Age, Biography and Wiki

Gordon Lewis was an American filmmaker and producer who was born in Pittsburgh, Pennsylvania in 1890. He began his career in the film industry in the early 1910s, working as an assistant director and editor on a number of silent films. He eventually moved up to directing his own films, and in the 1920s he directed a number of feature films, including The Great Adventure (1921), The White Outlaw (1925), and The Lone Wolf (1927). In the 1930s, Lewis moved into producing, and he produced a number of films, including The Big House (1930), The Public Enemy (1931), and Scarface (1932). He also produced a number of westerns, including The Plainsman (1936) and The Adventures of Tom Sawyer (1938). Lewis was married to actress and screenwriter Ruth Cummings, and the couple had two children. He died in Los Angeles in 1945 at the age of 55. At the time of his death, Lewis had an estimated net worth of $2 million.

Popular As N/A
Occupation actor
Age 43 years old
Zodiac Sign
Born 30 November 1889
Birthday 30 November
Birthplace Pittsburgh, Pennsylvania, U.S.
Date of death September 26, 2016
Died Place Fort Lauderdale, Florida, U.S.
Nationality United States

We recommend you to check the complete list of Famous People born on 30 November. He is a member of famous Actor with the age 43 years old group.

Gordon Lewis Height, Weight & Measurements

At 43 years old, Gordon Lewis height not available right now. We will update Gordon Lewis's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
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Who Is Gordon Lewis's Wife?

His wife is Yvonne Gilbert (m. 1975–1989), Allison Louise Downe (m. 1962–1971), Margot Lewis (m. ?–2016)

Family
Parents Not Available
Wife Yvonne Gilbert (m. 1975–1989), Allison Louise Downe (m. 1962–1971), Margot Lewis (m. ?–2016)
Sibling Not Available
Children Erica Lewis, Robert Lewis

Gordon Lewis Net Worth

His net worth has been growing significantly in 2022-2023. So, how much is Gordon Lewis worth at the age of 43 years old? Gordon Lewis’s income source is mostly from being a successful Actor. He is from United States. We have estimated Gordon Lewis's net worth , money, salary, income, and assets.

Net Worth in 2023 $1 Million - $5 Million
Salary in 2023 Under Review
Net Worth in 2022 Pending
Salary in 2022 Under Review
House Not Available
Cars Not Available
Source of Income Actor

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Timeline

2016

In 2016, Arrow Video released a 17-disc box set titled The Herschell Gordon Lewis Feast including fourteen of the Lewis's most essential films (including nine Blu-ray world debuts). Budd Wilkins wrote of the set in Slant Magazine, "The Herschell Gordon Lewis Feast should provide ample evidence that Lewis—who produced, directed, wrote, shot, edited, and/or scored his own films—truly deserves the epithet of auteur usually accorded to far more hifalutin filmmakers."

2009

In 2009, Lewis released The Uh-Oh! Show, a film about a television game show where the contestants are dismembered for each wrong answer. The first screening was November 8, 2009, at the Abertoir Horror Festival in Aberystwyth, Wales and concluded with a Q&A with Lewis about the film. In 2016 Herschell made a starring role appearance in Joe Castro's "Terror Toons 3": Herschell's Gory Story.

2006

In 2006, Lewis was inducted into the Polly Staffle Hall of Fame. Lewis has a pair of film projects in development with Florida-based feature film production company Film Ranch International. He also made a cameo appearance in the 2004 film Chainsaw Sally, and starred in issue one of American Carnevil, a graphic novel created by Johnny Martin Walters.

2002

In 2002 Lewis released his first film in thirty years, Blood Feast 2: All U Can Eat, a sequel to the first film. It featured a cameo appearance by John Waters, a fan of Lewis' work.

1974

During his retirement from filmmaking, Lewis wrote and published over twenty books during his long business career in advertising, including The Businessman's Guide to Advertising and Sales Promotion in 1974 and How to Handle Your Own Public Relations in 1977. A slow but steady stream of books followed, which seemed to turn into a torrent in the 1990s. Lewis settled in Fort Lauderdale, Florida and founded his own advertising company, Communicomp, a full-service direct marketing agency with clients throughout the world.

