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William N. Valavanis (William Nicholas Valavanis) was born on 3 September, 1951 in Waukegan, Illinois, United States, is a Bonsai artist. Discover William N. Valavanis's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 72 years old?

Popular As William Nicholas Valavanis
Occupation N/A
Age 72 years old
Zodiac Sign Virgo
Born 3 September, 1951
Birthday 3 September
Birthplace Waukegan, Illinois
Nationality United States

We recommend you to check the complete list of Famous People born on 3 September. He is a member of famous Artist with the age 72 years old group.

William N. Valavanis Height, Weight & Measurements

At 72 years old, William N. Valavanis height not available right now. We will update William N. Valavanis's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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William N. Valavanis Net Worth

His net worth has been growing significantly in 2022-2023. So, how much is William N. Valavanis worth at the age of 72 years old? William N. Valavanis’s income source is mostly from being a successful Artist. He is from United States. We have estimated William N. Valavanis's net worth , money, salary, income, and assets.

Net Worth in 2023 $1 Million - $5 Million
Salary in 2023 Under Review
Net Worth in 2022 Pending
Salary in 2022 Under Review
House Not Available
Cars Not Available
Source of Income Artist

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Timeline

2018

Valavanis became the first American to evaluate a Japanese bonsai exhibition when he was invited in November 2018 to be one of the 15 judges for the Nippon Bonsai Taikan Exhibition.

2017

In late June 2017, a three-day 1st U.S. National Shohin Bonsai Exhibition was held at the North Carolina Research Campus in Kannapolis, North Carolina. With assistance, Valavanis in less than 6 months put together this show of 191 small bonsai by 30 exhibitors from 13 states. A second exhibit is planned for the same venue in June 2019.

In October 2017, Valavanis became the third inductee into the National Bonsai & Penjing Museum's Bonsai Hall of Fame.

2016

For The Bonsai Without Borders Global Summit and Black Scissors Bonsai Creators Convention in Nanxun, China in early December 2016, Valavanis joined about 70 other international teachers and artists from 35 countries in a unique two-day demonstration designing large Chinese juniper trees into bonsai.

2014

In late October 2014, Valavanis from the U.S. and artist Tony Tickle from the U.K. joined eight judges from China and Taiwan to help with the complicated 15-hour-long judging of the 121 entries in the most important penjing exhibition for 2014, the National Exhibition of Collections of Chinese Penjing Collectors held in Yuyao City, near Shanghai.

2012

In 2012 he authored the large format book Fine Bonsai: Art & Nature (NY: Abbeville Press, ISBN 978-0789211125), which has 596 digital color photos (including 4 gate folds) by Jonathan M. Singer. In 2013 his collection of case studies of 100 bonsai, Classical Bonsai Art: A Half Century of Bonsai Study: The Creations & Passion of William N. Valavanis, was published.

2009

Valavanis would go on to do increasing numbers of demonstrations nationally and internationally. Except for 2009 and 2010 (for health reasons), this widely respected teacher has made over 50 trips to Japan, including leading annual group tours to Japanese bonsai sites and in early February to the Kokufu Bonsai Ten exhibition in Tokyo, the world's premier display of bonsai.

2008

In June 2008 he organized the first biennial U.S. National Bonsai Exhibition. (The second and third exhibitions would also be held in June, 2010 and 2012, respectively, and then these would subsequently be moved to September: the fourth exhibition in 2014, the fifth in 2016, and the sixth in 2018. Each would have a commemorative album issued afterwards.) The September 2011 issue of Japan's premier bonsai magazine Kinbon stated that 'This is the highest level bonsai exhibition in America.' Each new show exceeds past shows in both scope and quality of trees exhibited. This latest show had the exhibition area and room for 30 vendors occupying the equivalent of two football fields, 55,000 square feet of space. It was put together with the help of an army of volunteers from all over the U.S. and Canada, and presented 298 trees from over 120 species and cultivars coming from 27 states and Canada.

1981

Beginning in 1981 and running through 2011 Valavanis hosted a two- to four-day long annual seminar/workshop in September on a given type or style of tree. One hundred and fifty to two hundred participants each year would attend and be taught by a local, national and international faculty. He would continue to teach and promote classical bonsai art, furthering the work of his teacher. His connections with many Japanese bonsai figures would allow him ongoing access to the history and development of the art. He has authored many articles which have been printed in English, Japanese, and European publications. Valavanis has made TV appearances in North America, Japan, Korea, Italy, and Australia as part of his well-prepared workshop and lecture presentations. He had been a frequent contributor to the Internet Bonsai Club forum, the largest such discussion group, set up his own Facebook page in January 2009, and made his own blog https://valavanisbonsaiblog.com/ his preferred quick-turn-around presentation medium in August 2013.

1978

Returning from another trip to Japan in 1978, the business' name was changed to "The International Bonsai Arboretum." By this time he had been an active member in and director of the influential Bonsai Society of Greater New York for several years. He now did a one-year stint as editor of that group's The Bonsai Bulletin. In the spring of 1979 Valavanis began publishing the quarterly International Bonsai magazine to further teach and disseminate classical bonsai art. A number of the articles are translated from the best Japanese bonsai magazines, allowing the world's first and longest-running independent English-language bonsai periodical to remain relevant and educational. Its circulation (in 2004) would be approximately 5,000.

1970

The summer of 1970 Valavanis spent studying with Kyuzo Murata at that master's Kyuka-en Bonsai Garden in Japan's Omiya Bonsai Village, and with Toshio Kawamoto at the Nippon Bonsai-Saikei Institute in Tokyo. The following year Valavanis graduated from The State University of New York Agricultural and Technical College at Farmingdale, Long Island, NY with a degree in Ornamental Horticulture. The next year he was back to Japan to study bonsai with Kakutaro Komuro and Toshio Kawamoto, bonsai chrysanthemums with Tameji Nakajima, and earn a master's teaching certificate in ikebana from the Shofu School. Returning to his home in Rochester, NY, Valavanis had to redevelop the bonsai collection which he mostly had sold to finance his study in Japan. A degree in Floriculture and Ornamental Horticulture from Cornell University followed in 1976 on the heels of several months study at Yuji Yoshimura's School of Bonsai in Briarcliff Manor, New York. During his school days Valavanis continued to teach, train and sell bonsai; at Briarcliff Manor he conducted introductory and intermediate level bonsai courses. In 1975 and 1976 he wrote the first two volumes of the Encyclopedia of Classical Bonsai Art.

1968

At age 11, Valavanis began to pot tree seedlings and bend them into bonsai shapes. Four years later in the family's new home in Charleston, West Virginia, he began to exhibit and lecture on bonsai at local garden clubs, and the following year started the "House of Bonsai" business. The family moved to Rochester, New York in 1968.

1951

William N. Valavanis (born September 3, 1951 in Waukegan, Illinois), is a Greek-American bonsai master who carries on Yuji Yoshimura's tradition of teaching Japanese techniques and aesthetics to enthusiasts in the West.