Steve Ditko

In June 2018, Ditko was found dead within his apartment. The cause of death was a myocardial infarction (heart attack),itself caused by arteriosclerotic and hypertensive cardiovascular disease. Ditko was 90 years old at the time of death.

In 2010, Ditko helped in the publication of reprint collections featuring his work from the 1970s. At about the same time, DC and Marvel published a number of previously unpublished stories by Ditko. Ditko had sold the stories to the two publishers in earlier decades, but they were kept in their respective inventories.

In the 2010s, Ditko continued to work in his apartment within Manhattan's Midtown West neighborhood. He lived alone, having never married and having no known children.

In 2008, Ditko published the essay book "The Avenging Mind", and a collection of editorial cartoons under the title "Ditko, Etc. . . ,".

He also worked on 2 issues for the series Tiger-Man, and a single issue for Morlock 2001.

He eventually published the penultimate Mister A story in 2000, and the ultimate story in the series in 2009.

2000, but was not published by DC Comics until 2008. During the last decades of his life, Ditko mostly worked on creator-owned stories. Most of them were published by his long-time associate Robin Snyder, a former editor of Charlton Comics. Most of these works did not receive a wide circulation.

1 (March, 1963-November, 1998).

In 1998, Ditko wrote a few stories featuring Iron Man, Namor, the Sub-Mariner, and the Power Rangers. Then he mostly retired from mainstream comics. His final mainstream work was a 5-page-long story featuring the New Gods. It was intended for publication c.

In 1995, Ditko served as the main artist for a comic-book miniseries featuring Phantom 2040/Kit Walker, the 24th incarnation of the Phantom. The series was an adaptation of a then-popular French-American animated series. It was among Ditko's large mainstream works.

2, #8 (January, 1992). This story introduced new super-heroine Squirrel Girl/Doreen Allene Green. The character eventually gained a cult following, joined the Great Lakes Avengers (an Avengers' spin-off team), and graduated to her own series. She was among the last original characters Ditko created for Marvel Comics, and the last one to become popular.

In the early 1990s, Ditko was hired by Valiant Comics to contribute stories for its stable of characters. Ditko worked on stories for "Magnus, Robot Fighter", Solar/Phil Seleski, and X-O Manowar/Aric of Dacia. Ditko contributed an Iron Man and Dr. Doom crossover story in the anthology Marvel Super-Heroes vol.

His other commercial works of the 1990s included one-shot publications for Dark Horse Comics, Defiant Comics, and Fantagraphics Books.

In 1988, Ditko co-created a new teenage superhero for Marvel, called Speedball/Robbie Baldwin. Speedball graduated to his own series, which lasted for 10 issues. Ditko was the series main artist, and contributed most of its plots. Following the series' cancellation, Speedball became a featured character in the team book "New Warriors".

He continued working for Charlton on-and-off until 1986, when the company shut down.

The long-running series ended in 1986.

From 1984 to 1986, Ditko drew a series featuring the character of Rom the Space Knight/Rom of Galador, another extraterrestrial superhero.

The series ended in development hell, and Western stopped publishing comics in 1984.

In 1982, Ditko was on contract with Western Publishing to serve as the main artist for a new science-fiction series called "Astral Frontiers".

In 1980, Ditko became the main artist for the stories featuring Starman/Prince Gavyn, a new extraterrestrial superhero. His stories only covered the first year of Starman's series.

In 1980, Ditko co-created a new hero: Dragon Lord/Tako Shamara. The character failed to caught on with readers.

While Ditko mostly worked for Marvel Comics during the 1980s, he also contributed for Pacific Comics, Eclipse Comics, First Comics, and Archie Comics. He contributed stories for Archie's resident superheroes, including the Fly/Thomas "Tommy" Troy, Flygirl/Kim Brand, and Jaguar/Ralph Hardy.

In 1979, Ditko was hired by Marvel Comics again. He took over the series "Machine Man", featuring Jack Kirby's character Machine Man/Aaron Stack. The character was a sentient robot. Ditko also wrote stories for Captain Universe and the Micronauts, space-faring heroes.

He also created the character Shade, the Changing Man, and handled all issues of his short-lived series (1977-1978). Besides working on his own characters for DC Comics, Ditko contributed stories for its other characters. He worked on stories for Etrigan the Demon, the Legion of Super-Heroes, and Man-Bat/Robert Kirkland "Kirk" Langstrom. Several of his stories were published in anthology titles.

