Age, Biography and Wiki
Wayne Koestenbaum was born on 20 September, 1958 in United States. Discover Wayne Koestenbaum's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 62 years old?
|Age||63 years old|
|Born||20 September 1958|
We recommend you to check the complete list of Famous People born on 20 September. He is a member of famous with the age 63 years old group.
Wayne Koestenbaum Height, Weight & Measurements
At 63 years old, Wayne Koestenbaum height not available right now. We will update Wayne Koestenbaum's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
|Body Measurements||Not Available|
|Eye Color||Not Available|
|Hair Color||Not Available|
Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
Wayne Koestenbaum Net Worth
His net worth has been growing significantly in 2020-2021. So, how much is Wayne Koestenbaum worth at the age of 63 years old? Wayne Koestenbaum’s income source is mostly from being a successful . He is from United States. We have estimated Wayne Koestenbaum's net worth, money, salary, income, and assets.
|Net Worth in 2021||$1 Million - $5 Million|
|Salary in 2020||Under Review|
|Net Worth in 2019||Pending|
|Salary in 2019||Under Review|
|Source of Income|
Wayne Koestenbaum Social Network
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|Wikipedia||Wayne Koestenbaum Wikipedia|
In Boston Review, Stefania Heim wrote that Koestenbaum's work —across genre— "obliterates any vestigial divide we might hold on to between play and thought. It revels in and broadcasts the risks and joys ( the risky joys and joyful risks) inherent in both." Koestenbaum's rhapsodic criticism—containing autobiographical asides, and characterized by an analytic attention to small details, an approach indebted to Roland Barthes's theory of the "punctum"—focuses on celebrity, performance, poetics, film, contemporary visual art, and queer sexuality. His best-known critical book, The Queen's Throat, is a rigorous exploration of a phenomenon frequently discussed casually but seldom considered from a scholarly viewpoint: the predilection of gay men for opera. Koestenbaum's claim is that opera derives its power from a kind of physical sympathy between singer and audience that has as much to do with desire as with hearing. He says of the act of listening:
Koestenbaum's poetry is often more measured than his criticism. It frequently comments on itself—on the disorderly process of poetry—as in "Men I Led Astray" (from The Milk of Inquiry):
Koestenbaum's 2012 book The Anatomy of Harpo Marx was met with mixed reviews. Brian Dillon praised the book in Sight and Sound as "charming and rigorous" and lauded the book in Frieze as an "excellent example of a kind of delirious scholarship." In New Haven Review, Jonathan Kiefer described the book as “a zesty and deeply literate joy to read. Just as his previous nonfiction work, Humiliation, seemed like an apotheosis of new literary possibility in the age of overshare, so Koestenbaum's new book reinvigorates film studies."'Writing in the San Francisco Chronicle, Saul Austerlitz suggested that Koestenbaum "sexualizes Harpo beyond all recognition, creating a figure about whom the author can say, in all seriousness, that 'courtesy of the anus, we can imagine, Marxist-style, a path away from family and state.'" Joe Queenan, citing Koestenbaum's claim that Harpo Marx "has many vaginas," wrote that Koestenbaum "peppers his story with just enough tidbits of fascinating information that readers may fleetingly overlook the fact that his theories are barmy."
Koestenbaum began to paint in 2010 and has had three solo exhibitions (White Columns, the Art Museum at the University of Kentucky in Lexington, and 356 Mission ). In a 2016 Art News article, Ella Coon wrote that "his early work was figurative, and influenced by Warhol. He used a monoprint technique to trace images of male nudes, which he’d originally drawn from life, onto a black ground." In Hyperallergic, his exhibition at the Art Museum at the University of Kentucky in Lexington was described as " all smack of bright, unblended color, sexuality, and a heavy concentration on line and ornamentation — qualities that speak to the artist’s admiration for modernists like André Derain, Henri Matisse, and Marsden Hartley."
Koestenbaum has published many essays, often lyrical or experimental in style, on such subjects as celebrity, classical music, contemporary art, literature, and aesthetics; some of these essays have been collected in the books, Cleavage: Essays on Sex, Stars, and Aesthetics, and My 1980s & Other Essays, and Figure It Out: Essays
Wayne Koestenbaum (born 1958) is an American poet and cultural critic. He received a B.A. from Harvard University, an M.A. from the Johns Hopkins Writing Seminars, and a Ph.D. from Princeton University. Currently, he lives in New York City, where he is Distinguished Professor of English at the City University of New York Graduate Center. He is Jewish.