Age, Biography and Wiki

Oriza Hirata was born on 8 November, 1962 in Tokyo, Japan, is a Playwright, director, academic. Discover Oriza Hirata's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 58 years old?

Popular As N/A
Occupation Playwright, director, academic
Age 59 years old
Zodiac Sign Scorpio
Born 8 November 1962
Birthday 8 November
Birthplace Tokyo, Japan
Nationality Japanese

We recommend you to check the complete list of Famous People born on 8 November. He is a member of famous Playwright with the age 59 years old group.

Oriza Hirata Height, Weight & Measurements

At 59 years old, Oriza Hirata height not available right now. We will update Oriza Hirata's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
Parents Not Available
Wife Not Available
Sibling Not Available
Children Not Available

Oriza Hirata Net Worth

His net worth has been growing significantly in 2020-2021. So, how much is Oriza Hirata worth at the age of 59 years old? Oriza Hirata’s income source is mostly from being a successful Playwright. He is from Japanese. We have estimated Oriza Hirata's net worth, money, salary, income, and assets.

Net Worth in 2021 $1 Million - $5 Million
Salary in 2020 Under Review
Net Worth in 2019 Pending
Salary in 2019 Under Review
House Not Available
Cars Not Available
Source of Income Playwright

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Timeline

2019

There are design elements and organizational elements that can encourage better communication in the doctor’s office, such as the positions of the doctor’s and the patient’s chairs, the color of the walls, the lighting, and these elements can create an environment that encourages the patient to ask the doctor questions and bring out answers that can reduce medical/diagnostic error.

2014

Shortly after beginning his career as a playwright, Oriza Hirata has had a prolific international career—both touring his work around the world, as well as staging foreign playwrights work at his own theater in Japan.

2000

Beginning in the early 2000s, Hirata's work started to garner international attention. With the help of Japan's Saison Foundation, a grant-making foundation that supports Japanese Theater, and Manhattan's Nonprofit organization Japan Society, Hirata's most famous work, Tōkyō Notes was debuted in the United States in October 2000 in New York City. Japan Society's theater series, Japanese Theatre NOW, has helped bring a number of contemporary Japanese dramas to the United States, Hirata's being notable since Tōkyō Notes was one of the first.

1989

Hirata's first play, Citizens of Seoul (ソウル市民 , Seoul shimin) , first premiered in 1989, and has remained one of his most famous plays. 6 Years later, in 1994, he debuted Tōkyō Notes (東京ノート , Tōkyō nōto) , which is still considered his magnum opus. As a playwright, Hirata has continued to write and direct plays both at Komaba Agora theater, as well as theaters in Europe, the Americas, and other parts of Asia. He is also known for doing international collaborations both in Japan and all around the world, where he has worked with a multitude of playwrights and artists to introduce his own work to new audiences, as well as introduce foreign work to Japan.

1983

Oriza Hirata graduated from International Christian University as a part of their Humanities division. In 1983, he formed the Seinendan Theater Company, which he established in order to practice contemporary colloquial theater. In 1984, Seinendan settled into using the Komaba Agora Theater as their main base of operations. Hirata remains as the theater's primary artistic director and has continued to play a major role in the theater's management.

1980

Contemporary colloquial theater is a theatrical style Oriza Hirata founded as an answer to the “boisterous and festive nature of 1980s Japanese theater.” This style emphasizes colloquial Japanese language use that is designed to sound distinctly typical of the linguistic tendencies and patterns of everyday Japanese speaking. As a result, his plays oftentimes feature multiple characters talking at once, sentence fragments, inaudible speech, and an understated, "normal" speaking tone. This style informs his plays stylistically, both in language and plot, in the sense that Hirata emphasizes realism throughout. However, Hirata has preferred his own stylistic title of "contemporary colloquial theater" because he thinks that relatable terms like Shingeki or realism "sounded too much like the Western drama that [they] emulated." Hirata's style is partially due to his identification the impact of Western style was having on Japanese arts. As a reaction, he has sought to create an artistic style more representative of typical Japanese language and culture. As a playwright, he founded the Seinendan theater company in 1983 as a way to push his acting style into the greater Japanese and international theatre scenes. Hirata has worked closely with international actors when translating his work to preserve the Japanese identity of the speech, which has particularly resonated with French audiences. This style also tends to emphasize a small, intimate set of characters—usually represented by the actors playing the role of a family—to serve as a “microcosm of Japanese society as a whole.” Japanese theater scholar, M. Cody Poulton, describes Hirata's style as an emphasis of the Greek idea of ethos, "the prevalent tone of sentiment of a people or community; the genius of an institution or system."

1962

Oriza Hirata (平田オリザ , Hirata Oriza, born on 8 November 1962, in Tokyo) is a Japanese playwright, director, and academic. For the majority of his life, he has been best known for his work in theater and creating what he has coined, “contemporary colloquial theater,” or as theater critics call it, “quiet drama.”