In 1975, Ditko was hired by the short-lived publisher Atlas/Seaboard Comics (1974-1975). The company was owned by Martin Goodman, Marvel Comics' former owner. Ditko co-created a character called Destructor, which was given his own series.

Ditko handled the art for all 4 of its issues (February-August, 1975).

Atlas/Seabord shut down in 1975.

In 1975, Ditko returned to DC Comics. His first major work there was creating the antihero Stalker/Elpis, who briefly received his own sword-and-sorcery themed series. Ditko handled all 4 of its issues.

In 1974, Ditko became the main artist for the stories featuring Liberty Belle/Caroline Dean.

In the 1970s, he wrote and illustrated several independently published comic books that were heavily inspired by the theory of "Objectivism", promoted by philosopher/writer Ayn Rand. Titles include "Avenging World" and "Mr. A" (Title taken from Rand's maxim "A is A"). His heavy-handed and often preachy writing style in these books earned him the derisive nickname "Ditko the Dictator". The latter character is most famously parodied by comic book writer Alan Moore, with his most famous character in his comic book series, "Watchmen," Rorschach, which was intended as a criticism of Ditko's objectivist values. Despite that criticism, Moore and Ditko got along far better than would be expected: Ditko liked the Rorschach character, which he described as "Like Mr. A, but insane." and Moore openly stated that he respected Ditko and his talents as well as his dedication for using the medium as a means of very personal expression and complained that Marvel treated Ditko poorly.

The Creeper graduated to his own comic book series called "Beware the Creeper: (June 1968 - April 1969), and Ditko handled all 6 of its issues.

In 1969, Ditko resigned from DC Comics. He contributed a story to the first issue of Wally Wood's series "Heroes, Inc.

Presents Cannon" (1969), but otherwise worked near-exclusively for Charlton Comics in the early from 1969 to the mid-1970s.

In 1968, Ditko was hired by DC Comics.

His first major creation for the company was The Creeper, with the character introduced in "Showcase" #73 (April 1968).

The sibling duo Hawk and Dove were then introduced in Showcase #75 (June 1968).

In 1967, Ditko created the creator-owned character Mister A. The character was inspired by Objectivism philosophy, and often delivered lethal justice to criminals. The first Mister A story was published in "witzend", an an underground comic which handled creator-owned stories by comic book professionals.

Ditko regularly worked on Mister A stories for various publishers between 1967 and 1978.

Ditko was the new magazine's main artist for its first 38 issues (March, 1963-July, 1966). Besides Spidey himself, Ditko co-created most of his early supporting cast and early foes. His creations included (in order) Aunt May/May Reilly Parker, Uncle Ben/Ben Parker, the Burglar, Crusher Hogan/Joseph Hogan, Flash Thompson/Eugene Thompson, Elizabeth Allan, Maxie Shiffman, Raymond Warren, Bluebird/Sally Avril, and Seymour O'Reilly (all introduced in Amazing Fantasy #15),J. Jonah Jameson (issue #1), Man-Wolf/John Jameson (issue #1), Chameleon/Dmitri Smerdyakov (issue #1),Vulture/Adrian Toomes (issue #2), Tinkerer/Phineas Mason (issue #2), Doctor Octopus/Otto Octavius (issue #3), Betty Brant (issue #4), Sandman/Flint Marko (issue #4), Principal Davis/Andrew Davis (issue #4), Lizard/Dr. Curtis Connors (issue #6), the Living Brain (issue #8), Charlie Murphy/Charles Murphy (issue #8), Electro/Maxwell "Max" Dillon (issue #9), Dr. Nicholas Bromwell (issue #9), Montana/Jackson Brice (issue #10), Fancy Dan/Daniel Brito (issue #10), the Ox/Raymond Bloch (#issue #10), the Big Man/Frederick Foswell (issue #10), Crime-Master/Bennett Brant (issue #11), Mysterio/Quentin Beck (issue #13), Green Goblin/Norman Osborn (issue #14), Kraven the Hunter/Sergei Kravinoff (issue #15), Anna Watson (issue #15), the Great Gambonnos/Ernest Gambonno and Luigi Gambonno (issue #16), Wilson Allan (issue #17), Hobgoblin/Ned Leeds (issue #18), the Scorpion/Mac Gargan (issue #20), Princess Python/Zelda DuBois (issue #22), Lucky Lobo/Francisco Lobo (issue #23), Mary Jane Watson (issue #25), Professor Spencer Smythe (issue #25), Spider-Slayer (issue #25), Crime-Master/Nicholas "Nick"/ "Lucky" Lewis (issue #26), Barney Bushkin (issue #27), the Molten Man/Mark Raxton (issue #28), Doris Raxton Allan (issue #28), Prowler/Cat Burglar/ the Cat (issue #30), Green Goblin/Harry Osborn (issue #31), Gwen Stacy (issue #31), the Jackal/Professor Miles Warren (issue #31), Dean Corliss (issue #31), the Looter/Meteor Man/Norton Fester (issue #36), Sally Green (issue #36), Robot Master/Gaunt/Professor Mendel Stromm (issue #37), Max Young (issue #37), and Guy Named Joe/Joe Smith (issue #38). Ditko eventually demanded credit for his plot contributions, and Stan Lee complied. Fros issue #25 onward, Ditko started receiving plot credits. One of the most celebrated issues plotted by Ditko was issue #33, titled "If This Be My Destiny. . . !", In it Spider-Man is pinned down by heavy machinery, and is plagued by visions of having failed to rescue his uncle and being then unable to rescue his aunt. He eventually escapes through sheer force of will. The story has been repeatedly cited as one of Marvel Comics' best stories. While continuing his work on Spider-Man, Ditko co-created Dr. Strange.

