Age, Biography and Wiki

Georges Lacombe was born on 19 August, 1902 in Paris, France, is a Director, Writer, Assistant Director. Discover Georges Lacombe's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of Georges Lacombe networth?

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Occupation director,writer,assistant_director
Age 88 years old
Zodiac Sign Leo
Born 19 August 1902
Birthday 19 August
Birthplace Paris, France
Date of death 14 April, 1990
Died Place Cannes, Alpes-Maritimes, France
Nationality France

We recommend you to check the complete list of Famous People born on 19 August. He is a member of famous Director with the age 88 years old group.

Georges Lacombe Height, Weight & Measurements

At 88 years old, Georges Lacombe height not available right now. We will update Georges Lacombe's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
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Georges Lacombe Net Worth

His net worth has been growing significantly in 2022-2023. So, how much is Georges Lacombe worth at the age of 88 years old? Georges Lacombe’s income source is mostly from being a successful Director. He is from France. We have estimated Georges Lacombe's net worth , money, salary, income, and assets.

Net Worth in 2023 $1 Million - $5 Million
Salary in 2023 Under Review
Net Worth in 2022 Pending
Salary in 2022 Under Review
House Not Available
Cars Not Available
Source of Income Director

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Timeline

1957

He called it quits after 1957 and enjoyed a long retirement. (d.

1955

"La Lumière D'En Face" (1955) revealed Brigitte Bardot's sensuality and erotic potential before Vadim ,but was marred by a ridiculous happy end. "Cargaison Blanche " which the director disowned pitted a female journalist against white slave trade ,it was woman's lib before its time again.

1952

His sketch of "Les 7 Péchés Capitaux" (1952) featured an excellent final unexpected twist and a good sense of mystery (already present in "Le Pays Sans Etoiles" and "Le Dernier Des Six" ). "Leur Dernière Nuit " recalled the Pre-war movies (the ending imitating that of "Quai Des Brumes" ) and was finally a disappointment ,in spite of Gabin and Madeleine Robinson.

1946

"Martin Roumagnac "(1946) was remembered for his actors ,Gabin and Dietrich ,who would not team up again afterward :although the German star was miscast ,it did the trick. Critics generally agree that it was the end of his more fruitful period. "Les Condamnés " was another trite melodrama saved by Pierre Fresnay. Both "Prelude A La Gloire " and "L'Appel Du Destin" featured child prodigy Roberto Benzi ,but were not the musician's biographies:the former was interesting ,the latter nothing but a weepie. "La Nuit Est Mon Royaume" might have surprised Gabin's fans :he was cast as a man gone blind who tried to readjust to his new life and managed quite well in this cast against type character.

1941

"Le Dernier Des Six" (1941) was arguably his finest thriller : the screenplay was written by Henri-Georges Clouzot ,based on a novel by Steeman featuring sleuth Monsieur Wens (Pierre Fresnay) whom Clouzot would use again in his classic "L'Assassin Habite Au 21". "Montmartre Sur Seine " was a vehicle for Edith Piaf ,and its script was sub-par. "Le Journal Tombe A Cinq Heures" was woman's lib before its time : a young journalist trying to make her way through a then male-dominated job. "Monsieur La Souris" was another whodunit,but a weak one,saved by tramp Raimu who played the occasional detective. His masterpiece dovetailed with the end of the war : "Le Pays Sans Etoiles" , a fantasy movie,blended present with past , created an eerie atmosphere worthy of Jacques Tourneur and added a strange Déjà vu feeling: masterfully played by Pierre Brasseur and Gerard Philippe, on a first-class screenplay by Pierre Very,this film should be more known.

1940

"Elles Etaient Douze Femmes " (1940) showed women with good intentions (sending parcels to soldiers who had none)but gossips and dirty tricks marred their charity organization.

1939

His heyday began in 1939 with "Les Musiciens Du Ciel " ,a lovely melodrama guaranteed to send the impressionable tearing through an entire box of tissues.

1938

His first valuable work was a good whodunit "Café De Paris" (1938,reportedly with Yves Mirande ,but according to Lacombe ,he never set a toe on the set),followed by "Derrière La Façade " a less successful attempt at a detective film : it seemed that all the big names of the era were waiting for being in the front of the stage and eager to put on their usual act.

1931

His first talkie ,"Boule De Gomme" (1931,medium-length feat. )which introduced an insufferable child actor ,is mainly an interesting account of the work in a French studio of the era.

1928

He began with a short,"La zone"( 1928) which created a sensation and was labeled "Avant-Garde":it depicted the daily life of the rag-men,on a narrow strip of land between Paris and its outskirts.

1902

Geoges Lacombe (b. 1902) ,chiefly when he collaborated with Clouzot or Pierre Very ,gave estimable works. Too much of his filmography is simply forgettable ,but some works ,notably "Le Pays Sans Etoiles " and "Le Dernier Des Six" can be considered classics.