "a connoisseur of marginalia," while admitting he's "a terrible barometer of popular taste."

1914

Chusid chronicled the overlooked work of innovative record cover artist/commercial illustrator Jim Flora (1914–1998) in his colorful 180-page trade paperback, The Mischievous Art of Jim Flora (Fantagraphics, 2004). A follow-up, The Curiously Sinister Art of Jim Flora, co-authored with (former KFAI radio host) Barbara Economon, was published by Fantagraphics in February 2007. The latter book unveiled Flora's bizarre and rarely seen paintings, woodcuts, sketches, and early works. A third anthology, The Sweetly Diabolic Art of Jim Flora, was published in July 2009. A fourth book, The High Fidelity Art of Jim Flora, focusing on Flora's illustrated album covers and music ephemera for Columbia and RCA Victor Records, was published in September 2013. Chusid and Economon serve as co-archivists for the Flora collection, and produce a line of fine art prints of the artist's work.