A multi-part story in "Strange Tales" #130-146 (March 1965 - July 1966) introduced Eternity, a living personification of the universe,Besides Spider-Man and Dr. Strange, Ditko contributed stories for other Marvel characters of the era. He drew stories of the Hulk/Bruce Banner and Iron Man/Tony Stark.

In 1966, Ditko decided to quit working for Marvel Comics, though he never explained the reasons for his decision. His relationship with Stan Lee had deteriorated sometime earlier, and they were no longer on speaking terms. Art and editorial changes in their stories were handled through intermediaries. According to John Romita Sr.

From 1966 to 1967, Ditko also worked for Warren Publishing. The publisher specialized in comic magazines, and Ditko contributed 16 stories for the anthology series "Creepy" and "Eerie".

Between 1965 and 1968, Ditko was the main creative force behind the stories of Captain Atom, Blue Beetle, and the Question.

Ditko is credited for designing the Leader/Samuel Sterns in 1964, who has since served as the Hulk's primary adversary.

The character was introduced in "Strange Tales" #110 (July 1963), and continued to appear regularly in the magazine. Ditko's Doctor Strange artwork was acclaimed "for its surrealistic mystical landscapes and increasingly psychedelic visuals".

Spider-Man's origin story was published in "Amazing Fantasy" #15 (August 1962), the final issue of the anthology series. It became a top-seller, so Marvel Comics decided to give Spidey (as the character was nicknamed) his own series: "The Amazing Spider-Man" vol.

Ditko's stories were sufficiently were sufficiently popular for him to be assigned as the main artist of "Amazing Adventures" in December, 1961. The anthology was renamed to "Amazing Adult Fantasy", to reflect its publication of stories that were more sophisticated that Atlas/Marvel's typical output. Ditko's stories for Atlas and Marvel Comics were composed according to the company's "Marvel Method" of writer-artist collaboration. The writer provided a brief outline of the plot, while the artist fleshed out the story and illustrated it. This gave Ditko significant creative influence on any story, though he did not receive a credit as a co-writer or co-plotter.

In the early 1960s, Stan Lee wanted to create a new teenage hero, called Spider-Man.

It became a favorite series for college students of the 1960s. Dr. Strange was a magic user whose adventures took place in "bizarre worlds and twisting dimensions". In the Dr. Strange series, Ditko introduced some of the earlier cosmic characters used by Marvel.

In 1956, Ditko was hired by Atlas Comics, Marvel Comics' predecessor.

By 1955, Ditko had recovered and he moved back to New York City.

Stanmor sold this story to the comic book publisher Farrell Publications, which first published it in 1954. Ditko's second professional story, but first published work, was the romance story "Paper Romance".

In 1954, Ditko was first hired by the publisher Charlton Comics, a low-budget company located in Derby, Connecticut. His first story for them was a vampire story, titled "Cinderella".

In 1954, Ditko contracted tuberculosis and had to take a hiatus from his comic book work. He recuperated at his family's house in Johnstown, Pennsylvania.

He encouraged Ditko to write his own stories and to create his own characters,By 1953, Ditko had graduated and began work as a professional comic book artist. His first work was illustrating the science fiction story "Stretching Things" for Stanmor Publications.

