Age, Biography and Wiki
Ekaterina Maximova was born on 1 February, 1939 in Russia, is a ballet dancer. Discover Ekaterina Maximova's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is She in this year and how She spends money? Also learn how She earned most of networth at the age of 70 years old?
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Age |
70 years old |
Zodiac Sign |
Aquarius |
Born |
1 February 1939 |
Birthday |
1 February |
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Date of death |
28 April 2009 |
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Russia |
We recommend you to check the complete list of Famous People born on 1 February.
She is a member of famous ballet dancer with the age 70 years old group.
Ekaterina Maximova Height, Weight & Measurements
At 70 years old, Ekaterina Maximova height not available right now. We will update Ekaterina Maximova's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Dating & Relationship status
She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.
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Ekaterina Maximova Net Worth
Her net worth has been growing significantly in 2022-2023. So, how much is Ekaterina Maximova worth at the age of 70 years old? Ekaterina Maximova’s income source is mostly from being a successful ballet dancer. She is from Russia. We have estimated
Ekaterina Maximova's net worth
, money, salary, income, and assets.
Net Worth in 2023 |
$1 Million - $5 Million |
Salary in 2023 |
Under Review |
Net Worth in 2022 |
Pending |
Salary in 2022 |
Under Review |
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Not Available |
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Source of Income |
ballet dancer |
Ekaterina Maximova Social Network
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Timeline
Katya. A letter from the past, documentary, director V. Vasiliev, Russia-K, Russia, 2019
2019 The Bolshoi Theater organized the Ballet Gala Night in Commemoration of Maximova's 80th birthday. Best ballet excerpts were performed by the Bolshoi Ballet Stars.
2014 In honor of Maximova's 75th birthday the exhibition in Moscow Bakhrushev Theater Museum has recreated a dressing room of Maximova with her tutus, shoes, make-up mirror (which had belonged to the great theater actress Vera Komissarzhevskaya), bottles, combs, and other items she had to prepare for going on stage.
2014 The Bolshoi gala to celebrate Maximova's 75th birthday was held on February 21st.
2012 Arabesque Ballet competition and the Grand Prix were named after Maximova.
Vasiliev Maximova: Dance of fate, TV documentary, Central TV, Russia, 2010
2010 XI Arabesque International ballet competition in Perm, Russia was dedicated to her memory.
Fouette along the life, documentary, director N. Tikhonov, Bolshoi Theater video studio, Russia, 2009
2009 The Gala performance in Maximova's honor was held to celebrate her 70th birthday on 1 February in the Kremlin Palace.
She died of heart failure on 28 April 2009, at the age of 70.
2008 The Bolshoi Theater celebrated Maximova's and Vladimir Vasiliev's "50 years on stage" with a five day festival of gala performances in their honor.
2004 Soul of Dance Award, Russian Magazine "Ballet"
Ekaterina Maximova: When dancing becomes one's life, documentary, director N. Tikhonov, Bolshoi Theater video studio, Russia, 2004
She was known to decline roles she felt unable to perform, which earned her the sobriquet "Madame No". She did this because she did not believe in herself and her skills. She always questioned herself if she was good enough to dance even better than before. She had a very few interviews in her entire life and always stressed that she was a hardworking ballerina permanently trying to improve her skills. She could keep a very high level of performance and youthful dancing style through her 40-year career In 2003 she wrote her autobiography and named it "Madame No".
2002 Annual Ballet festival in Maximova's honor started in Chelyabinsk Ballet theater with the premier of Prokofiev's Cinderella choreographed by Vladimir Vasiliev. Maximova's student Tatiana Predeina danced Cinderella and the exhibition "E. Maximova and her students" was opened. Maximova's students S. Lunkina, M. Ryzhkina and others from the Bolshoi Theater and N. Balakhnicheva and Z. Bogoroditskaya from the Kremlin Ballet took part in the festival in the following years.
While Vasiliev was the Bolshoi Theater director, he and Maximova took an active part in opening the first (outside Moscow) Bolshoi Theater ballet school in Joinville, Brazil in 2000. Both of them were awarded the highest Brazilian awards in 2004.
Her last ballet performance was at the gala dedicated to her 60th birthday on 1 February 1999 in the Bolshoi Theater.
1999 Order "For Merit to the Fatherland" III degree
Katya, documentary, director N. Tikhonov, Bolshoi Theater video studio, Russia, 1999
E. Fetisova Ekaterina Maximova Vladimir Vasiliev, photo album (М., 1999)
1999 The Gala in honor of her 60th birthday was held in the Bolshoi Theater. Maximova performed in the Gardens of Villandry that was choreographed by Martha Clarke as her gift for Maximova's gala.
