Age, Biography and Wiki

Alessandro Carloni was born on 1978 in Bologna, Italy, is an Italian screenwriter. Discover Alessandro Carloni's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 45 years old?

Popular As N/A
Occupation Film director, animator, storyteller
Age 45 years old
Zodiac Sign N/A
Born
Birthday
Birthplace Bologna, Italy
Nationality Italy

We recommend you to check the complete list of Famous People born on . He is a member of famous Film director with the age 45 years old group.

Alessandro Carloni Height, Weight & Measurements

At 45 years old, Alessandro Carloni height not available right now. We will update Alessandro Carloni's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Who Is Alessandro Carloni's Wife?

His wife is Nicolette Davenport (m. 2016)

Family
Parents Not Available
Wife Nicolette Davenport (m. 2016)
Sibling Not Available
Children Not Available

Alessandro Carloni Net Worth

His net worth has been growing significantly in 2022-2023. So, how much is Alessandro Carloni worth at the age of 45 years old? Alessandro Carloni’s income source is mostly from being a successful Film director. He is from Italy. We have estimated Alessandro Carloni's net worth , money, salary, income, and assets.

Net Worth in 2023 $1 Million - $5 Million
Salary in 2023 Under Review
Net Worth in 2022 Pending
Salary in 2022 Under Review
House Not Available
Cars Not Available
Source of Income Film director

Alessandro Carloni Social Network

Instagram Alessandro Carloni Instagram
Linkedin
Twitter Alessandro Carloni Twitter
Facebook
Wikipedia Alessandro Carloni Wikipedia
Imdb

Timeline

2012

In early 2012, Carloni was attached as a director to the computer-animated/traditionally animated film Me and My Shadow for DWA, replacing the original director Mark Dindal. By early 2013, the film had returned into development following massive lay-offs at DWA. By early 2015, Carloni had joined Jennifer Yuh Nelson to help her co-directing Kung Fu Panda 3 (2016), in order to meet its release dateline. He has since moved to Ilion Animation Studios and Skydance Media to develop several animated films.

2002

Since joining DreamWorks Animation in 2002, Carloni served as lead animator on Sinbad: Legend of the Seven Seas and Shark Tale, an animation supervisor on Kung Fu Panda, a story artist on Kung Fu Panda 2 and The Croods, and head of story on the first two How to Train Your Dragon movies and as a story artist on the third one. For his work on Kung Fu Panda, he was nominated in the category Storyboarding in an Animated Feature Production at the 36th Annie Awards.

2000

Born in Bologna, Carloni spent his childhood in Urbino, a walled city and World Heritage site southwest of Pesaro, known for its remarkable legacy of independent Renaissance culture and for being the birthplace of Renaissance master Raphael Santi. But, Carloni was not a young artist, at least not officially. Not even though his father worked as an illustrator for magazines, book covers and advertisements. “I was exposed to his work, but he never pushed me to be part of his studio,” Carloni says. “He taught me many things. He wanted me to explore on my own.” He became an artist almost despite himself. Carloni entered the University of Milan as a literature major, but to earn money, he began selling drawings. “I got little jobs through my friends to help pay for meals and money here and there,” he says. “Small things like invitation tickets for clubs.” Those little jobs helped change his future. “It made me understand that my true passion was visual storytelling,” he says. “I cared about that more than continuing my studies.” A friend in Germany suggested he apply to Munich Animation, and soon Carloni was an in-betweener. “I drew all the tedious drawings,” he says. But, that led to work as an animator, a story artist, a director, an art director, a character designer, a sculptor, and an animation supervisor for commercials, music videos, and feature films in Germany, Switzerland, and Denmark. Then, in 2000, he co-directed an award-winning animated short film through Munich Animation with writer-director Gabriele Pennacchioli. The studio envisioned the film, The Shark and the Piano, as a marketing tool. “It was still a time when American studios sent portions of their 2D feature films to Europe to produce,” Carloni says, “so we decided to make a film to show what we could do.” But, by the time they approached the American studios, those studios had turned their focus to 3D.