Age, Biography and Wiki
Rachel Willis-Sørensen was born on 1984. Discover Rachel Willis-Sørensen's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is She in this year and how She spends money? Also learn how She earned most of networth at the age of 39 years old?
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39 years old |
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1984, 1984 |
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1984 |
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We recommend you to check the complete list of Famous People born on 1984.
She is a member of famous with the age 39 years old group.
Rachel Willis-Sørensen Height, Weight & Measurements
At 39 years old, Rachel Willis-Sørensen height not available right now. We will update Rachel Willis-Sørensen's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Dating & Relationship status
She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.
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Rachel Willis-Sørensen Net Worth
Her net worth has been growing significantly in 2022-2023. So, how much is Rachel Willis-Sørensen worth at the age of 39 years old? Rachel Willis-Sørensen’s income source is mostly from being a successful . She is from . We have estimated
Rachel Willis-Sørensen's net worth
, money, salary, income, and assets.
Net Worth in 2023 |
$1 Million - $5 Million |
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Under Review |
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Pending |
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Under Review |
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Timeline
To commence the 2022/23 season, Rachel made her debut performing Schonberg’s Gurre-Lieder at the DRKoncerthuset, she then returned to the role of Ellen Orford at the Bayerische Staatsoper. In November, Rachel made her role debut as Elisabeth in Verdi's Don Carlos at Lyric Opera of Chicago followed by a return to the Wiener Staatsoper to perform Die Fledermaus.
On February 25th, 2022, Sony Classical announced the signing of Rachel for a multi-record deal. Her debut album, Rachel, was released on April 8th, 2022.
Rachel had a busy start to the 2021/22 season with a gala at the San Francisco Opera which featured mezzo-soprano Jamie Barton and Music Director Eun Sun Kim. This was followed by a successful role debut as Desdemona in Otello, Marguerite in Faust and Rosalinde in Die Fledermaus at the Wiener Staatsoper, the title role in Rusalka with the NDR, Mimi in La Bohème with the Semperoper Dresden, Ellen Orford in Peter Grimes at the Bayerische Staatsoper, and Elsa in Lohengrin at Oper Frankfurt. In the Summer, Rachel returned to the role of Donna Anna at the Ravinia Festival, followed by a series of concerts in Germany and Lichtenstein alongside Jonas Kaufmann.
She began her 2020/21 season with a role debut in Bordeaux as Violetta in La traviata, sang Mimì in La bohème at the Bayerische Staatsoper opposite Jonas Kaufmann for a live online broadcast, and her house debut at Gran Teatre del Liceu as Leonora in Il trovatore. She also performed Mendelssohn’s Elias with the Accademia Nazionale di Santa Cecilia under the baton of Antonio Pappano which was broadcast on Rai Cultura (TV) and Rai Radio 3. Further concerts during the season included a Mahler 4 with the Dallas Symphony Orchestra, the Sommernachtsgala in Grafenegg. Rachel ended the season with a triumphant L’instant Lyrique recital with Antoine Palloc in Crans-Montana.
In the 2019/20 season, she made her role debut as Marguerite in Faust in Tokyo as part of the Royal Opera House on tour, (this also marks her debut in Japan), sang Marschallin in Der Rosenkavalier at the Semperoper Dresden, performed Donna Anna in Don Giovanni at the Lyric Opera of Chicago, made her role debut as Valentine in Les Huguenots at Grand Théâtre de Genève, sang Contessa in Le Nozze di Figaro at the Bayerische Staatsoper, and went on tour with Jonas Kaufmann in support of his latest album, Wien, (on which she also appears) throughout Europe. She was to have made her role debut as Alcina at the Semperoper Dresden, and sing Contessa Almaviva in The Marriage of Figaro at the Grand Théâtre de Bordeaux, but these engagements were cancelled due to the COVID-19 outbreak.
Highlights from her 2018/19 season included her role debut as Leonora in Il trovatore at the Teatro Regio di Torino, Rosalinde in Die Fledermaus in a televised performance also featuring Jonas Kaufmann, Hélène in Les vêpres siciliennes at the Bavarian State Opera, Donna Anna in Mozart's Don Giovanni at the Metropolitan Opera, and her role debut in the title role in Rusalka at the San Francisco Opera.
She was a member of the Semperoper Dresden ensemble from 2012 until 2015, where she continued to add to her repertoire, most notably, the title role in The Merry Widow, Fiordiligi in Così fan tutte, Vitellia in La clemenza di Tito, Elettra in Idomeneo, Diemut in Feuersnot, Rosalinde in Die Fledermaus, and MimÌ in La bohème.
In the 2011/12 season, Willis-Sørensen made her Royal Opera House, Covent Garden, debut as Countess Almaviva in The Marriage of Figaro under music director Antonio Pappano. She sang with the Los Angeles Philharmonic in Beethoven's Symphony No. 9 under Leonard Slatkin at the Hollywood Bowl, and appeared at the Opera Theatre of Saint Louis as Fiordiligi in Così fan tutte and Gotham Chamber Opera as Licenza in Christopher Alden's production of Mozart's rarely heard Il sogno di Scipione to celebrate their 10th anniversary. She returned to Covent Garden as Gutrune in Götterdämmerung, again under Antonio Pappano and Houston Grand Opera as Donna Anna in Don Giovanni.
She made her professional debut as the High Priestess (Aida) at the Utah Opera Festival in 2008, and was accepted into the Houston Grand Opera Studio the following season, where she made several debuts and covered multiple roles. In the 2009/10 season in the program, Willis-Sørensen made her mainstage debut with the company as Masha in Pique Dame and covered Elsa in Lohengrin and the Governess in The Turn of the Screw. In the 2010/11 season, she sang the role of Kate Pinkerton in Madama Butterfly and Fiordiligi in Così fan tutte as a part of the Houston Grand Opera Studio performances. She also covered Ellen Orford in Peter Grimes, Countess Almaviva in The Marriage of Figaro, and the title role in Ariadne auf Naxos. Later that season, she made her Santa Fe Opera debut as the First Lady in Mozart's The Magic Flute and performed excerpts from Arabella as a member of their Apprentice Program.
Rachel Willis-Sørensen (born 1984) is an American operatic soprano, vocal contractor / vocalist , conductor.