1970

Lewis stopped working with Friedman after making Color Me Blood Red, but continued to make further gore films into the 1970s. His next gore entry wouldn't come until 1967, with A Taste of Blood, often referred to as the "Gone with the Wind of Gore" due to its relatively lengthy running time of nearly two hours. The following year would bring a more extreme take on the genre, The Gruesome Twosome (1967), most notable for incorporating an electric knife used to scalp one of the victims.

1968

Outside his notorious gore canon, Lewis pursued a wide gamut of other exploitation avenues throughout the sixties. Some of the more taboo subjects he explored include juvenile delinquency (Just for the Hell of It, 1968), wife swapping (Suburban Roulette, 1968), the corruption of the music industry (Blast-Off Girls, 1967), and birth control (The Girl, the Body, and the Pill, 1967). He was also not above tapping the children's market, as with Jimmy the Boy Wonder (1966) and The Magic Land of Mother Goose (1967), which were padded out to feature film length by incorporating long foreign-made cartoons. Most of Lewis' films are available for purchase through the Seattle-based video company Something Weird Video, which finds and restores lost and little-seen exploitation movies from the 1950s, 1960s, and 1970s.

1965

Lewis financed and produced nearly all of his own movies with funds he made from his successful advertising firm based in Chicago. Always resourceful despite the low budgets he worked with, Lewis purchased the rights to an unfinished film and completed it himself, re-titling the film Monster a Go-Go (1965). Many years later, the film gained notoriety after being shown on the Mystery Science Theater 3000 television show, where the cast stated it was the worst film they have ever done. Lewis would repeat this formula when he acquired a gritty psychological piece called The Vortex and released it as Stick It in Your Ear (1970) to be shown as a second feature to The Wizard of Gore (1970). This approach demonstrated Lewis's business savvy; by owning the distribution rights to both features (as well as most of his feature films), he knew he would not get fleeced by theaters juggling the box office returns, a common practice at that time.

1963

With the nudie market beginning to wane, Lewis and Friedman entered into uncharted territory with 1963's seminal Blood Feast, considered by most critics to be the first "gore" film. Because of the unprecedented nature of this type of film, they were able to cater to the drive-in theater market that would have been inaccessible with their prior skin flicks. Two Thousand Maniacs! (1964) and Color Me Blood Red (1965) followed the same formula. The full-color gore on display in these films caused a sensation, with horror film-makers throughout the world becoming eager to saturate their productions with similarly shocking visual effects.

1960

The two continued with a series of erotic films in the early 1960s. These films marked the beginning of a deliberate approach to filmmaking that each respective party would continue through their production careers — films made solely with the intention of turning a profit. Typical of these nudies were the screwball comedies Boin-n-g! (1963) and The Adventures of Lucky Pierre (1961), a film made for a shoestring budget of $7,500, which would become the duo's first great financial success; it made three times its budget upon its first release. Because film restrictions had not yet allowed for sexual depictions in films, the bulk of Lewis and Friedman's early work consisted of nudist camp features like Daughter of the Sun (1962) and Goldilocks and the Three Bares (1963), which appropriately billed itself as "the first (and to date the only) nudist musical".

1959

Lewis directed a short promotional film entitled Carving Magic, sponsored by Swift & Company, in 1959. Along with Swift & Company's “home economist” Martha Logan, the short starred William Kerwin and Harvey Korman, who would go on to star in other Lewis projects.

1953

In 1953, Lewis began working for a friend's advertising agency in Chicago while teaching graduate advertising courses at night at Roosevelt University. In the meantime, he began directing TV commercial advertisements for a small production company called Alexander and Associates. Lewis later bought out half of the company with business associate Martin Schmidhofer and renamed it Lewis and Martin Films.

1926

Herschell Gordon Lewis (June 15, 1926 – September 26, 2016) was an American filmmaker, best known for creating the "splatter" subgenre of horror films. He is often called the "Godfather of Gore" (a title also given to Lucio Fulci), though his film career included works in a range of exploitation film genres including juvenile delinquent films, nudie-cuties, two children's films and at least one rural comedy. On Lewis' career, AllMovie wrote, "With his better-known gore films, Herschell Gordon Lewis was a pioneer, going further than anyone else dared, probing the depths of disgust and discomfort onscreen with more bad taste and imagination than anyone of his era."

1920

He was an actor, known for Movie Fans (1920), Made in the Kitchen (1921) and Fresh from the City (1920).

1890

Gordon Lewis was born in 1890 in Harrison, Arkansas, USA.