Age, Biography and Wiki

Rina Morelli (Elvira Morelli) was born on 24 November, 1908 in Naples, Campania, Italy, is an Actress, Miscellaneous. Discover Rina Morelli's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is She in this year and how She spends money? Also learn how She earned most of Rina Morelli networth?

Popular As Elvira Morelli
Occupation actress,miscellaneous
Age 68 years old
Zodiac Sign Sagittarius
Born 24 November 1908
Birthday 24 November
Birthplace Naples, Campania, Italy
Date of death 17 July, 1976
Died Place Rome, Lazio, Italy
Nationality Italy

We recommend you to check the complete list of Famous People born on 24 November. She is a member of famous Actress with the age 68 years old group.

Rina Morelli Height, Weight & Measurements

At 68 years old, Rina Morelli height not available right now. We will update Rina Morelli's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Who Is Rina Morelli's Husband?

Her husband is Gastone Ciapini (? - ?) ( separated)

Family
Parents Not Available
Husband Gastone Ciapini (? - ?) ( separated)
Sibling Not Available
Children Not Available

Rina Morelli Net Worth

Her net worth has been growing significantly in 2020-2021. So, how much is Rina Morelli worth at the age of 68 years old? Rina Morelli’s income source is mostly from being a successful Actress. She is from Italy. We have estimated Rina Morelli's net worth, money, salary, income, and assets.

Net Worth in 2021 $1 Million - $5 Million
Salary in 2020 Under Review
Net Worth in 2019 Pending
Salary in 2019 Under Review
House Not Available
Cars Not Available
Source of Income Actress

Rina Morelli Social Network

Instagram
Linkedin
Twitter
Facebook
Wikipedia
Imdb

Timeline

1958

Gibbons' boys) by Will Glickman and Joseph Stein and 'Immagini e tempi di Eleonora Duse' all three in 1958 and 'L'Arialda' by Giovanni Testori in 1960, all directed by Visconti.

1949

She triumphed in 1949 in another Tennessee Williams' play: 'Un tram che si chiama desiderio' (A Streetcar Named Desire) with Vivi Gioi again and Vittorio Gassman (she would reprised the role of Blanche Dubois two years later, this time opposite Paolo Stoppa, a young Marcello Mastroianni and Rossella Falk) and in 1951 in Arthur Miller's 'Morte di un commesso viaggiatore' (Death of a Salesman).

Her work also includes Vittorio Alfieri's 'Oreste' (1949); two plays by the Italian author Diego Fabbri: 'Il seduttore' (1951) and 'Figli d'arte' (1959); another Miller's play 'Uno sguardo dal ponte (A View from the Bridge)' with Paolo Stoppa; 'I ragazzi della Signora Gibbons' (Mrs.

1948

Visconti would also direct her in classics like Shakespeare's 'Rosalinda o come vi piace' (As You Like It) (1948), 'Troilo e Cressida' (Troilus and Cressida) (1949), Goldoni's 'La locandiera' (1952) and 'L'impresario di Smirne' in 1957, Anton Checkhov's 'Tre sorelle' (Three Sisters) (1952) and 'Zio Vania' (Uncle Vania) (1955).

1945

His directing genius and her versatility as an actress would perfectly serve modern plays like 'Parenti terribili' (Les parents terribles) by Jean Cocteau (1945), Jean Anouilh's 'Antigone', 'A porte chiuse' (Huis clos) by Jean-Paul Sartre appearing alongside Paolo Stoppa and Vivi Gioi (all in 1945) and 'Zoo di vetro' (The Glass Menagerie) by Tennessee Williams (1946).

1944

In 1944 they all appeared in Ernst Eklund's 'Quartetto pazzo' directed by 'Guido Salvani', remade for the big screen in 1945 with the same team except for Andreina Pagnani who was replaced by Anna Magnani in the role of Elena. It was after the war though that Rina Morelli would be at her most powerful in plays directed by the brilliant Luchino Visconti with whom she would work almost exclusively in the theatre for the next 20 years.

1938

Spanning five decades of Italian cinema, Rina Morelli's screen appearances were always interesting and powerful, but it is on the stage that she produced her most interesting and ground-breaking work. She debuted, aged seven, in 'Morte Civile' by Paolo Giacometti, directed by the famous stage actor Ermete Zacconi alongside her father Amilcare Brillanti. Her first notable success was 'Liliom' by Ferenc Molnár opposite Annibale Betrone. In 1938, she joined the company of the Teatro Eliseo in Rome and spent the next few years appearing alongside Gino Cervi, Andreina Pagnani and Paolo Stoppa who would become her life-long partner.

Their many successes include William Shakespeare's 'La dodicesima notte' (Twelth Night) (1938) and 'Le allegre comari di Windsor' (The Merry Wives of Windsor) in 1939; the adaptation of the French play 'Les jours heureux' by Claude-André Puget (Giorni Felici) also in 1938.