Richard Kern

He was interviewed in 2011, as part of the documentary The Advocate for Fagdom by Angélique Bosio about queercore filmmaker Bruce La Bruce,

His book Action, edited by Dian Hanson, was released in 2007 by Taschen, featuring more than 200 full-color photographs of young nude women. Accompanying the volume was Extra Action, Kern's DVD of models featured in the book.

Since February 2007, Kern has directed Shot By Kern on VBS.tv, stills of which are published monthly in Vice.

Kern was married to artist Martynka Wawrzyniak from 2007 to 2015.

Kern, whose father was a North Carolina newspaper photographer and editor, turned in the 1990s almost exclusively to still photography. Although mainly known in recent years for his photographs of naked women, he frequently shoots celebrity portraits for international publications.

In 1985, he directed a video for the Sonic Youth song "Death Valley '69"; this led to more music video work, including videos for King Missile ("Detachable Penis") and Marilyn Manson ("Lunchbox").

Kern's first dabbling in the arts was a series of self-produced magazines that featured art, poetry, photography and fiction by himself and several friends. These hand-stapled and photocopied zines expressed the bleakness of New York City's East Village in the early 1980s. Kern's first zine was the bi-monthly The Heroin Addict, which was later renamed The Valium Addict. About 12 issues of these two zines were produced, along with the occasional special issue. This phase of Kern's career lasted from late 1979 to around 1983.

Richard Kern (born 1954) is an American underground filmmaker, writer and photographer. He first came to prominence as part of the cultural explosion in the East Village of New York City in the 1980s, with erotic and experimental films like The Right Side of My Brain and Fingered, which featured personalities of the time such as Lydia Lunch, David Wojnarowicz, Sonic Youth, Kembra Pfahler, Karen Finley and Henry Rollins. Like many of the musicians around him, Kern had a deep interest in the aesthetics of extreme sex, violence and perversion and was involved in the Cinema of Transgression movement, a term coined by Nick Zedd.