Sidney Franklin

Miniver (1942), a picture he thought would lose money but needed to be made.

The biggest box-office hits were Waterloo Bridge (1940), Random Harvest (1942), Madame Curie (1943),The White Cliffs of Dover (1944) and Mrs.

From 1939 Sidney spent most of his time as producer on similarly prestigious films, with a strong inclination towards sentimental melodrama.

Buck's tale of struggling Chinese farmers, The Good Earth (1937). All were lavishly produced as A-grade features, with A-grade budgets.

Sherwood; Rudolph Besier's period melodrama The Barretts of Wimpole Street (1934) or Pearl S.

He was at his best bringing classics to the screen, like the Noël Coward adaptation of Private Lives (1931); Reunion in Vienna (1933), based on a play by Robert E.

He joined MGM in 1926 and remained affiliated with the studio until his departure in 1958. A protégé of the similarly inclined chief of production at MGM,Irving Thalberg, Franklin was thought of as a "literate" filmmaker.

He established his reputation with Smilin' Through (1922), and went on to direct some of the great female stars of the silent era, including Norma Talmadge, Mary Pickford and Greta Garbo.

Sidney Franklin was involved in amateur filmmaking while still at school. With his brother Chester M. Franklin, he wrote, directed and edited a short film, The Baby (1915), at a cost of $400. Somehow it attracted the interest of D. W. Griffith, who decided to put the brothers to work making children's films for the Triangle Film Corporation. After three years they went their separate ways. Sidney ended up with the more successful career.