It was published by Gillmor Magazines in October, 1953.

In 1950, Ditko chose to enroll at the art school "Cartoonists and Illustrators School" (later known as the School of Visual Arts) , located in New York City.

Ditko received his secondary education at the Greater Johnstown High School, and graduated in 1945.

In October 1945, Ditko enlisted in the United States Army. He spend his military service in Allied-occupied Germany. While there, Ditko drew comic strips for a military newspaper. It was his first comics-related work, though he lacked formal training at the time. Following his discharge, Ditko had the option to receive a college education, thanks to the G. I. Bill. The G. I. Bill was a law that provided a range of benefits to returning veterans, including the payments of tuition and living expenses needed for them to attend high school, college, or vocational school.

He introduced his son to the work of comic strip artists of the 1930s and 1940s.

(1930-), Ditko's replacement in the Spider-Man series, Ditko and Lee had disagreed on how to handle their characters. After leaving Marvel Comics, Ditko returned to Charlton Comics. The pay rates at Charlton were considerably lower than Marvel's, but its creators enjoyed more creative freedom over their stories.

In 1927, Ditko was born in Johnstown, Pennsylvania, a city located 56 miles (90 kilometers) to the east of Pittsburgh. His parents were master carpenter Stephen Ditko and his homemaker wife Anna. Both parents were first-generation American Rusyn immigrants from Czechoslovakia. Steve was the second of four children born to the Ditko family, and he was raised as a typical member of a working class family. Stephen Ditko, Steve's father, loved newspaper comic strips.

Its original publisher was veteran comic book artist Wally Wood (1927-1981).

The idea of webs coming out of the character's hands was credited to Ditko's roommate at the time, the fetish artist Eric Stanton (1926-1999).

While studying at art school, Ditko found a mentor in veteran comic book artist Jerry Robinson (1922-2011). Robinson had been one of the main artists of the "Batman" series, and was credited as the co-creator of Robin/Dick Grayson and the Joker. Robinson found Ditko to be a dedicated student, and a very hard worker.

He mostly illustrated surreal stories, written by Atlas' writer-editor Stan Lee (1922-2018). Ditko's work for Atlas Comics was published in its anthology titles, including "Amazing Adventures", "Journey into Mystery", "Strange Tales", "Strange Worlds", "Tales of Suspense" and "Tales to Astonish".

Ditko was soon after hired by the studio operated by veteran comic book writers and artists Jack Kirby (1917-1994) and Joe Simon (1913-2011).

While working for them, Ditko received additional training by his co-worker Mort Meskin (1916-1995). According to an interview, Ditko admired Meskin's ability to create detailed drawing compositions without cluttering the image. Some of Ditko's earliest known work was published by Prize Comics, an imprint of Crestwood Publications which was co-headed by Kirby and Simon.

He first gained permission to create such a story by his publisher Martin Goodman (1908-1992). He then had to design the new character, and then gave the assignment to his main artist at the time: Jack Kirby. Kirby created a 6-page-long draft for the character's first story, but Lee rejected his designs. He then gave the assignment of designing Spider-Man to Ditko, who was the company's second most prominent artist at the time. Ditko's version of the character was accepted by Lee. Ditko created Spider-Man's original costume. He incorporated a face mask which hid the character's facial features, a costume with no shoes that would allow the character to cling on walls, and a hidden wrist-shooter. Ditko also created the character's "web gimmick" and his spider signal.

Steve Ditko was an American comics writer and artist of Rusyn descent. He is better known for co-creating the superheroes Spider-Man/Peter Parker and Doctor Strange/Stephen Strange for Marvel Comics. He created many other characters for various publishing companies. Among his better known creations are Blue Beetle/Ted Kord, Captain Atom/Allen Adam, the Creeper/Jack Ryder, Hawk and Dove/Hank Hall and Don Hall, Mr. A/Rex Graine, the Question/Charles Victor Szasz, Shade, and the Changing Man/Rac Shade, Ditko was an adherent of Objectivism, the philosophy of Ayn Rand (1905-1982). Her work had a significant influence on his own work, and often reflected Objectivism's belief in moral absolutism.

The Ditko family's favorite comic strip was the adventure series "Prince Valiant" by Hal Foster (1892-1982). As Steve grew up, so did his interest in both comic strips and comic books. His favorite characters during his adolescence were Batman/Bruce Wayne and the Spirit/Denny Colt.