Age, Biography and Wiki

William Eythe (William John Joseph Eythe) was born on 7 April, 1918 in Mars, Pennsylvania, USA, is an Actor, Soundtrack. Discover William Eythe's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of William Eythe networth?

Popular As William John Joseph Eythe
Occupation actor,soundtrack
Age 39 years old
Zodiac Sign Aries
Born 7 April, 1918
Birthday 7 April
Birthplace Mars, Pennsylvania, USA
Date of death 26 January, 1957
Died Place Los Angeles, California, USA
Nationality United States

We recommend you to check the complete list of Famous People born on 7 April. He is a member of famous Actor with the age 39 years old group.

William Eythe Height, Weight & Measurements

At 39 years old, William Eythe height is 5' 10" (1.78 m) .

Physical Status
Height 5' 10" (1.78 m)
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Who Is William Eythe's Wife?

His wife is Buff Cobb (2 June 1947 - 12 February 1949) ( divorced)

Family
Parents Not Available
Wife Buff Cobb (2 June 1947 - 12 February 1949) ( divorced)
Sibling Not Available
Children Not Available

William Eythe Net Worth

His net worth has been growing significantly in 2022-2023. So, how much is William Eythe worth at the age of 39 years old? William Eythe’s income source is mostly from being a successful Actor. He is from United States. We have estimated William Eythe's net worth , money, salary, income, and assets.

Net Worth in 2023 $1 Million - $5 Million
Salary in 2023 Under Review
Net Worth in 2022 Pending
Salary in 2022 Under Review
House Not Available
Cars Not Available
Source of Income Actor

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Timeline

1956

In 1956 he and McAllister, along with Huntington Hartford, produced a musical revue with the hopes of it reaching Broadway but it closed in Chicago. Uninspired TV work did little to alter his decline. Depression eventually set in and he turned heavily to drink with an unfortunate series of tabloid-making arrests resulting.

1949

He flatlined film-wise in his last two "C" movies that were made by other studios: Special Agent (1949) and Customs Agent (1950). To compensate for the waning of interest, he formed his own production company and appeared on stage in such fare as "The Glass Menagerie" in the showy role of son Tom.

1948

He also enjoyed seeing one of his early revues, "Lend an Ear", revamped by Charles Gaynor and given a Broadway run in 1948. Eythe was one of the show's producers and singing stars. The musical is best remembered for putting co-star Carol Channing on the map. In addition, Eythe replaced baritone Alfred Drake in "The Liar" a couple of years later.

1947

A close "friendship" with fellow actor Lon McCallister had to be carefully dampened, and, out of concern, an impulsive marriage in 1947 to socialite and Fox starlet Buff Cobb was the result. It may have ended rumors for a spell but, not unsurprisingly, the couple divorced a little over a year later. Ms. Cobb later married veteran TV newsman Mike Wallace. In the post-war years, Fox began to lose interest and Eythe was seen with less frequency.

1946

This happened in other movies as well, and while he was a talented singer/dancer, the only musical film he ever appeared in required minor singing in Centennial Summer (1946). Adding insult to injury, he was dubbed. Eythe never conformed easily to the strictest of rules that studio head Darryl F. Zanuck imposed and it proved a detriment to his career in the long run. He was either suspended or (in one case) farmed out to England to do a "B" film as punishment for his rebellious nature.

1945

When Fox star Tyrone Power turned down the lead role opposite Tallulah Bankhead in the plush costumer A Royal Scandal (1945), Eythe inherited the part. Naturally Tallulah's histrionics dominated the proceedings and Eythe, though sincere and quite photogenic, was completely overlooked.

1944

Mark (1944) and as a German-American double agent in the taut espionage drama The House on 92nd Street (1945).

1943

More quality films ensued with The Song of Bernadette (1943) and Wilson (1944) although he didn't have much of a chance to shine. He received his best Hollywood top-lining assignments as the rural WWII soldier who has telepathic capabilities in The Eve of St.

1942

who had "4-F status, was handed an enviable film debut as the wavering son of a lynch mob member in the superb The Ox-Bow Incident (1942).

1941

Graduating from college in 1941, he began leaning towards a professional music theater and started involving himself in musicals and revues in the Pittsburgh era. He appeared in various stock shows in other states as well, including the "borscht circuit", while radio work in the form of announcing came his way. Following a failed attempt at forming his own stock company, he was discovered by a 20th Century-Fox talent scout while performing impressively on Broadway in "The Moon Is Down" and moved west when the show closed in the summer of '42. Benefiting from the fact that many major Hollywood male stars were actively serving in WWII, Eythe.

1918

He had the requisite charm and dark, thick-browed good-looks of a Tyrone Power that often spelled "film stardom" but it was not to be in the case of actor William Eythe. Spotted for Hollywood while performing on Broadway, he made nary a dent when he finally transferred his skills to film and is little remembered today. Outgoing in real life, he never found his full range in film and a certain staidness behind the charm and good looks prohibited him from standing out among the other high-ranking leading men. Like Power, his untimely death robbed filmgoers of seeing what kind of a character actor he might have made. Born William John Joseph Eythe on April 7, 1918, in a small dairy town near Pittsburgh, Pennsylvania, he was the son of a contractor. Developing an early interest in theatrics after appearing in an elementary school play, he put on his own shows as an amateur producer/director. Following high school he applied to the School of Drama at Carnegie Tech where he initially focused on set design and costuming due to a stammering problem (it was corrected while there). He also produced some of the school's musicals in which he also wrote the songs.