Maximova taught masterclasses throughout the world, served as a member of various committees and councils for creative arts in Russia and abroad and was invited to be a jury member at ballet competitions (the Chairman of the jury in 5th International Ballet competition "Premia Rome", Italy and Arabesque ballet competition 1996–2008, Russia, and the juror of the ballet competitions in Jackson USA, Paris France, Lausanne Switzerland, Nagoya Japan, Seoul Korea and others).
1995 Honorary Professor, Moscow State University, Russia
R. Lazzarini. Maximova & Vasiliev at the Bolshoi, photo album (London: Dance Books, 1995)
1994 Title role in Cinderella, S. Prokofiev, choreography Vasiliev, Kremlin Ballet
Nalalia Davydovna in Klassnaya Dama, director A. Belinsky, Lentelefilm, Russia, 1994
1994 Maximova Benefit performance for her 55th birthday was held in the Kremlin Palace. She performed in the Round of Angels choreographed by Gerald Arpino as his gift for her birthday.
1993 Leonide Massine Prize for Art of Dance (Positano Premia la Danza Leonide Massine), Italy
1993 Crystal Turandot Award for theater arts with Vladimir Vasiliev (Golden Duet) Russia
1992 -2009 Jury member for Russian Independent Theater Award "Triumph"
In 1990 she started coaching the leading soloists in ballet roles in the Kremlin Ballet (such as N. Balakhnicheva, T. Predeina, Z. Bogoroditskaya) and in 1996 with the Bolshoi Ballet (such as G. Stepanenko, S. Lunkina, M. Ryzhkina, A. Nukulina) along with teaching in GITIS where she became a professor in 1996.
Maximova and Vasiliev were the founding organizers for the Arabesque ballet competition in Perm, Russia in 1990 and established their prize for "The best duet" there in 1992. She was a jury member at Arabesque through 2008.
1990 Member of the Executive Committee of Counseil International De La Danse, UNESCO (International Dance Council)
And as always, something was left unsaid, Part I, Part II, TV documentary, 2 episodes, Central TV, Russia 1990
1989 Gino Tani Prize for the Art of Dance (Premio Internazionale Gino Tani, Italy) for "The Best Duet" with Vladimir Vasiliev
1989 Member of International Academy of Creative Endeavors- Russian Section
Katia et Volodia, documentary, director D. Delouche, Les Films du Prieure, Paris, France 1989
After retiring from the Bolshoi Theater as a prima ballerina in 1988, Maximova continued dancing the role of Anyuta at the Bolshoi through 1994 and in addition she had more opportunities to tour and to work for other Russian ballet troupes and ballet companies abroad as a guest star for following 10 years performing some classical ballets with new choreography and modern ballets that did not appear in the Bolshoi repertoire.
1987 Masha in Nutcracker, P. Tchaikovsky, choreography Grigorovich, Bolshoi Theater
Elena Knyazeva in Fuete, (Fouetté) director B. Yermolaev, choreography for ballet excerpts V. Vasiliev, Lenfilm, USSR 1986
1984 Vasiliev Brothers State Prize of the RSFSR for the leading role in TV film-ballet "Anyuta"
G. Smakov. The Great Russian Dancers, p. 180-185 (N-Y., Knopt 1984)
She appeared in a great number of Russian movies, video ballet productions, TV ballet and musical films as well as in international ones. Several TV ballet films were made for her by the movie director A. Belinsky (Galatea, Old Tango, Anyuta, Chapliniana) Maximova's art of dance was an inspiration for several ballets, movies, documentaries, books and even poems. She and her husband also gained wide exposure for their appearances in Franco Zeffirelli's filmed version of Giuseppe Verdi's opera La traviata (1982). Both performed in Spanish costumes in the divertissements composed for the equivalent of Act II, scene 2.
M. Konstantinova. Ekaterina Maximova (M., Iskusstvo 1982)
S. Montague. Pas de Deux, p.93-97 (N-Y., Universe books 1981)
She also started dancing in Moscow Classical Ballet productions in 1980 where she performed the title role in Pierre Lacotte's Nathalie and roles of Juliet in Romeo and Juliet, and Eve in the Creation of the World. She danced the title role in Cinderella in the Kremlin Ballet choreographed by her husband, Vladimir Vasiliev who also choreographed a great number of ballet compositions for her through her career.
Maximova graduated from GITIS (now The Russian Academy of Theater Arts) in 1980 with a diploma of ballet master and started teaching classical choreography and dance composition there in 1982 while she was still dancing in the Bolshoi Theater.
