Age, Biography and Wiki

Christopher D'Arcangelo was born on 23 January, 1955. Discover Christopher D'Arcangelo's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 24 years old?

Popular As N/A
Occupation N/A
Age 24 years old
Zodiac Sign Aquarius
Born 23 January 1955
Birthday 23 January
Birthplace N/A
Date of death 28 April 1979
Died Place N/A
Nationality

We recommend you to check the complete list of Famous People born on 23 January. He is a member of famous with the age 24 years old group.

Christopher D'Arcangelo Height, Weight & Measurements

At 24 years old, Christopher D'Arcangelo height not available right now. We will update Christopher D'Arcangelo's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
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Christopher D'Arcangelo Net Worth

His net worth has been growing significantly in 2022-2023. So, how much is Christopher D'Arcangelo worth at the age of 24 years old? Christopher D'Arcangelo’s income source is mostly from being a successful . He is from . We have estimated Christopher D'Arcangelo's net worth , money, salary, income, and assets.

Net Worth in 2023 $1 Million - $5 Million
Salary in 2023 Under Review
Net Worth in 2022 Pending
Salary in 2022 Under Review
House Not Available
Cars Not Available
Source of Income

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Timeline

1991

In 1991, the artist Christopher Williams produced a work Bouquet for Bas Jan Ader and Christopher D'Arcangeo… 1991. Further references to D'Arcangelo have been included in recent works by the artists Ben Kinmont and Mario García Torres.

1978

The collaboration culminated in an evolving group exhibition at 84 West Broadway which opened on 9 November 1978. The exhibition began with a presentation of an empty exhibition space, entitled 30 Days Work, in reference to the amount of labor the two artists (along with fellow laborer Nick Lawson) had invested in refurbishing the space as a gallery. The first in a series of invitation cards announcing the exhibition was headed with the statement: "The work shown in this space is a response to the existing conditions and or work previously shown in the space."

In September 1978, D'Arcangelo took part in a group exhibition, along with Louise Lawler, Adrian Piper and Cindy Sherman, curated by Janelle Reiring at Artists Space. This was the first exhibition to include Sherman's acclaimed Untitled Film Stills. D'Arcangelo's contribution took the form of a written statement, entitled "Four texts for Artists Space". The texts were printed on four pages following the layout of the exhibition catalog and displayed on the gallery walls. It included a detailed description and critique of the status of Artists Space as an independent gallery, or "artists' space" as its name implies. As a pendant to his critique, D'Arcangelo left his name off all promotional material destined to circulate outside the gallery. This included a blank space on the invitation card. Likewise, four blank pages were included in the catalog.

1977

In January 1977, he published a proposal "LAICA as an Alternative to Museums" in the journal of the now defunct Los Angeles Institute of Contemporary Art. In the late 1970s, D'Arcangelo collaborated with the artist Peter Nadin, in a series of works (in the form of contracts and documentation) in which they presented their day labor refurbishing loft spaces, principally in Lower Manhattan, as "a means of surviving in a capitalist economy." Although the typewritten documentation, which the two artists sent out as circulars, included an invitation to view the finished work, no explicit claim was made that the results of their labor, what they termed "functional constructions", represented artworks as such.

1976

From 1976 until his death, he was working on an exhibition proposal for the Van Abbemuseum in Eindhoven.

1975

In 1975, he performed a series of unauthorized actions in the major museums in New York City: the Whitney Museum, the Museum of Modern Art, the Guggenheim Museum, and the Metropolitan Museum. Each action was accompanied by a written statement stenciled on his back: "When I state that I am an anarchist I must also state that I am not an anarchist to be in keeping with the […] definition of anarchism. Long live anarchism." The word anarchism at the end of the first sentence and the entire second sentence were stenciled upside down.

The first action at the Whitney Museum, in February 1975, during the Whitney Biennial, consisted in chaining himself with a case-hardened chain and locks to the doors at the main entrance of the museum. D'Arcangelo remained shackled to the doors with his back exposed to visitors arriving on the museum's entrance ramp for around an hour, thus obstructing access to and from the museum. He performed two further illicit actions, in 1976, at the Norton Simon Museum in Pasadena, CA and, in 1978, at the Louvre in Paris.

1955

Christopher D’Arcangelo (23 January 1955 – 28 April 1979) was an American artist who worked in the 1970s until his death in 1979. He was the son of the American painter Allan D'Arcangelo.