1980 InterVision Prize for the best actress in the leading role for TV film "Old tango" at International Festival "Zlata Praha", Czechoslovakia
1980 Title role in Nathalie or Swiss Milkmaid, A. Gyrowetz, choreography Talioni/Lacotte, Moscow Classical Ballet
Stella Cotman in Gigolo and Gigolette, director A. Belinsky, choreography V. Vasiliev, Central TV, USSR 1980
1980 An asteroid that was discovered by Crimea Astrophysical Observatory was named MAXIMOVA in her honor.
1978 Masha in Nutcracker, P. Tchaikovsky, choreography Grigorovich, Bolshoi Theater
1978 Katerina in the Stone Flower ,S. Prokofiev, choreography Grigorovich, Bolshoi Theater
Throughout her career she danced on the famous stages in the world such as Covent Garden (London), Grand Opera (Paris), La Scala (Milan), Metropolitan Opera (New York), Rome Opera (Rome), Teatro Colón (Buenos Aires) and performed with international ballet companies Maurice Bejart's The 20th Century Ballet (Belgium) (1977–1978), St. Carlo Theater (Italy) (1986, 1988–1989) Roland Petit's Ballet National de Marseille (France) (1987) English National Ballet (Great Britain) (1989), American Ballet Theater (USA) (1990) National Ballet of Canada (1993) and others.
Maximova seriously injured her spine during a rehearsal in 1975 and some doctors did not believe that she would walk again, but she returned on the stage in 1976.
N Avaliani, L Jdanov. Bolshoi's young dancers, p.60-107 (London, Central books 1975)
1974 Juliet in Romeo and Juliet, S. Prokofiev choreography, Lavrovsky, Bolshoi Theater
Duet: Ekaterina Maximova Vladimir Vasiliev, TV film, director F. Slidovker T/O Ekran, USSR 1973
1972 Marius Petipa Prize "The Best Duet of the World" with Vladimir Vasiliev from Paris Dance Academy, France
1970 Phrigia in Spartacus, A. Khachaturian, choreography Grogorovich, Bolshoi Theater
1969 Anna Pavlova Prize "The Best Dancer of the World" from Paris Dance Academy, France
Composition of dances Part II, documentary, director Y. Aldokhin, Tsentrnauchfilm, USSR 1967
Maximova danced many duets with Vladimir Vasiliev, who is regarded by some as one of the greatest male dancers of all time. They took part in numerous Bolshoi ballet tours in USA, Canada, Austria, Belgium, Denmark, France, Great Britain, Italy, Netherlands, Australia, Argentine, Japan, and dozens of other countries in the world as well as in a Kirov Ballet (now Mariinsky Ballet) tour in Paris, France. She was one of the Bolshoi stars who danced in the last program presented at the old Metropolitan Opera House on Thirty-ninth Street and Broadway on 8 May 1966. Maximova and Vasiliev started dancing abroad as guest stars in 1978. Fortunately, many of their performances have been preserved on film and prove a lasting testament to one of the greatest ballet partnerships in the history of dance. Among her other ballet partners were M. Liepa, M. Lavrovsky, and A. Bogatyrev.
1964 1st prize 1st Varna International Ballet Competition, Bulgaria
In 1961, as a young ballerina Maximova starred along with Vladimir Vasiliev in the film for European and American viewers The USSR with an Open Heart, where they played ballet dancers. The premiere took place in Paris, France where Maximova and Vasiliev arrived as newlyweds.
Maximova's first ballet as a Bolshoi ballet dancer was The Stone Flower (in the leading role of Katerina). Her performance was so impressive that she was chosen to go on the first Bolshoi tour in the US in 1959. The American press called her "a little elf" and complemented her technique, grace and artistic style even though legendary Galina Ulanova was the real sensation of that tour. Later Ulanova became Maximova's ballet coach in the Bolshoi for many years.
1959 1st prize and Gold medal VII International Youth Festival Vienna, Austria
Former ballerina of Mariinsky Ballet Elizaveta Gerdt was Maximova's instructor at the ballet school. Maximova graduated from Moscow ballet school in 1958 and joined Bolshoi Ballet the same year. She won first prize at the National Ballet competition in 1957 while still a ballet student.
1957 Gold medal All-Union Ballet competition Moscow, USSR
Ekaterina Sergeevna Maximova (Russian: Екатерина Сергеевна Максимова; 1 February 1939 – 28 April 2009) was a Soviet and Russian ballerina of the second part of the 20th century who was internationally recognised. She was a prima ballerina of the Bolshoi Theatre for 30 years, a ballet pedagogue, People's Artist of the USSR and Russian Federation, winner of international ballet competitions, Laureate of many prestigious International and Russian awards, a professor in GITIS, Honorary professor at the Moscow State University, Academician of the Russian Academy of Arts, and an Executive Committee member of the Russian Center of Counseil International De La Danse, UNESCO
Maximova was born in Moscow on 1 February 1939 to a highly educated family. Her maternal grandfather was Gustav Shpet, a Russian philosopher, historian of philosophy, psychologist, art theoretician, and interpreter (he knew 17 languages) of German-Polish descent. Her mother Tatiana Maximova (née Shpet) was a journalist and publishing house editor and her father Sergey Maximov was an engineer.